Author:Guy Delisle
Guy Delisle's work for a French animation studio requires him to oversee production at various Asian studios on the grim frontiers of free trade. His employer puts him up for months at a time in 'cold and soulless' hotel rooms where he suffers the usual deprivations of a man very far from home. After Pyongyang, his book about the strange society that is North Korea, Delisle turned his attention to Shenzhen, the cold, urban city in Southern China that is sealed off with electric fences and armed guards from the rest of the country. The result is another brilliant graphic novel - funny, scary, utterly original and illuminating.
Like last year's Pyongyang, about his similar stint in North Korea, Shenzhen is a casual, dryly witty series of observations... Delisle's got an animator's eye for quirks of motion, analyzing the arc of a public fountain's water and the way street vendors make popcorn in a pressure cooker. The best artwork in the book is his impressionistic, unnarrated pen-and-ink-wash drawings of Shenzhen's drab buildings and billboards, but Delisle's keen awareness of how and why he can't connect to the city makes for a rarity: a thoroughly engaging memoir of being bored to distraction.
—— Douglas Wolk , New York Times Book ReviewCombining a gift for anecdote and an ear for absurd dialogue, Delisle's retelling of his adventures makes a gently humorous counterpoint to the daily news stories about the axis of evil, a Lost in Translation for the Communist world. Delisle's simple but expressive art works well with his account, humanizing the few North Koreans he gets to know and facilitating digressions into North Korean history and various bizarre happenings involving brandy and bear cubs. Pyongyang will appeal to multiple audiences: current events buffs, Persepolis fans and those who just love a good yarn
—— Publishers WeeklyNews coverage from North Korea is scant - the regime of the world's last true totalitarian state is not exactly welcoming to foreign journalists. But a new graphic novel gives a rare, tragicomic, glimpse into everyday life in the drabbest of world capitals
—— IndependentThe reigning king of the graphic travel memoir... Delisle's curiosity and amusement at the country's bizarre relationship with foreign visitors is equally funny and fascinating
—— Guardian, *Top 10 Funny Comic Books*A meditation on "impermanence" . . . emotionally compelling yet unsettling
—— AtlanticA gorgeous symphony
—— KirkusBeautiful, mesmerizing, a dazzling experiment in form . . . both bleak and vivid and more a work of art than a comic book
—— StarburstThe concept is stunningly simple, and in laying bare the universality of existence - its beauty, ugliness, and mundanity - it is utterly moving
—— BooklistMcGuire adds lavish color and some plot, but he preserves the captivating, uncanny sense of love, anger and tragedy flying across the centuries while staying in one place.
—— Mark AthikisOne of the most engaging graphic novel experiments in book form I've ever seen
—— Los Angeles TimesHere heightens our awareness of how much has gone before and is still to come
—— Independent (Best graphic novels of 2014)Rarely does a conceptual work seize the emotions like Here. Every moment seems insignificant compared with the massive sweep of time, and yet the most trivial actions take on an aching poignancy
—— NPRAlmost overwhelmingly poignant. His masterful sense of time and the power of the mundane makes this feel like the graphic novel equivalent of Terrence Malick's The Tree of Life
—— Publishers Weekly (starred review)Completely wonderful
—— MetroYou begin to appreciate McGuire's extraordinary command of history and pacing . . . the non-chronological arrangement seems faithful to how consciousness really works
—— FInancial Times WeekendA page-turning graphic novel… sharp, witty, deliciously observant and so exquisitely drawn it took my breath away. The perfect book for Christmas.
—— Jonathan Pugh , Daily MailThe visual and moral chiaroscuro of the novel, and its unflinching depiction of pathos and loneliness in the most and least privileged of social milieus, make it a strong contender, if not for the meretricious glitter of literary awards, then for the more lasting prize of inclusion in the canon of comic-strip masterpieces.
—— Jane Shilling , ProspectPosy Simmonds’s…line and way of telling a story are equally deft.
—— Evening Standard, *Summer Reads of 2019*