Author:Ian Messiter,Nicholas Parsons,Various
‘Welcome to Just a Minute! And as The Minute Waltz fades away... please talk for 60 seconds on a random subject without repetition, hesitation or deviation...’ First broadcast in 1967, Just a Minute is one of the longest-running radio comedy shows. A national institution, it is also loved and listened to all around the world. These four episodes find regulars Paul Merton and Clement Freud attempting to talk non-stop for sixty seconds, along with special guests Gyles Brandreth, Jack Dee, Pam Ayres, Sir Tim Rice, Tony Hawks, Liza Tarbuck, Sheila Hancock, David Mitchell, Josie Lawrence and Sue Perkins. Among the subjects hilariously tackled are tomboys, my secret vice, charisma, hot air, ‘Speakers’ Corner’, cat lovers, agony aunts and bugs. Join host Nicholas Parsons and the distinguished panellists, as they use their intellect, imagination and verbal dexterity to beat the clock and win the points in these four ferociously funny shows.
Thornton explores the gentle complexities of this odd couple with wit and warmth
—— IndependentTim Thornton's portrait of a pop culture obsession is so convincing that one can't help wishing that his fictional alt rock band actually existed, or suspecting that they did. The Alternative Hero is a weirdly compelling portrait of fanatic fandom which reads like High Fidelity at high volume
—— Jay McInerneyThe indiest book of all time
—— GuardianBrilliant depictions of the era...nails it so precisely
—— Stuart Evers , The WordWith The Alternative Hero, Tim Thornton has gone through the looking glass of obsessive fandom and brought back a hilarious, memorable, and hard-rocking tale
—— Madison Smartt Bell, author of 'All Souls' Rising'A deliciously bittersweet novel that will touch the heart of anybody who ever fell in love with rock and roll
—— Mick Brown, author of 'Tearing Down the Wall of Sound'Sparkly and authentic
—— Mark Hodkinson , The TimesIt's the usual lad-lit comic romp ... but it's fresher, funnier and more amiable than most
—— Brandon Robshaw , Independent on SundayHilariously unchummy, pugnacious and elegantly embittered
—— ArenaAlex James' A Bit of a Blur this is not...That's all the better, though, as this relentless nihilism stretches hilariously, snidely, and more often than not bitterly, across 256 pages. There's Auteurs insights aplenty should you want it and a bloody good read besides if you don't. Light reading it ain't. Thrilling reading it most certainly is
—— Record CollectorIn this acidic counterweight to the story of the flag-waving pop elite documented in John Harris's Britpop romp The Last Party, Haines casts himself as the Britpop pariah, glaring through the window at the self-congratulatory oiks laughing inside ... There are enough punch-ups, bad drugs, mind games, self-sabotage, lunatic fans and bizarre self-surgery to make Bad Vibes occasionally read like No One Here Gets Out Alive were it written about Philip Larkin rather than Jim Morrison ... This is an imperious and wincingly amusing memoir that's often so sharp it could take your eye out
—— MetroHilariously bilious ... Haines is wonderfully frank about his sometimes ridiculous behaviour ... and hilariously evokes The Auteurs' slow unravelling
—— UncutWitty, anecdotal and relentlessly vitriolic, this is a no-holds-barred demon exorcism by a man who clearly wants everyone to hate him. And, er, you will
—— MaximUndeniably entertaining
—— The ObserverAs far as I'm concerned, Luke Haines is Jesus Christ ... (His memoir) succeeds admirably...You can read it for the tales of mental breakdown and excess ... You can read it for the acid portraits of most major Britpop players ... But what catches the imagination and separates it and distinguishes Bad Vibes from most rock biogs, is Haines' relationship with the music itself and a culture that surrounds it ... The piercing and honest appraisals of actual songs surprises. Not many musicians do this, and Haines does so fearlessly, extolling and lacerating his output as much as everyone else
—— Plan BAs frontman for The Auteurs in the nineties, Haines inadvertently kicked off Britpop and, boy, does he blame himself. This memoir lays bare the reality of a life spent lumped in with the champagne Charlies of "Cool Britannia"
—— ShortlistAn entertaining insight into the career of The Auteurs' Luke Haines ... An amusing read ... Pithily narrated
—— Rock SoundThe gospel according to Luke Haines is bitter and bitchy, but rock's great misanthrope makes no apologies
—— Scotland on SundayObnoxious, furious, hugely entertaining'
—— ThelondonpaperThis book is the yin to Kill Your Friends' yang. Fact rather than fiction, yet far more literary than that nefarious romp, it's an arch but exquisitely written collection of vignettes of band life, '90's culture and pinprick-accurate character assassinations. Haines is not a sympathetic character: a depressive drunk, terminally snobbish, veering politically to the right and addicted to mindgames, he is in his own words "a bitter face pressed against the French window, sneering" at the music industry's "bourgeois dinner party". But even if you don't agree with a word he says, it's impossible to deny his self-awareness, consistency and clarity if expression as he despairs at the cheeky, chirp idiocy of Britpop and sabotages his own successes. Not only an essential music book, but a gripping, weighty and perversely inspirational piece
—— The WordA wonderfully disaffected memoir, bleak, venomous and hilarious by turns
—— The IndependentProving that pen and the sword are mightiest when used in conjunction ... Haines's prolific spleen, pasty English wit and peerless way with a smartly tailored insult was always going to make his memoir essential reading
—— Time OutIf you ... take each anecdote in the catty, cautionary spirit in which it is intended, Haines' story of minor stardom is as entertaining as Spinal Tap ... it's a well-told version of a well worn story: that of a man finding comfort from staying on the outside, looking in
—— The GuardianA very readable, and fairly cautionary tale
—— New StatesmanWhat sets the book apart is the author's couldn't-give-a-toss attitude that spares no one, least of all himself. Haines charts his part in the 1990's British music scene that culminated in "annoying" Blur versus "crap new comedy band" Oasis. Haines is perfectly placed to sneer: his band, The Auteurs, along with Suede, had been clever forerunners of the scene he can't (aside from the subtitle) bring himself to name and he can only look down on an era in which "art is replaced by popular culture"
—— Independent ReviewEmotional and psychological complications are the engine that drives Bad Vibes, the outrageously indiscreet memoirs of the singer and songwriter Luke Haines. Aggressive, vainglorious, insecure and forever teetering on the brink of another meltdown, Haines strides (or hobbles) through a highly personalised account of the great Britpop wars of the 1990s, insulting virtually everyone involved. While Oasis, Blur and Suede rule the charts, Hanes hangs around on the fringes in his own groups the Auteurs and, later, the Baader Meinhof Gang, too cool or too wasted to embrace success even when offered to him on a plate. Bad Vibes turns casual misanthropy into an art form, and makes a brilliant read in the process
—— The GuardianWitheringly funny ... A rock memoir in the misanthropic vein of Lucky Jim
—— The Sunday Timesit's pretty much the best-written book I've ever read by a musician. He has a superb deadpan style. You will call people and read bits over the phone
—— Evening StandardAs acerbic and hilarious as you'd expect from a man who thought it completely reasonable to call a pop single "Unsolved Child Murder." Haines clearly relishes - and shines in - his role as the Ancient Mariner at the Britpop party
—— John Niven, author of Kill Your FriendsClapton fills in many gray areas, recounting his highs and lows with a thoughtfulness often lacking rock memoirs.Methodically he whittles away at the larger-than-life rock god until a vulnerable, messed-up mortal emerges...Clapton is an absorbing tale of artistry, decadence and redemption.It's also an important reminder of the guitarist's imprint on rock music, as a sideman, solo artist and bandleader.Not bad for a blues snob from Surrey.
—— Los Angeles TimesClapton: The Autobiography does what many rock historians couldn't: It debunks the legend, de-mythologizes one of the most mythologized electric guitarists ever, puts a lie to the glamour of what is means to be a rock star...It's a cautionary tale that spills over into tragedy several times as love, lives and talents are all wasted.
—— Chicago TribuneLike the bluesmen who inspired him, Clapton has his share of scars...his compelling memoir is... a soulful performance.
—— PeopleCharming and surprisingly candid.
—— Entertainment WeeklyAbsolutely brilliant
—— Daily Express