Author:T. M. Devine
There can be no relationship in Europe's history more creative, significant, vexed and uneasy than that between Scotland and England. From the Middle Ages onwards the island of Britain has been shaped by the unique dynamic between Edinburgh and London, exchanging inhabitants, monarchs, money and ideas, sometimes in a spirit of friendship and at others in a spirit of murderous dislike.
Tom Devine's seminal new book explores this extraordinary history in all its ambiguity, from the seventeenth century to the present. When not undermining each other with invading armies, both Scotland and England have broadly benefitted from each other's presence - indeed for long periods of time nobody questioned the union which joined them. But as Devine makes clear, it has for the most part been a relationship based on consent, not force, on mutual advantage, rather than antagonism - and it has always held the possibility of a political parting of the ways.
With the United Kingdom under a level of scrutiny unmatched since the eighteenth century Independence or Union is the essential guide.
Schama's greatest gift is a sure eye for an extraordinary story...This isn't what you get from conventional historians or conventional art writers, more's the pity...Schama has written books which will still be bought and talked about a century from now and he hasn't lost an ounce of zest or intelligence. Damn him...
—— Andrew Marr , ProspectHe knows the history, the biography, and the art history...he made me look and learn. He is a great storyteller and we learn something new on every page.
—— A S Byatt , New StatesmanAll of these lives rendered with an acuity of detail that could rival the best of portraitists ... describing Lawrence's portrait of Wilberforce, Schama calls the painting a work of "transforming empathy". That phrase could be true of his storytelling throughout this book.
—— Ekow Eshun , The IndependentSimon Schama's richly illustrated history of Britain in portraits is a work of dazzling panache ... a book to devour.
—— John Carey , Sunday TimesHe has animated our portraits superlatively. One of our most in-demand public intellectuals has deftly ventriloquised his talking heads.
—— Stephen Smith , Evening StandardWonderfully compelling ... what this book, full of unhackneyed paintings and unfamiliar stories, shows is that when Schama is at his best he can see straight through people.
—— Michael Prodger , The TimesRich in its variety of subjects ... poignantly memorable
—— Martin Gayford , TelegraphSome of the best writing on British portraiture I have read.
—— Bendor Grosvenor , Financial TimesHe is both an inspired communicator of detail and context, an excitable and exciting critic and a sleeve-tugging gossip. The idea of portraiture is a perfect vehicle for his detailed imagination...the subjects of the portraits become uncannily alive.
—— Tim Adams , The ObserverViewers of his TV shows know what a passionate presenter of his subject - art history - Simon Schama is. He button-holes your eye on his inward voyage of imagination. He does it as compulsively on the page as on screen ... I welcome back in this book history as people - people whose characters can be read in their fascinating faces.
—— Peter Lewis , Daily MailInspiring ... Schama tells it with panache, weaving facts and anecdotes into a vivid history.
—— Observer on 'The Story of the Jews'Schama has a masterly ability to conjure up character and vivify conflict
—— Financial Times on 'A History of Britain'With Schama you look at a picture and see it as you hadn't before
—— Telegraph on 'Rembrandt's Eyes'Splendid, spirited, immensely enjoyable and wide-ranging
—— Financial Times on 'The Story of the Jews'Shows Schama at his best . . . as full of memorable incident as a Bellow novel and wittier than a Woody Allen movie
—— The Times on 'The Story of the Jews'Schama writes with grace and wit, and his enthusiasms are contagious
—— Anita Brookner on 'The Embarrassment of Riches'Dazzling, beyond praise
—— Sunday Times on 'Citizens'Splendid... seething with ideas. Schama brings great intimacy and authority to proceedings
—— New York Times Book ReviewA fascinating romp through history
—— Your Family HistorySatisfyingly detailed, yet with a convincing overarching thesis.
—— Books of the Year , History TodayThe dean of living Tudor-era historians
—— Christian Science MonitorMeticulously researched and highly readable revisionist biography. Recommended for lovers of British history and feminist biography
—— Library JournalA fresh, thrilling portrait
—— Stacy Schiff , New York TimesOft portrayed as fierce, this reveals an Elizabeth I who is in fact fallible and insecure
—— New DaySignificant, forensic and myth-busting, John Guy inspires total confidence in a narrative which is at once pacy and rich in detail
—— Anna Whitelock , Times Literary SupplementThe brilliance of Elizabeth: The Forgotten Years lies in the energy of its narrative, as well as in Guy's eye and ear for scene and conversation. To interweave all of this with the life of the queen is a formidable achievement. He has captured the complexity of contemporary politics. ... Most striking is Guy's portrait of Elizabeth
—— Stephen Alford , London Review of BooksThis is a helpful and insightful examination of Luther’s attitudes and relationships… Highly recommended.
—— Martin Wellings , Methodist RecorderRoper portrays a deeply flawed but fascinating human being to rival any of the major personalities of Tudor England.
—— Caroline Sanderson , BooksellerI heartily commend Martin Luther… It is simply the best English-language biography of Luther I’ve read and I’d be amazed if its combination of rigorous scholarship and approachable tone is bettered.
—— Francis Philips , Catholic Herald, Book of the Year[A] superb new biography… A challenging and deeply stimulating study of a major historical figure.
—— Elaine Fulton , History TodayThe work of a brilliant scholar, who had devoted years of research to the project, and it repays careful reading… There are rich treasures in the book, without a bout. Roper has a great gift for narrative… Roper’s exploration of the cultural and social world of the Saxon miners is masterly… Fascinating.
—— Euan Cameron , Church TimesA probing psychological account.
—— Very Rev. Professor Iain Torrence , Herald Scotland