Author:Paul Mason
Globalisation has created a whole new working class - and they are reliving stories that were first played out a century ago. In Live Working or Die Fighting, Paul Mason tells the story of this new working class alongside the epic history of the global labour movement, from its formation in the factories of the 1800s through its near destruction by fascism in the 1930s and up to today's anti-globalisation movement.
Blending exhilarating historical narrative with reportage from today's front line, he links the lives of 19th-century factory girls with the lives of teenagers in a giant Chinese mobile phone factory; he tells the story of how mass trade unions were born in London's Docklands - and how they're being reinvented by the migrant cleaners in skyscrapers that stand on the very same spot.
It is a story of urban slums, self-help co-operatives, choirs and brass bands, free love and self-education by candlelight. And, as the author shows, in the developing industrial economies of the world it is still with us. Live Working or Die Fighting celebrates a common history of defiance, idealism and self-sacrifice, one as alive and active today as it was two hundred years ago. It is a unique and inspirational book.
Vividly accessible... required reading for the Seattle brigade
—— GuardianMason, using an impressive range of primary sources, recounts nine of the great stories of working-class revolts
—— Irish TimesThis book tells stories of our past that are indispensable to understanding the present. it is a good answer to all who ask where the working class has gone. Brilliant
—— Ken Loach'Don't die stupid. If you haven't read Mason's book, you know nothing about how this planet works... breathtaking, fascinating, perceptive... Damn, I wish I'd written this book
—— Greg Palast, author of the New York Times bestseller Armed MadhouseThis is micro-historical writing at its best
—— Walden Bello, author of Dilemmas of DominationMason brings together a wealth of inspiring stories of workers' struggles of the past with accounts of workers' fights today
—— Socialist ReviewI am deeply touched by these stories... Dear Zari should be read by anyone who cares and wants to know about Asia and Asian women
—— XinranIntimate, emotional, often painful but at time uplifting, these stories uncover how the customs of this deeply religious and intensely traditional society can cause real suffering for many women'
—— The Middle EastThis isn't a book for the faint-hearted, but is a chilling yet emotional read for anyone who cares to know about the real plight of Afghani women. A powerful collection of true-life stories compiled over the years (and re-introduced by the author's own experience). Dear Zari takes the blanket off Afghani women, showcasing the bleak reality of their existence
—— AsianaDear Zari is disquieting but essential reading. Occasionally uplifting, frequently harrowing, and unfailingly candid, it is a must for anyone – male or female – seeking to better understand Afghanistan
—— Mike Stafford , bookgeeks.co.ukA heartbreaking tale of passion, betrayal and an unthinkable decision
—— IN STYLEA compelling novel of passions and secrets, politics and lies, love and betrayal, savagery and survival
—— SAGASweeping historical epic about a daring young woman forced to make a hard choice in Stalinist Russia
—— OBSERVER TOP FIVE SUMMER READS OF 2008Excellent... the historical detail is strong. The characterisation is superb, with Sashenka being especially well drawn. With her unwanted beauty and charisma, her gentle nobility that transcends class or wealth and her earnest ideals which eventually cost her so much. Sashenka commands out total sympathy, and when she is forced apart from her children, the sadness is profound and hard to dispel. A powerful novel... with a heroine who lingers in the mind when the story is finished
—— SPECTATORSashenka is grand in scale, rich in historical research, and yet never loses the flow of an addictive, racy, well-wrought plot. It combines a moving, satisfyingly just-neat-enough finale with a warning - that history has an awful habit of repeating itself
—— THE SCOTSMANAn epic novel... The suspense lasts until the final pages. There is no let-up. At the end of the book, you really feel that even though Sashenka is a fictional character, she has become one of the thousands of real people who haunt the Moscow archives that Montefiore knows so well
—— SUNDAY EXPRESS