Author:David Okuefuna
In 1909 the millionaire French banker and philanthropist Albert Kahn embarked on an ambitious project to create a colour photographic record of, and for, the peoples of the world. As an idealist and an internationalist, Kahn believed that he could use the new Autochrome process, the world's first user-friendly, true-colour photographic system, to promote cross-cultural peace and understanding.
Until recently, Kahn's huge collection of 72,000 Autochromes remained relatively unheard of. Now, a century after he launched his project, this photography book and the BBC TV series it accompanies are bringing these dazzling historical photos to a mass audience for the first time and putting colour into what we tend to think of as an entirely monochrome age.
Kahn sent photographers to more than 50 countries, often at crucial junctures in their history, when age-old cultures were on the brink of being changed for ever by war and the march of 20th-century globalisation. They documented in true colour the collapse of the Ottoman and Austro-Hungarian empires, the last traditional Celtic villages in Ireland, and the soldiers of the First World War. They took the earliest known colour photographs in countries as far apart as Vietnam and Brazil, Mongolia and Norway, Benin and the United States. In 1929 the Wall Street Crash forced Kahn to bring his project to an end. He died in 1940, but left behind the most important collection of early colour photographs in the world.
A fascinating and vivid celebration of the earliest examples of colour photography
—— Gareth McLean , GuardianAstonishing images
—— Time OutA legacy of inestimable richness
—— Benjamin Secher , TelegraphJames Walvin here addresses the enormity of the slave trade by looking in depth at three individuals inextricably bound up in it
—— London Review of BooksA remarkable and gripping story, asking profound questions
—— IndependentJames Walvin provides engrossing portraits of three individuals at the centre of the slave trade
—— Financial TimesCleary written and well-researched
—— Paul Callan , Daily ExpressA remarkable and gripping story
—— IndependentDeftly crafted... The power of Walvin's stories lies in their details
—— Sunday TimesThe inspiring lives of two unique people, and Tolan's compassion in narrating them, illuminate the tragedy of Palestine in the most moving and revealing way
—— Karma Nabulsi, Prize Research Fellow, Oxford UniversityA hard book to read with dry eyes and without a lump in one's throat. And hard to read, also, without feeling - dare one even say the word? - something approaching hope
—— Adam Hochschild, author of Bury the Chains and King Leopold's GhostAn understated clash of cultures tale, delicately told
—— Radio TimesImpeccably researched... this narrative illustrates the possibility of compassionate imagination
—— TLSBeautifully written
—— Tam Dalyell, MP