Author:Euripides,Philip Vellacott
Medea/Hecabe/Electra/Heracles
Four devastating Greek tragedies showing the powerful brought down by betrayal, jealousy, guilt and hatred
The first playwright to depict suffering without reference to the gods, Euripides made his characters speak in human terms and face the consequences of their actions. In Medea, a woman rejected by her lover takes hideous revenge by murdering the children they both love, and Hecabe depicts the former queen of Troy, driven mad by the prospect of her daughter's sacrifice to Achilles. Electra portrays a young woman planning to avenge the brutal death of her father at the hands of her mother, while in Heracles the hero seeks vengeance against the evil king who has caused bloodshed in his family.
Translated with an Introduction by PHILIP VELLACOTT
Twelve Words for Moss is a fascinating, subtle and risk-taking book; its remarkable opening pages in particular dis-orient and re-orient the reader, readying us for the forms of attention-giving to the overlooked and undersung world of mosses which the rest of the book beautifully practices. Poetry, descriptive-evocative prose, memory, memoir, natural history and more all drift and mingle in strikingly new ways in Burnett's book, down at the "boundary layer" where this ancient, modest life flourishes so generatively
—— Robert MacfarlaneExquisite, luminous and quietly radical ... so electric and so alive. It makes the world more beautiful and dimensional and vibrant - or moreso, it shows the world as it is to our moss-blind, weary eyes with a prose style that is utterly unique and refreshing ... I loved it
—— Lucy JonesThis accomplished writer's prose - filled with figurative and tactile imagery - and interspersed poetry powerfully join the human body, mind, and spirit with the Earth
—— The CountrymanIn this luminous book, poetry and dreamy prose weave a strange kind of mossy magic. Taking the “most overlooked of life forms” as her inspiration, Burnett explores intriguing parallels between the lives of mosses and her own… This is an intense book that rewards careful reading. I took my time over it, absorbing a few pages and then letting the beautiful, unforgettable imagery soak in. Burnett is a unique voice and one of our most original nature writers
—— Ben Hoare , BBC Countryfile Best Nature Book of the YearThe poet Elizabeth-Jane Burnett has woven a bittersweet travelogue-cum-nature memoir… It thrums with loss.
—— The Sunday TimesA masterclass in the art of prose writing, and my favourite nonfiction book in a very long time
—— Sharon Blackie , author of If Women Rose RootedHybridity (of form, subject) is what makes Elizabeth-Jane Burnett's work sing, beguile. Part poet, prose nature writer and woodland psychogeographer, her voice is her own
—— Sinéad Gleeson , author of Constellations: Reflections From LifePraise for The Grassling
—— :A subtle, moving celebration of place and connectedness . . . The Grassling brings the sounds, smells and sights of the countryside alive like few other books. Burnett stretches the limits of prose, infusing it with poetic intensity to create a powerful, original voice . . . Her prose is both sinuous and knotty, stretching language to capture what is often beyond words, while slowing down the process of reading, allowing us to savour them
—— PD Smith , GuardianExquisite . . . needs to be savoured slowly, and then read again. Burnett is breaking new ground as a mixed-heritage English/Kenyan woman connecting so deeply to the historic land of her father's family in the West Country
—— Bernardine EvaristoWith a blend of poetry, memoir and a uniquely experimental, sensory style of nature writing, The Grassling celebrates the lusciousness of both land and language ... Ideas that might in a lesser writer have seemed whimsical are grounded by the rich layers of Burnett's prose
—— Clare Saxby , TLSBeautifully atmospheric . . . a dazzling portrait of melancholy and renewal . . . Levy is a master novelist and in August Blue, a beguiling story of how identities collide and crack, she shows us what it feels like to be a divided self
—— Independent ‘Best Books of 2023’Deborah Levy delves into the deepest patterns of family connection and self-invention in August Blue, the riddling, elegant tale of a globe-trotting concert pianist whose subconscious is catching up with her
—— Guardian, 'Best Books of 2023'Deborah Levy's hazy, dreamlike novels, often set in sun-drenched Mediterranean backdrops, are an essential accompaniment to any summer holiday . . . a lyrical, surreal trip of self discovery - one that is full of Levy's wit and curious images
—— Leila Slimani , iA meditation on artistic creativity that is sensual, enigmatic and strangely addictive
—— Financial Times 'What to Read this Summer'Levy is no stranger to the uncanny. Her novels teem with oddness, with dreamlike, vertiginous scenes
—— Lara Pawson , Times Literary SupplementLevy's elegantly ludic investigation into selfhood, mother love and meaning
—— Guardian, '2023 Summer Reads'Levy fans will delight in August Blue’s heady exploration of female creativity
—— Financial Times, 'Best Books of 2023'I'm obsessed. This is a masterful, at times familiar and relatable, yet ultimately disturbing portrayal of a friendship. Constantly surprising, often dark and at times sinister, it is without fail always entertaining and funny
—— Claire Kohda, author of WOMAN, EATINGBoth wickedly entertaining and thought-provoking. I couldn't stop turning the page!
—— Lizzie Damilola Blackburn, author of YINKA, WHERE IS YOUR HUZBAND?A unique novel... with a clever premise and definitely one that will provoke a lot of discussion.
—— Red, *Books to Look Out For 2023*Funny, fresh and full of drama, not a word goes to waste in this extraordinary debut
—— Sophie Irwin, author of A LADY'S GUIDE TO FORTUNE-HUNTINGA striking, often wickedly funny debut... Agbaje-Williams brilliantly captures the inner monologue as well as the conversational style of each of the three through which their whole cultural milieu takes shape around them... An original and potent comedy of manners with an ingenious final twist
—— Kirkus, *Starred Review*The best debut I've read in years - a tender examination of class, masculinity and place
—— Nicole Flattery, author of 'Show Them A Good Time'Amazingly assured first novel. Magee is too good a writer... Gentle as well as brutal
—— The TabletAs beautiful as it is brilliant. Reading Close to Home is like crossing a frontier into a new and thrilling territory
—— Glenn Patterson, author of 'The International'Close To Home announces an exciting new voice - at once open and wary, tender and unyielding - and sharply alive to the pains and discoveries and mysteries of youth
—— Colin Barrett, author of 'Young Skins'Ringing out clear and true as a bell, it gleams with tenderness and perception. There are few narrators so unassuming and unaffected, yet so full of sharp intelligence
—— Wendy Erskine, author of 'Dance Move'Precise, compulsive, companionable and genuinely moving. Michael Magee writes a world we see far too little of in contemporary literature. We need books like this
—— Seán Hewitt, author of 'All Down Darkness Wide'A beautiful and devastating debut novel about political memory, violence, masculinity, and the impossibility of escaping your origins.
—— JacobinA sharp and humane novel about a young man, and a city, caught in the painful throes of reimagining themselves. It rings with authenticity, and the wisdom of hard-won observation and experience - a hymn to the ways in which art can be a lifeline and an escape. Michael Magee's debut is an important addition to the burgeoning new canon of Belfast literature
—— Lucy Caldwell, author of 'These Days'Compulsively readable - you will need to know how this ends!
—— Emilie Pine, author of 'Notes to Self'Sharp, immediate, beautiful writing. A vivid portrait of modern Belfast and of how our circumstances shape our lives. Every character is drawn with nuance and complexity, with great precision and attention to detail. I really loved this book
—— Rachel Connolly, author of 'Lazy City'Artfully crafted, compassionate, precise and unafraid. I loved this book
—— Susannah Dickey, author of 'Common Decency'Close to Home tracks brilliantly written characters across a vividly drawn Belfast
—— Business PostOne of the year’s most distinctive and immersive debuts . . . Drawing on his own experiences, Michael Magee refreshes the post-Troubles novel to wrestle with his community’s painful heritage of violence and poverty. It sounds bleak, but Sean’s voice fizzes with life
—— The Times, 'Best Novels of 2023'It's hard to find fault with a debut novel that unfold its storylines and characters with such care, handling themes of class, masculinity, addiction and trauma with both tenderness and a matter-of-factness
—— RTÉ, Book of the WeekMichael Magees Close to Home is yet another brilliant novel to emerge from Northern Ireland, making sense of the impact of the long conflict and the transition to troubled peace; Magee powerfully delineates the psychology of those crushed by betrayal
—— Irish Times, 'Best Books of 2023'A searing debut with an unforgettable voice, Chain Gang All-Stars will force you to reevaluate what freedom in America really means.
—— Lit-ReactorIt is an up-to-the-minute j'accuse that speaks to the eternal question of what it truly means to be free. And human. Imagine The Hunger Games refashioned into a rowdy, profane, and indignant blues shout at full blast.
—— KirkusBreathtaking and pulse-pounding... Both the political allegory and the edge-of-your-seat action work beautifully. Readers will be wowed.
—— Publishers Weekly[An] enthralling debut... An unmissable read
—— UK Press SyndicationAdjei-Brenyah compels the reader to look beyond the page, blurring the lines between modern America and the hellscape he so energetically imagines
—— EconomistFew others this year have touched Adjei-Brenyah for ideas and ambition… perhaps the most indelible novel of 2023
—— Daily Mail, *Books of the Year*A fizzy love letter to the prototypical romcom
—— NEW YORK TIMES, Editor's ChoiceSo much of Sittenfeld's work exists in the dissection and comprehension of female desire
—— NEW YORK TIMESFlirting with the tropes of its namesake genre, this playful novel follows Sally, a writer on an "S.N.L."-like show called "Night Owls," who falls in love with one of its guest hosts. Their relationship develops via e-mail in the post-grocery-wiping, pre-vaccine days of covid-19. When Sally decides to visit her beloved in L.A., their time together in his Topanga mansion requires her to navigate incredulity, insecurity, and an offer that she feels is an "affront to my independence." The novel is preoccupied with the instinctual nature of self-sabotage, and with the fulfillment that can come from defying ingrained impulses
—— NEW YORKERInsightful romcom sparkles with real wit and wisdom
—— SUNDAY INDEPENDENTWhip smart and really funny
—— BUSINESS POSTScores big on giving readers an insight into the machinations of a TV writers-room
—— CRACKFull of dazzling banter and sizzling chemistry
—— PEOPLE MAGAZINEIf you ever wanted a backstage pass to Saturday Night Live, this book is for you
—— GOOD MORNING AMERICAExcellent
—— MAIL ON SUNDAYBoth a brilliant portrait of the comedy world and a witty grown-up love story. Lives up to its name
—— IRISH TIMES