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The Art of Innovation
The Art of Innovation
Apr 18, 2025 6:38 PM

Author:Ian Blatchford,Tilly Blyth,Ian Blatchford,Tilly Blyth,Toby Jones

The Art of Innovation

The landmark BBC series exploring science in art, developed by Radio 4 in partnership with the Science Museum - with an introduction read by Toby Jones

'A real treat' The Spectator

Art and science are often considered to be in conflict, with art dealing in creativity and science in cold, hard facts. But the two disciplines have always been interconnected, taking inspiration from each other and shaping each other's worlds. In this fascinating 20-part series, Sir Ian Blatchford, Director of the Science Museum, and Dr Tilly Blyth, the Science Museum's Head of Collections, reveal how science's ingenuity has been incorporated into artistic expression - and how art's creativity has stimulated scientific progress and technological change.

Beginning with the Enlightenment and concluding with our modern-day Age of Ambivalence, they take a chronological journey through 250 years of British history, looking at the often surprising relationships between iconic works of art and key scientific objects and ideas. Among the pieces they analyse are Philippe Jacques de Loutherbourg's theatrical portrayal of the Industrial Revolution, Coalbrookdale by Night; Constable's cloud paintings; John Nasmyth's extraordinarily detailed photographs of the Moon; Roy Nockolds' Supersonic, the first abstract image to show the breaking of the sound barrier; and Longplayer, a 1000-year-long musical composition created by computer algorithm.

From Joseph Wright's 1776 painting A Philosopher Giving A Lecture On The Orrery, illuminating a new scientific age of wonders, to Cornelia Parker's Einstein's Abstracts and Cold Dark Matter, shining cosmological light on what is yet to be known, we see that science and art are part of the same rich culture, engaged in an ongoing dialogue driven by mutual curiosity, creativity and imagination.

Presented by Sir Ian Blatchford and Tilly Blyth

Introduction read by Toby Jones

Readers: Shaun Mason, Katherine Cusack and Sean Baker

Music composed by Mark Russell

Produced by Adrian Washbourne, in partnership with The Science Museum Group

© 2021 BBC Studios Distribution Ltd

(p) 2021 BBC Studios Distribution Ltd

First broadcast on BBC Radio 4 on the following dates:

The Scientific Sublime 23 September 2019

Masters of Spectacle 24 September 2019

Satirizing Science 25 September 2019

Observing the Air 26 September 2019

Tracking Progress 27 September 2019

Plants on Paper 30 September 2019

Reaching for the Moon 1 October 2019

Dyeing to Display 2 October 2019

Capturing Time 3 October 2019

Celebrating Speed 4 October 2019

Art as Protest 7 October 2019

Humans in the Industrial Machine 8 October 2019

Forms of Knowledge 9 October 2019

Supersonic 10 October 2019

Patterns from Atoms 11 October 2019

Wonder Materials 14 October 2019

Polaroid Perceptions 15 October 2019

Protecting the Earth 16 October 2019

Patterns of Thought 17 October 2019

Imagining Matter 18 October 2019

Reviews

With insight and intellectual rigour Nelson wrestles the concept of "freedom" away from its contemporary political misuses and explores what it means in the context of art, sex, drugs and climate.

—— Guardian

Part of what makes [Nelson's] writing so compelling is a comfort with uncertainty... It is a delight to spend time with Nelson's erudite mind.

—— Times Literary Supplement

Nelson is such a friend to her reader, such brilliant company. Her book is a nuanced, exhilarating rallying cry for all those who are tired of the drab norms of our tech-topia and who long for another conversation

—— Literary Review

[Nelson's] books vary between an academic or lyrical register, but all revel in the recognition that feeling and thought aren't fixed... They encourage a slowing down, an absorbing... [and a] willingness for intellectual and linguistic exploration.

—— Financial Times

This account soars in its ability to find nuance in considering questions of enormous importance... Once again, Nelson proves herself a masterful thinker and an unparalleled prose stylist.

—— Starred Publishers Weekly Review

Maggie Nelson is an expert at distilling whatever topic she tackles into crystalline prose. She is the queen of the effortless jumping off point, catapulting her readers into the far reaches of Big Questions.

—— Lit Hub, 'Most Anticipated Books of 2021'

Maggie Nelson needs no genre. Reading her books... tends to make classification of any kind feel destructive, like it would slice through her writing's vital connective tissue... Reading Nelson is like watching a prima ballerina deliver the performance of a lifetime: athletic, graceful, and awe-inspiring.

—— Vulture

A top cultural critic plucks the concept of freedom away from right-wing sloganeers and explores its operation in current artistic and political conversations. . . . The subtlety of Nelson's analysis and energy of her prose refresh the mind and spirit.

—— Kirkus Review

Profound . . . wide-ranging essays analyzing freedom as it relates to the arts, sexuality, addiction, and, perhaps surprisingly, climate change. . . . A heady mix of erudite analysis and personal revelation. . . . Nelson brings a critically nuanced appreciation of individual and societal freedom to her mapping of the minefields involved in simultaneously embracing liberty and jettisoning habits of control and paranoia that threaten liberation.

—— Booklist

On Freedom proves that Nelson continues to do us a great service as a critic, which is to herself digest, and sometimes wrestle with, copious amounts of literature and theory . . . and to integrate this material into a relatively short book, in an accessible, felicitous voice all Nelson's own.

—— Boston Globe

Maggie Nelson's books crack your heart open on a marble countertop and piece it back together, but not before you've thought critically about your entire life. Her writing leaves you smarter, even if it sometimes contains truths that are hard to swallow. Her latest work is an essay collection that meditates on the concept of freedom, drawing on ideas from pop culture and critical theory, which is sure to explore your brain in the best way.

—— Nylon

Nelson makes her case persuasively, marshalling a chorus of thinkers alongside her own experience. One model of freedom, On Freedom suggests, lies in choosing - and arguing for - one's definition of freedom itself.

—— Martin Herbert , ArtReview

You'll . . . find lots to keep you engaged-provocative ideas, thinkers you've never heard of and a vast encyclopedia of cultural references.

—— USA Today

The venerable Maggie Nelson weighs in with the long-awaited follow-up to her masterpiece The Argonauts. On Freedom is a characteristically thoughtful and expansive work of cultural criticism that digs into this fraught topic through the lens of art, sex, drugs, and climate.

—— Chicago Review of Books

Nelson is so outrageously gifted a writer and thinker.

—— Washington Post (The Argonauts)

Transcendent.... very inspiring. She's an amazing writer.

—— Lorde , Irish Times (Bluets)

A writer who plays with prose and remakes the genre.

—— Hilton Als , New Yorker (The Argonauts)

Maggie Nelson... She's so much better than anything I've read for a long, long time.

—— Karl Ove Knausgaard , (Blues

The book that changed my life... it's just brilliant.

—— Sophie Mackintosh , Gardian (Bluets)

Always beguiling, her writing is powerful, incisive and so singular that it defies categorization ... raw, honest and urgent... [Nelson] always prompt me to see some aspect of life very differently.

—— The Observer (Bluets)

On Freedom is brave, sprawling, more troublesome than trouble-shooting - and in the spirit of Donna Haraway's Staying with the Trouble, quoted here by Nelson, that's just as it should be.

—— Emily Watkins , i

Maggie Nelson writes with a luminosity that is, upon opening any one of her books, immediately enlivening.

—— Ellen Peirson-Hagger , New Statesman

A patient and astringent analysis of what we owe each other and what we owe ourselves, and how to balance the two demands.

—— Adam Thirlwell , Times Literary Supplement, *Books of the Year*

Beautiful and shocking, but ultimately so gloriously hopeful. The book we should all read as we emerge from this latest strangeness.

—— Paula Hawkins

I can't remember a book I've wanted to press into people's hands more this year than this resonant, immensely thoughtful look back at three generations of a farming family ... Managing to cram the whole modern history of British farming and nature into 270 beautifully written pages, this is a gem that's moving and immensely informative.

—— Andrew Holgate , The Sunday Times Nature Book of the Year

A rare and urgent book ... Its beauty is not only in the writing but in what is behind it: a gentle and wise sensibility that is alive to the human love affair with the land and yet also intimately cognisant of our collective and systematic cruelty towards it.

—— Hisham Matar

I think, genuinely, this is the best book I've read this year, and one of the most important books of recent years. It is about food and farming, and how we eat what we eat. It's about progress and nostalgia, without being prideful or mawkish, it's about families and tradition, and the passing of time. It made me simultaneously proud to be British, and sad for what we have become, but hopeful that we can change.

—— Adam Rutherford

James Rebanks combines the descriptive powers of a great novelist with the pragmatic wisdom of a farmer who has watched his world transformed. This is a profound and beautiful book about the land, and how we should live off it.

—— Ed Caesar

Through the eyes of James Rebanks as a grandson, son, and then father, we witness the tragic decline of traditional agriculture, and glimpse what we must now do to make it right again. As an evocation of British landscape past and present, it's up there with Cider With Rosie.

—— Joanna Blythman

A beautiful and important book.

—— Sadie Jones

English Pastoral is a work of art. It is nourishing and grounding to read ... this brave and beautiful book will shape hearts and minds.

—— Jane Clarke, author of When the Tree Falls

A wonderful, humane book told through the eyes of a man who has watched much vanish from his land, and now wants to put it back ... Moving and illuminating.

—— Benedict Macdonald, author of Rebirding

James Rebanks describes the life of a Lakeland working farmer from the inside with a unrivalled truth and eloquence

—— Tom Fort, author of Casting Shadows

Vivid, accessible, inspiring - a story about one man's emerging land ethic, and an appreciation of the old ways in modern times. A vital book for anybody who eats

—— Kathryn Aalto, author of Writing Wild

James Rebanks is a beautiful writer, in a unique position to describe the challenges currently being faced by farmers throughout the world. English Pastoral is a joy to read and extremely moving - a book which should be read by every citizen.

—— Patrick Holden, Sustainable Food Trust

Farming, unlike almost any other job, is bound up in a series of complex ropes that Rebanks captures in his own story so beautifully: family pressure and loyalty, ego, loneliness, and a special kind of peer pressure...English Pastoral is going to be the most important book published about our countryside in decades, if not a generation

—— Sarah Langford

A deeply personal account by a farmer of what has happened to farming in Britain. Everyone interested in food should read this compelling, informative, moving book

—— Jenny Linford

Rebanks is a rare find indeed: a Lake District farmer whose family have worked the land for 600 years, with a passion to save the countryside and an elegant prose style to engage even the most urban reader. He's refreshingly realistic about how farmed and wild landscapes can coexist and technology can be tamed. A story for us all.

—— Evening Standard, Best Books of Autumn 2020

Moving, thought-provoking and beautifully written.

—— James Holland

English Pastoral is one of the most captivating memoirs of recent years ...The traditional pastoral is about retreat into an imagined rural idyll, but this confronts very real environmental dilemmas. Like the best books, it gives you hope and new energy.

—— Amanda Craig , Guardian

James Rebanks has a sharp eye and a lyrical heart. His book is devastating, charting the murderous and unsustainable revolution in modern farming ... But it is also uplifting: Rebanks is determined to hang on to his Herdwicks, to keep producing food, and to bring back the curlews and butterflies and the soil fertility to his beloved fields. Truly a significant book for our time.

—— Daily Mail – Books of the Year

Lyrical and illuminating ... will fascinate city-dwellers and country-lovers alike.

—— Independent – 10 Best Non-Fiction Books of 2020

A lyrical account of Rebanks' childhood on the Lake District farm that he's made famous; an account of how he learned about stockmanship and community and the rhythms of the land from his father and grandfather. [...] His writing is properly Romantic, which is a high compliment [...] Rebanks is obviously a wonderful human as well as a splendid writer.

—— Charles Foster

A lament for lost traditions, a celebration of a way of living and a reminder that nature is 'finite and breakable.' Mr. Rebanks hits all the right notes and deserves to be heard

—— Wall Street Journal

The most important story, perfectly told

—— Amy Liptrot

Memorable, urgent, eloquent ... Rebanks speaks with blunt, unmatched authority. He is also a fine writer with descriptive power and a gift for characterisation ... English Pastoral may be the most passionate ecological corrective since Rachel Carson's Silent Spring

—— Caroline Fraser , New York Review of Books
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