Author:Alice Oswald
Winner of the 2017 Griffin Prize
Winner of the 2016 Costa Poetry Award
Shortlisted for the 2016 T. S. Eliot Award
Shortlisted for the 2016 Forward Prize
A Daily Telegraph / Guardian / Herald / New Statesman / Sunday Times / Times Literary Supplement Book of the Year
Alice Oswald’s poems are always vivid and distinct, alert and deeply, physically, engaged in the natural world. Mutability – a sense that all matter is unstable in the face of mortality – is at the heart of this new collection and each poem is involved in that drama: the held tension that is embodied life, and life’s losing struggle with the gravity of nature.
Working as before with an ear to the oral tradition, these poems attend to the organic shapes and sounds and momentum of the language as it’s spoken as well as how it’s thought: fresh, fluid and propulsive, but also fragmentary, repetitive. These are poems that are written to be read aloud.
Orpheus and Tithonus appear at the beginning and end of this book, alive in an English landscape, stuck in the clockwork of their own speech, and the Hours – goddesses of the seasons and the natural apportioning of Time – are the presiding figures. The persistent conditions are flux and falling, and the lines are in constant motion: approaching, from daring new angles, our experience of being human, and coalescing into poems of simple, stunning beauty.
She says that poetry is what happens when language becomes impossible. If you’ve never read her – get this collection now.
—— Jeanette Winterson , Guardian, Book of the Year[A] modern classic.
—— Jeremy Noel-Tod , Sunday Times, Book of the YearA miraculous collection.
—— Kate Kellaway , Observer, Book of the YearA liminal text… Unmistakably original.
—— Craig Raine , Times Literary Supplement, Book of the YearA sublime poet of the natural world.
—— Rupert Thomson , Herald, Book of the YearAn astonishing book of beauty, intensity and poise – a revelation…The collection’s title is spot on. I cannot think of any poet who is more watchful or with a greater sense of gravity.
—— Kate Kellaway , ObserverStunning. Is she now our greatest living poet[?]… Her work is commanding… She is less twinkly-eyed than Simon Armitage, more committed to experimentation than Duffy and just as playful…as Don Paterson. For sheer, sustained invention and intellectual rigour, her work is perhaps closest to Kei Miller… If there’s any justice in the poetry world, the title [Poet Laureate] should be offered to this gardener-classicist who is bringing the British landscape to life in poetry again.
—— Charlotte Runcie , Daily TelegraphThe pieces included here are held together by Oswald’s luminous, almost alien powers of observation.
—— Yasmine Seale , Literary ReviewMagic, the music of nature, the resurrection of the dead: all these feel real when you read Alice Oswald. Her stunning new collection deserves the Forward Prize.
—— Sunday Telegraph[It] confirms her as one of the most gifted English poets of the past 20 years.
—— Jeremy Noel-Todd , Sunday TimesShe is a classicist and a gardener, an expert in the epic tradition and a riverside wanderer… Falling Awake provides the notation for an immersive aural experience; its current existence as a printed collection is not the incarnation for which it will be most celebrated, should Oswald choose to record it as a performance… It is certainly a strong contender in this year’s Forward Prizes, and a highly compelling meditation upon transience.
—— Phil Brown , Huffington PostShe not only makes some startlingly original imaginative leaps, but also manages to find the word to describe the scene when she lands.
—— Roger Cox , Scotland on SundayIt does not disappoint… Fierce in the quality of her attention, often metaphorically dazzling, Oswald earns our trust through her authority.
—— Fiona Sampson , GuardianFalling Awake continues to mine a fresh, inventive seam of observational poetry, tuned in to revelation and a feeling for those moments when the world seems to become strangely, truly itself. Oswald’s best poems bear comparison with D. H. Lawrence’s late work.
—— John McAuliffe , Irish Times[It is] Terrific.
—— Mark Ford , Times Literary Supplement, Book of the YearA gorgeous collection incorporating mythology and the everyday in nature… [Oswald’s is] a rare and beautiful voice.
—— Clare Mulley , Skinny, Book of the YearHere we find an intriguing poet with a distinctive voice and an eye for those fascinating collisions between the ordinary and the poetic… Falling Awake is distinguished particularly by the sheer brilliance of Oswald’s expression. Simple images are transformed by the perfect cadence, the perfect assonance to create an image… It is the mark of a truly skilled versifier that their greatest strength be the one that we might most expect in a poet, yet which is so rare – the ability to craft a verse that captures an image and elevates it by revealing its poetry.
—— Dan Etches , Oxford StudentMaking it onto The Forward Prize for Best Collection Shortlist, it does not disappoint when it described the beauty of birds and insects. Keep it in your bag for bus journeys.
—— Culture Whisper, Book of the YearFalling Awake is easily one of the most accomplished collections of the past few years.
—— Leaf Arbuthnot , The TimesAn absolute delight, with each carefully crafted line a revelation. Just try reading the lines out loud, and wait for the magic to catch you.
—— Western Morning NewsIn her most recent collection, Falling Awake, we find Oswald maintaining her thoughtful and intimate connection with nature and mythology… Oswald is one of Britain’s greatest and most admired poets, and Falling Awake shows us why.
—— Brad Davies , IndependentOswald manages to make full formed, cool but passionate poems from the micro-moments that the rest of us either ignore or don’t know what to do with – the reflections of a cloud in a puddle, for example. With work free-formed, seductive and strange, Oswald is a terrific poet.
—— Kathleen Jamie , New StatesmanOswald…is a marvellous poet whose work I treasure.
—— Charlotte Higgins , GuardianAsk[s] us to consider...lives which rarely find themselves mentioned on the pages of newspapers, let alone in novels
—— Alex Preston, Best Fiction of 2016 , ObserverKaran Mahajan's masterful novel explores the aftermath of a small bomb detonation in the '90s in Delhi, and the many people whose lives it alters – from the families of victims to the bombers themselves. With great empathy and no lack of humour, Mahajan shows the multitudinous sides to the kind of story that we usually read a line or two about in a newspaper, or hear short mention of on television
—— EsquireThe Association of Small Bombs deftly shifts the reader’s sympathy back and forth between the two men who pull off a relatively insignificant small blast, and the people, sometimes dislikeable, who suffer the consequences. But the moral power of his novel comes from his determination to take individual losses – and choices – seriously, rather than assigning a scale whereby the degree of tragedy is calibrated by high or low body-counts
—— Nilanjana Roy , Financial TimesKaran Mahajan is a writer with great command and acute and original insights. He offers what few can: a stereoscopic view of reality in dark, contemporary times
—— Rachel KushnerThe Association of Small Bombs is...packed with small wonders of beauty and heartbreak that are impossible to resist
—— Dinaw MengestuThe winner of the Man Booker Prize for The Finkler Question pulls off a neat trick in this almost perversely serious comic novel, creating a parallel world to Shakespeare's Venice in the wealthy, cultured Golden Triangle of Cheshire, and peopling it with parallel-ish characters...The author shows full power and ingenuity putting Strulovitch and Shylock in the same place and time.
—— Paul Levy , The SpectatorExplores the meaning of Shakespeare's play, uses its enduring relevance to examine the contemporary world and challenges us to interrogate our prejudices...Energetic, authentic and biting.
—— IndependentThat Shylock should thus materialise for a present-day Jewish protagonist, and become...a confidant, an exemplar...an advisor is a brilliant conceit...a powerful reimagining and reinvention.
—— Adam Lively , The Sunday TimesAlive with humanity and fierce debate, the book offers a nice twist on that notorious pound of flesh.
—— Hephzibah Anderson , Mail on SundayFunny and dark by turns… A gripping tale of love, plastic surgery and that notorious pound of flesh… This warm, witty and brilliantly written book provides a challenging feast for the imagination.
—— Rebecca Wallersteiner , The LadyA master of serious-minded comedy, Jacobson is one of the greats of his generation.
—— Culture WhisperBrilliantly witty inventive.
—— Kate Saunders , SagaA crackling dialectic on fatherhood, faith and what it means to be merciful… The echoes of Shakespeare’s story in Strulovitch’s are obvious…But the quips and the characters are pure Jacobson… It’s a treat.
—— Emma Hughes , The TabletHilarious reimagining of Shakespeare’s The Merchant of Venice.
—— EsquireOffering witty twists to a play long experienced by many as a racial tragedy.
—— Tova Reich , Washington PostAffectionate retelling… At the heart of the novel is the profound question of whether obligation…should be tempered by mercy.
—— Giulia Miller , Jewish QuarterlyEven those familiar with that book will be surprised by the twists now composed by Jacobson, whose most idle words have purpose, as well as point… Clever mockery and racial self-depreciation give the novel its provocative brilliance… Jacobson pours the quality of mercy through a large strainer, but Shylock’s fortitude and unswerving tribal fidelity are offered as a kind of redemption, a way, if you like, of forgiving Shakespeare. And of sending you back to him, not only just to check
—— Mary leland , Irish ExaminerAs characteristically ingenious, witty and dark as his musings on what it means to be Jewish.
—— Simon Shaw , Mail on SundayIt hooks you into a great debate.
—— William Leith , Evening StandardI don’t think any other author writes as well about the experience of Jewishness and he manages to be serious but with that laconic humour.
—— Tony Robinson , Radio Times Christmas Gift GuideAn intelligent, funny and enjoyable novel.
—— Brad Davies , i, Book of the YearFor my favourite novel I’m choosing Shylock is my Name… It’s a dark, witty, provocative re-imagine of Shakespeare…seriously brilliant on many levels.
—— Bel Mooney , Daily Mail, Book of the Year