Author:Tim Robinson
The first volume in Tim Robinson's phenomenal Connemara Trilogy - which Robert Macfarlane has called 'One of the most remarkable non-fiction projects undertaken in English'.
In its landscape, history and folklore, Connemara is a singular region: ill-defined geographically, and yet unmistakably a place apart from the rest of Ireland. Tim Robinson, who established himself as Ireland's most brilliant living non-fiction writer with the two-volume Stones of Aran, moved from Aran to Connemara nearly twenty years ago. This book is the result of his extraordinary engagement with the mountains, bogs and shorelines of the region, and with its folklore and its often terrible history: a work as beautiful and surprising as the place it attempts to describe.
Chosen as a book of the year by Iain Sinclair, Robert Macfarlane and Colm Tóibín
'One of the greatest writers of lands ... No one has disentangled the tales the stones of Ireland have to tell so deftly and retold them so beautifully' Fintan O'Toole
'Dazzling ... an indubitable classic' Giles Foden, Condé Nast Traveller
'He is that rarest of phenomena, a scientist and an artist, and his method is to combine scientific rigour with artistic reverie in a seamless blend that both informs and delights' John Banville
'One of contemporary Ireland's finest literary stylists' Joseph O'Connor, Guardian
Many landscape writers have striven to give their prose the characteristics of the terrain they are describing. Few have succeeded as fully as Robinson.
—— Robert Macfarlane , GuardianRobertson has come up with that desperately rare thing: a subject worthy of biography who has never before been addressed and, to his huge advantage, in his field. The result is a work of literary advocacy as elegant, impassioned and original as any the author can ever have laid before a court
—— Anthony Holden , ObserverRobertson tells a spellbinding story. He combines lucid analysis of the legal issues with acute understanding of the various factions. His prose is crisp and he inserts some comments that only a professional advocate, as opposed to an academic historian, would make
—— Christopher Silvester , Daily TelegraphFascinating... Illuminating... This is a work of great compassion and, at a time when it seems to be fashionable for politicians to denigrate lawyers, it is an essential read for anyone who believes in the fearless independence of the law
—— John Cooper , The Times[Robertson's] forensic intelligence can penetrate where professional historians have not reached
—— Blair Worden , Literary ReviewThe writer who got closest to the human truth about our long-serving senior royals
—— The TimesThis immense book is part masterpiece, part sheer exhaustion. The masterpiece part lies chiefly in its breathtaking invention
—— Jan Morris , The TimesEverywhere he goes, Mak is quietly ruthless in unmasking the acts of forgetting, selective amnesia, myth-making and historical obfuscation that persist...Mak is a truly cosmopolitan chronicler of shame and self-deceptions
—— David Goldblatt , IndependentHis genius as a historian is his instinct for human stories... At moments in this monumental work... Mak is the history teacher everyone should have had
—— Simon Kuper , Financial TimesHow eloquently Mak rails against the alliance of consumerism and bureaucracy! ... He has a great eye for telling detail... Only a powerful, humane and serious mind could give coherence to mass detail which, however arresting piece by piece, would otherwise soon become wearying... as much a journey around Geert Mak's head as it is a journey around Europe
—— GuardianFascinating
—— David V Barrett , Independent