A magnificent collection: striking, moving, and deeply thought-provoking

Seiffert is a writer of great delicacy and toughness...good story begetting good story after good story

It is extraordinary to experience these fictions... Not even the achievement of The Dark Room, its maturity and courage, will quite prepare the reader for the subtle art at work throughout these stories

Vivid, just and heartfelt

'The Crossing' has all the leanness of Hemingway's short fiction... In Seiffert's hands, the tale becomes a tense parable set at the dangerous intersection of trust, desperation and xenophobia

Rachel Seiffer's short stories excel at depicting the awkwardness and confusions of life...and all are created with the same confidence and skill she showed in her Booker nominated novel The Dark Room

Skillfully constructed... It's rare to meet such an unwriterly writer. Especially one who does it so well

Captivating... Because Seiffert writes without judgment or sympathy, her flawed characters are all the more compelling

Whether they are Polish emigrés or hoary World War I veteran's, Seiffert's cast walks the knife's edge of history... It takes an agile mind and dexterous prose to invoke such weighty chunks of history in short fiction

Inhabits his characters with the seemingly effortless sympathy of the gifted realist writer... Deserves all the honours it is able to accrue: a better book of short stories will not be published this year

a collection whose seemingly ordinary surfaces conceal precipitous depths

A good collection of short stories ought to be as enticing as a gift of fruit or flowers, even if the apple conceals a poison, the rose a canker. Few exponents of the short form offer such tempting, disturbing pleasures as James Lasdun.

Striking collection of humane short stories.

Reading Lasdun is like reading a sly collaboration between Kafka and Updike: elegant, acutely observed and utterly unflinching.

A sobering study of how humans cope when under pressure. Lasdun's prose is undeniably sound. Ingenious sentences are strung together with ease

Short stories from a master prose miniaturist

A marvellous, masterful collection

Lasdun specialises in capturing, with unnerving insight, the split seconds in which moods and emotions turn on triggers so fine and subtle that they're barely perceptible. He nails these moments perfectly, spiking the core of the microgram of fly in the ointment and thus catching the infinitesimal moment with startling perception

James Lasdun is one of those gifted writers who seems to have avoided the attention he deserves....It's Beginning to Hurt is, in places, the best story collection I have read since Tobias Wolff's Our Story Begins.

Lasdun's third collection of short stories is nothing short of a revelation... each story is raised to amazing heights by the author's incredibly incisive prose

James Lasdun, poet, novelist, short story writer and Englishman turned American émigré, offers up permutations of suppressed inner turmoil

There is something so rich and gripping in his prose that it simply elicits your attention... It's Beginning to Hurt is a collection to jump-start your imagination

A master of the form with the enthralling psychological subtleties

Precisely observed and chilling

Lasdun is a smart writer with an excellent sense of pace

Lasdun's prose is marked by a fine, thoughtful, humane exactness

Lasdun bravely identifies a profoundly anti-human aspect to environmental moralising to provide a study in embarrassment that made this reader wince

Superb... punchy, exhilarating collection

Deft precise language, strong narratives and great emotional insight

Lasdun's characters from New York and the Sussex countryside create a world of objects and feelings that are rich, recognisable and yet elusive, marked by the thoughtful, and humane exactness of his prose