an electrifying illustration of a bad romance, supercharged with breakneck dissolution

What really sets this novel apart is [Martin’s] wit.

What really sets this novel apart is wit: the snappy one-liners which rescue Brett from being a regular tragic victim of addiction to a sassy chick who sizzles her way through most of the book.

A flushed and riveting account of some desperately, deliciously bad choices

Un-put-downable. Brett is a lovable heroine - a lusty, wrongheaded writer, flawed and rueful, yet charging ahead. She wants everything she knows is bad for her - alcohol, drugs, and to have violent, lurid sex with her husband's rapscallion banker - and we root for her all the way

Like a diamond, cut clean, dangerously sharp, brutally hard and yet paradoxically beautiful, ruthlessly honing in on the plight of a woman caught in the throes of alcoholism, desire, marriage and adultery

Laugh-aloud funny ... painfully honest

This compelling novel deals with the complex legacy of the war years ... Buchan, who brilliantly captures the blighted atmosphere of blitzed London and bomb-destroyed Berlin, is equally good on the emotional fall-out ... Slowly revealing the hidden secrets and chaos of the characters' inner lives, the novel describes how everyday life is tainted by the knowledge of what went on and the desperate measures that ordinary people had to take to survive the extraordinary circumstances

The tension is palpable and the atmosphere claustrophobic. Buchan vividly conveys the dispirited mood of a post-war London brought to its knees ... Her depiction of the horrors of wartime Berlin is equally compelling. She dissects her characters with precision to show the personal cost of war ... A powerful and emotional read

So so good. Great writing, great story. I could not put it down

Buchan vividly captures weary postwar Britain in this evocative, emotional novel

With such a vivid, thought-provoking evocation of life in ravaged, post-war London, there's plenty to enjoy

It does not disappoint… Fierce in the quality of her attention, often metaphorically dazzling, Oswald earns our trust through her authority.

Falling Awake continues to mine a fresh, inventive seam of observational poetry, tuned in to revelation and a feeling for those moments when the world seems to become strangely, truly itself. Oswald’s best poems bear comparison with D. H. Lawrence’s late work.

[It is] Terrific.

A gorgeous collection incorporating mythology and the everyday in nature… [Oswald’s is] a rare and beautiful voice.

Here we find an intriguing poet with a distinctive voice and an eye for those fascinating collisions between the ordinary and the poetic… Falling Awake is distinguished particularly by the sheer brilliance of Oswald’s expression. Simple images are transformed by the perfect cadence, the perfect assonance to create an image… It is the mark of a truly skilled versifier that their greatest strength be the one that we might most expect in a poet, yet which is so rare – the ability to craft a verse that captures an image and elevates it by revealing its poetry.

Making it onto The Forward Prize for Best Collection Shortlist, it does not disappoint when it described the beauty of birds and insects. Keep it in your bag for bus journeys.

Falling Awake is easily one of the most accomplished collections of the past few years.

An absolute delight, with each carefully crafted line a revelation. Just try reading the lines out loud, and wait for the magic to catch you.

In her most recent collection, Falling Awake, we find Oswald maintaining her thoughtful and intimate connection with nature and mythology… Oswald is one of Britain’s greatest and most admired poets, and Falling Awake shows us why.

Oswald manages to make full formed, cool but passionate poems from the micro-moments that the rest of us either ignore or don’t know what to do with – the reflections of a cloud in a puddle, for example. With work free-formed, seductive and strange, Oswald is a terrific poet.

Oswald…is a marvellous poet whose work I treasure.

Ask[s] us to consider...lives which rarely find themselves mentioned on the pages of newspapers, let alone in novels

Karan Mahajan's masterful novel explores the aftermath of a small bomb detonation in the '90s in Delhi, and the many people whose lives it alters – from the families of victims to the bombers themselves. With great empathy and no lack of humour, Mahajan shows the multitudinous sides to the kind of story that we usually read a line or two about in a newspaper, or hear short mention of on television

The Association of Small Bombs deftly shifts the reader’s sympathy back and forth between the two men who pull off a relatively insignificant small blast, and the people, sometimes dislikeable, who suffer the consequences. But the moral power of his novel comes from his determination to take individual losses – and choices – seriously, rather than assigning a scale whereby the degree of tragedy is calibrated by high or low body-counts

Karan Mahajan is a writer with great command and acute and original insights. He offers what few can: a stereoscopic view of reality in dark, contemporary times

The Association of Small Bombs is...packed with small wonders of beauty and heartbreak that are impossible to resist

The winner of the Man Booker Prize for The Finkler Question pulls off a neat trick in this almost perversely serious comic novel, creating a parallel world to Shakespeare's Venice in the wealthy, cultured Golden Triangle of Cheshire, and peopling it with parallel-ish characters...The author shows full power and ingenuity putting Strulovitch and Shylock in the same place and time.

Explores the meaning of Shakespeare's play, uses its enduring relevance to examine the contemporary world and challenges us to interrogate our prejudices...Energetic, authentic and biting.

That Shylock should thus materialise for a present-day Jewish protagonist, and become...a confidant, an exemplar...an advisor is a brilliant conceit...a powerful reimagining and reinvention.

Alive with humanity and fierce debate, the book offers a nice twist on that notorious pound of flesh.

Funny and dark by turns… A gripping tale of love, plastic surgery and that notorious pound of flesh… This warm, witty and brilliantly written book provides a challenging feast for the imagination.

A master of serious-minded comedy, Jacobson is one of the greats of his generation.

Brilliantly witty inventive.

A crackling dialectic on fatherhood, faith and what it means to be merciful… The echoes of Shakespeare’s story in Strulovitch’s are obvious…But the quips and the characters are pure Jacobson… It’s a treat.

Hilarious reimagining of Shakespeare’s The Merchant of Venice.

Offering witty twists to a play long experienced by many as a racial tragedy.

Affectionate retelling… At the heart of the novel is the profound question of whether obligation…should be tempered by mercy.

Even those familiar with that book will be surprised by the twists now composed by Jacobson, whose most idle words have purpose, as well as point… Clever mockery and racial self-depreciation give the novel its provocative brilliance… Jacobson pours the quality of mercy through a large strainer, but Shylock’s fortitude and unswerving tribal fidelity are offered as a kind of redemption, a way, if you like, of forgiving Shakespeare. And of sending you back to him, not only just to check

As characteristically ingenious, witty and dark as his musings on what it means to be Jewish.

It hooks you into a great debate.

I don’t think any other author writes as well about the experience of Jewishness and he manages to be serious but with that laconic humour.

An intelligent, funny and enjoyable novel.

For my favourite novel I’m choosing Shylock is my Name… It’s a dark, witty, provocative re-imagine of Shakespeare…seriously brilliant on many levels.