Author:Aleksandr Solzhenitsyn
‘One word of truth shall outweigh the whole world’ Aleksandr Solzhenitsyn
In the first month of the First World War the Russian campaign against the Germans creaks into gear. Crippled by weak, indecisive leadership the Russian troops battle desperately, even as the inevitability of failure and their own sacrifice dawns. Solzhenitsyn’s astounding work of historical fiction is a portrait of pre-revolutionary Russia, a tragic war story, and an epic novel in the great Russian tradition.
One of the greatest and most influential writers of the 20th century
—— Washington PostIt is written in anger yet with understanding, in scorn yet with compassion. Its characters are universal and timeless. A great book. Read it for an understanding of the human condition in time of war and defeat
—— James Callaghan , GuardianThere is a magnificence about it; not in the writing…but in the determination to make the reader understand that here was a nation careening into a century more tragic for it than any has been for any nation ever
—— Scotland on SundaySolzhenitsyn's life…spanned all the decades of Soviet history, and his moral authority is unique among his generation
—— IndependentThe great dissident's massive historical novel
—— GuardianAlexander Solzhenitsyn was one of those exceptional figures who had a message, a story to tell. Domineering and self-righteous, he was none the less a remarkable human being: a visionary, a crusader in the simplest sense, who was steered in his writing, as in his actions, by a deep sense of justice
—— Daily TelegraphIt has been compared, at least in its sweep and intentions, with Tolstoy's War and Peace
—— New York TimesSolzhenitsyn will be remembered in the short-term as the bard of the Gulag, a fearless tribune who exercised a crucial liberating influence at a decisive moment in Soviet history, but in the context of the ages, his works will be read so long as readers thirst for the truth about life on this planet
—— GuardianAt his best, his writing stands comparison with Dostoevsky, and even when it does not…it has a purpose and ethical force that come from deep within him, honed in the gulags during long years staring at man's inhumanity to man straight in the face
—— ScotsmanNot only a great writer but also one who was passionately committed, believing it to be his moral duty, in the face of systematic totalitarian obfuscation, to record Russia's 20th-century experience for posterity
—— Daily TelegraphAs deeply opposed to rampant, materialistic capitalism as he was to totalitarian, atheistic communism, Alexander Solzhenitsyn will never be forgotten by historians, writer, readers, or ethicists
—— The AgeHelen Dunmore's two resources are imagination and research. She's strong on both counts...Dunmore's is a very good novel. 2014 is a very good year to read it.
—— The TimesHelen Dunmore has a talent for gently pulling the reader into the heads of her characters. She writes with a light but sure touch that makes you see through their eyes, smell through their nose...Visceral and elegantly plotted.
—— Daily MailThe writing, even at its most harrowing, is suffused with poetry and evocative description. ‘They say the war’s over, but they’re wrong. It went too deep for that.’ THE LIE is a heart-wrenching portrait of psychological crucifixion.
—— Literary ReviewIt builds to a heart-breaking climax
—— Woman & HomeIf you need any more proof of January's literary liveliness, imagine that you are in charge of publisher's Hutchinson. After 20 years with Penguin, Helen Dunmore (the first winner, remember, of the Orange Prize) has just signed up with you. In which month are you going to publish her new novel, The Lie? But you're probably ahead of me already…
—— ScotsmanThe Lie is a fine example of Dunmore's ability to perceive the long vistas of history in which the dead remain restless...It is a book in which ghosts, perhaps, remain imaginary: but they are none the less real for that.
—— GuardianOrange-prize winning author Helen Dunmore explores the relationship between two First World War soldiers: Daniel, who survived, and his childhood friend Frederick, who died, plus Daniel’s ambiguous bond with Fredericks’ sister Felicia. A dark and haunting exploration of grief and guilt.
—— Sunday Express, Hot Books for 2014Famed for her searing accounts of the siege of Leningrad and its aftermath, Helen Dunmore moves to England after the First World War in The Lie. She chronicles the struggle of a young man without family and homeless amid the quiet landscape of Cornwall, trying to escape his memories of trench warfare.
—— Daily ExpressThe Lie by Helen Dunmore out in January, is exceptionally good. Set in Cornwall in 1920, it centres on a man who survived the war but is still living with the burden of it.
—— Western NewsAn extraordinarily affecting novel by the ever-reliable Helen Dunmore… The flashbacks to the war – and the eventual revelation of how Frederick died – are as crunchingly powerful as you’d expect. Even so, what’s most hearbreaking about the novel is the hesitant, awkward intimacy between Daniel and Felicia. By the end, and without ever losing their vivid individuality, these two bewildered characters in rural Cornwall have somehow come to represent an entire country in a state of traumatic shock.
—— Reader's DigestTHE LIE is an enthralling, heart-wrenching novel of love, memory and devastating loss by one of the UK’s most acclaimed storytellers… If you only read one novel in 2014 set during WWI, this must be the one.
—— Absolutely West magazineImmensely atmospheric, intensely moving story
—— Sainsbury's Magazine