Author:Rory McCarthy
In May 2003 journalist Rory McCarthy went to Iraq to cover what was claimed to be the triumphant rebuilding of the country after the American invasion. Two years later he left a place teetering on the brink of civil war, whose inhabitants longed for the Americans to leave but feared what would happen if they did.
Throughout his stay, McCarthy was struck by how little the Iraqi point of view was represented in the media, drowned out by the message of the British and American occupying powers. This book is an attempt to recify that. By telling the stories of some of the Iraqis that McCarthy came to know, it reveals, more subtly and interestingly than any political rhetoric, the fatal extent to which they were misunderstood.
From the survivor of one of Sadaam's mass graves to the insurgents of Najaf, McCarthy shows us men and women living the dilemmas of Iraq from day to day, and making crucial decisions about where they stand. The result is a moving and important book that gives a remarkable overview of a nation in turmoil.
A brilliant, insightful account of how Iraqis have viewed our invasion. McCarthy meets ordinary and extraordinary Iraqis, taking considerable risks in doing so. This is some of the best writing about Iraq since the war began
—— Jon SnowThis is an excellent book, written with perception and empathy, it gives us rare access to the thinking of a population deeply traumatised by dictatorship, brutality and civil war
—— Toby Dodge, expert on Iraqi politics at the University of London and for the International Institute of Strategic StudiesBeauman's enthusiasm for her subject gives the book an admirable dynamism
—— Sunday TelegraphWith the selective skill of a great master painter who makes the most minute detail play its part in the whole composition, Vincent Cronin has, in this distinguished book, sifted for us the living spectacle of the quattrocento in the hub of Tuscany.
—— ScotsmanHarrowing and heartbreaking yet important tales
—— SHE MagazineI was stunned and moved more than I can say
—— Gavin Elser , Sunday Herald, Christmas round upA compelling and affecting saga that resonates long after the reading. Montefiore's depiction of the epoch is superb. The language is precise and evocative without getting in the way of the storyline. Its evocation of 20th Century Russia is so intoxicating it made want to buy a plane ticket and find out more for myself. I can't remember being as moved by the fate of a character in a novel for some time
—— SYDNEY MORNING HERALD, AustraliaA must read! Montefiore polishes all the facets of a good story - secrets, lies, betrayal, love and death - and places them in Russia's grand setting
—— THE SUNDAY TELEGRAPH, New ZealandGripping... moves you to tears
—— DAILY EXPRESSThis completely addictive story offers an authoratative insight into Stalin's USSR and, in its huge characters and epic ambition, carries echoes of Tolstoy himself
—— DAILY MAILA heartbreaking tale of passion, betrayal and an unthinkable decision
—— IN STYLEA compelling novel of passions and secrets, politics and lies, love and betrayal, savagery and survival
—— SAGASweeping historical epic about a daring young woman forced to make a hard choice in Stalinist Russia
—— OBSERVER TOP FIVE SUMMER READS OF 2008Excellent... the historical detail is strong. The characterisation is superb, with Sashenka being especially well drawn. With her unwanted beauty and charisma, her gentle nobility that transcends class or wealth and her earnest ideals which eventually cost her so much. Sashenka commands out total sympathy, and when she is forced apart from her children, the sadness is profound and hard to dispel. A powerful novel... with a heroine who lingers in the mind when the story is finished
—— SPECTATORSashenka is grand in scale, rich in historical research, and yet never loses the flow of an addictive, racy, well-wrought plot. It combines a moving, satisfyingly just-neat-enough finale with a warning - that history has an awful habit of repeating itself
—— THE SCOTSMANAn epic novel... The suspense lasts until the final pages. There is no let-up. At the end of the book, you really feel that even though Sashenka is a fictional character, she has become one of the thousands of real people who haunt the Moscow archives that Montefiore knows so well
—— SUNDAY EXPRESS