Act IV, Scene I: The Forest of Arden

by William Shakespeare

　　[Enter ROSALIND, CELIA, and JAQUES.]

　　JAQUESI pr'ythee, pretty youth, let me be better acquainted with thee.

　　ROSALINDThey say you are a melancholy fellow.

　　JAQUESI am so; I do love it better than laughing.

　　ROSALINDThose that are in extremity of either are abominable fellows, and betray themselves to every modern censure worse than drunkards.

　　JAQUESWhy, 'tis good to be sad and say nothing.

　　ROSALINDWhy then, 'tis good to be a post.

　　JAQUESI have neither the scholar's melancholy, which is emulation; nor the musician's, which is fantastical; nor the courtier's, which is proud; nor the soldier's, which is ambitious; nor the lawyer's, which is politic; nor the lady's, which is nice; nor the lover's, which is all these: but it is a melancholy of mine own, compounded of many simples, extracted from many objects: and, indeed, the sundry contemplation of my travels; in which my often rumination wraps me in a most humorous sadness.

　　ROSALINDA traveller! By my faith, you have great reason to be sad: I fear you have sold your own lands to see other men's; then to have seen much and to have nothing is to have rich eyes and poor hands.

　　JAQUESYes, I have gained my experience.

　　ROSALINDAnd your experience makes you sad: I had rather have a fool to make me merry than experience to make me sad; and to travel for it too.[Enter ORLANDO.]ORLANDOGood day, and happiness, dear Rosalind!

　　JAQUESNay, then, God be wi' you, an you talk in blank verse.

　　ROSALINDFarewell, monsieur traveller: look you lisp and wear strange suits; disable all the benefits of your own country; be out of love with your nativity, and almost chide God for making you that countenance you are; or I will scarce think you have swam in a gondola.[Exit JAQUES.]Why, how now, Orlando! where have you been all this while? You a lover!—An you serve me such another trick, never come in my sight more.

　　ORLANDOMy fair Rosalind, I come within an hour of my promise.

　　ROSALINDBreak an hour's promise in love! He that will divide a minute into a thousand parts, and break but a part of the thousand part of a minute in the affairs of love, it may be said of him that Cupid hath clapped him o' the shoulder, but I'll warrant him heart-whole.

　　ORLANDOPardon me, dear Rosalind.

　　ROSALINDNay, an you be so tardy, come no more in my sight: I had as lief be wooed of a snail.

　　ORLANDOOf a snail!

　　ROSALINDAy, of a snail; for though he comes slowly, he carries his house on his head; a better jointure, I think, than you make a woman: besides, he brings his destiny with him.

　　ORLANDOWhat's that?

　　ROSALINDWhy, horns; which such as you are fain to be beholding to your wives for: but he comes armed in his fortune, and prevents the slander of his wife.

　　ORLANDOVirtue is no horn-maker; and my Rosalind is virtuous.

　　ROSALINDAnd I am your Rosalind.

　　CELIAIt pleases him to call you so; but he hath a Rosalind of a better leer than you.

　　ROSALINDCome, woo me, woo me; for now I am in a holiday humour, and like enough to consent.—What would you say to me now, an I were your very very Rosalind?

　　ORLANDOI would kiss before I spoke.

　　ROSALINDNay, you were better speak first; and when you were gravelled for lack of matter, you might take occasion to kiss. Very good orators, when they are out, they will spit; and for lovers lacking,—God warn us!—matter, the cleanliest shift is to kiss.

　　ORLANDOHow if the kiss be denied?

　　ROSALINDThen she puts you to entreaty, and there begins new matter.

　　ORLANDOWho could be out, being before his beloved mistress?

　　ROSALINDMarry, that should you, if I were your mistress; or I should think my honesty ranker than my wit.

　　ORLANDOWhat, of my suit?

　　ROSALINDNot out of your apparel, and yet out of your suit. Am not I your Rosalind?

　　ORLANDOI take some joy to say you are, because I would be talking of her.

　　ROSALINDWell, in her person, I say I will not have you.

　　ORLANDOThen, in mine own person, I die.

　　ROSALINDNo, faith, die by attorney. The poor world is almost six thousand years old, and in all this time there was not any man died in his own person, videlicet, in a love-cause. Troilus had his brains dashed out with a Grecian club; yet he did what he could to die before; and he is one of the patterns of love. Leander, he would have lived many a fair year, though Hero had turned nun, if it had not been for a hot midsummer night; for, good youth, he went but forth to wash him in the Hellespont, and, being taken with the cramp, was drowned; and the foolish chroniclers of that age found it was—Hero of Sestos. But these are all lies; men have died from time to time, and worms have eaten them, but not for love.

　　ORLANDOI would not have my right Rosalind of this mind; for, I protest, her frown might kill me.

　　ROSALINDBy this hand, it will not kill a fly. But come, now I will be your Rosalind in a more coming-on disposition; and ask me what you will, I will grant it.

　　ORLANDOThen love me, Rosalind.

　　ROSALINDYes, faith, will I, Fridays and Saturdays, and all.

　　ORLANDOAnd wilt thou have me?

　　ROSALINDAy, and twenty such.

　　ORLANDOWhat sayest thou?

　　ROSALINDAre you not good?

　　ORLANDOI hope so.

　　ROSALINDWhy then, can one desire too much of a good thing?—Come, sister, you shall be the priest, and marry us.—Give me your hand, Orlando:—What do you say, sister?

　　ORLANDOPray thee, marry us.

　　CELIAI cannot say the words.

　　ROSALINDYou must begin,—"Will you, Orlando"—

　　CELIAGo to:—Will you, Orlando, have to wife this Rosalind?

　　ORLANDOI will.

　　ROSALINDAy, but when?

　　ORLANDOWhy, now; as fast as she can marry us.

　　ROSALINDThen you must say,—"I take thee, Rosalind, for wife."

　　ORLANDOI take thee, Rosalind, for wife.

　　ROSALINDI might ask you for your commission; but,—I do take thee, Orlando, for my husband:—there's a girl goes before the priest; and, certainly, a woman's thought runs before her actions.

　　ORLANDOSo do all thoughts; they are winged.

　　ROSALINDNow tell me how long you would have her, after you have possessed her.

　　ORLANDOFor ever and a day.

　　ROSALINDSay "a day," without the "ever." No, no, Orlando: men are April when they woo, December when they wed: maids are May when they are maids, but the sky changes when they are wives. I will be more jealous of thee than a Barbary cock-pigeon over his hen; more clamorous than a parrot against rain; more new-fangled than an ape; more giddy in my desires than a monkey: I will weep for nothing, like Diana in the fountain, and I will do that when you are disposed to be merry; I will laugh like a hyen, and that when thou are inclined to sleep.

　　ORLANDOBut will my Rosalind do so?

　　ROSALINDBy my life, she will do as I do.

　　ORLANDOO, but she is wise.

　　ROSALINDOr else she could not have the wit to do this: the wiser, the waywarder: make the doors upon a woman's wit, and it will out at the casement; shut that, and it will out at the keyhole; stop that, 'twill fly with the smoke out at the chimney.

　　ORLANDOA man that had a wife with such a wit, he might say,—"Wit, whither wilt?"

　　ROSALINDNay, you might keep that check for it, till you met your wife's wit going to your neighbour's bed.

　　ORLANDOAnd what wit could wit have to excuse that?

　　ROSALINDMarry, to say,—she came to seek you there. You shall never take her without her answer, unless you take her without her tongue. O, that woman that cannot make her fault her husband's occasion, let her never nurse her child herself, for she will breed it like a fool.

　　ORLANDOFor these two hours, Rosalind, I will leave thee.

　　ROSALINDAlas, dear love, I cannot lack thee two hours!

　　ORLANDOI must attend the duke at dinner; by two o'clock I will be with thee again.

　　ROSALINDAy, go your ways, go your ways; I knew what you would prove; my friends told me as much, and I thought no less:—that flattering tongue of yours won me:—'tis but one cast away, and so,—come death!—Two o'clock is your hour?

　　ORLANDOAy, sweet Rosalind.

　　ROSALINDBy my troth, and in good earnest, and so God mend me, and by all pretty oaths that are not dangerous, if you break one jot of your promise, or come one minute behind your hour, I will think you the most pathetical break-promise, and the most hollow lover, and the most unworthy of her you call Rosalind, that may be chosen out of the gross band of the unfaithful: therefore beware my censure, and keep your promise.

　　ORLANDOWith no less religion than if thou wert indeed my Rosalind: so, adieu!

　　ROSALINDWell, Time is the old justice that examines all such offenders, and let time try: adieu![Exit ORLANDO.]CELIAYou have simply misus'd our sex in your love-prate: we must have your doublet and hose plucked over your head, and show the world what the bird hath done to her own nest.

　　ROSALINDO coz, coz, coz, my pretty little coz, that thou didst know how many fathom deep I am in love! But it cannot be sounded: my affection hath an unknown bottom, like the bay of Portugal.

　　CELIAOr rather, bottomless; that as fast as you pour affection in, it runs out.

　　ROSALINDNo; that same wicked bastard of Venus, that was begot of thought, conceived of spleen, and born of madness; that blind rascally boy, that abuses every one's eyes, because his own are out, let him be judge how deep I am in love.—I'll tell thee, Aliena, I cannot be out of the sight of Orlando: I'll go find a shadow, and sigh till he come.

　　CELIAAnd I'll sleep.

　　[Exeunt.]