Author:Lawrence Osborne
A tense, stunningly well-observed heist novel from 'the bastard child of Graham Greene and Patrica Highsmith' (Metro)
Sarah Talbot Jennings, a young American living in New York, has fled to Bangkok to disappear. Armed with a suitcase full of cash, she takes up residence at the Kingdom, a glittering complex slowly sinking into its own twilight. There, against a backdrop of shadowy gossip and intrigue, she is soon drawn into the orbit of the Kingdom's glamorous ex-pat women. But when political chaos and a frenzied uprising wrack the streets below, and Sarah witnesses something unspeakable, her safe haven begins to feel like a trap.
From a master of atmosphere and suspense comes a brilliantly unsettling story of cruelty and psychological unrest, and an enthralling glimpse into the shadowy crossroads of karma and human greed.
Showing Osborne at the height of his powers, The Glass Kingdom upends the Western reader's most basic assumptions about the human world . . . stylish and disquieting
—— John Gray , New StatesmanBangkok is the star of this accomplished novel. Its denizens are aliens to themselves, glittering on the horizon of their own lives, moving - restless and rootless and afraid - though a cityscape that has more stories than they know
—— Hilary MantelThe author's exceptional descriptive skills fuel an overwhelming sense of menace . . . the next day you will still be thinking of Sarah's fate with horror
—— Louise Doughty , New York TimesOsborne's novels are lavishly filmic . . . The setting is luxurious, the lifestyle hedonistic, the climate oppressively hot. Prodigious amounts of alcohol are consumed. As events accelerate towards a violent finale, the reader is kept guessing. How severe will the consequences be for the interloper? Which will prevail, revenge or forgiveness?
—— Blake Morrison , London Review of BooksLawrence Osborne goes from strength to strength. In The Glass Kingdom he once again displays a feel for the Westerner abroad in an alien culture, where misunderstandings can prove deadly. The author has lived for years in Bangkok, whose seediness runs deeper than the superficially icky red light district most foreign writers take on. Great characters, plenty of suspense, and a killer ending
—— Lionel Shriver , Evening Standard, Books of the YearAn atmospheric, gripping novel . . . a horror-satire of globalised capital in which money might buy you idle time or the semblance of power, but it also makes you a target. The Kingdom's residents are blind to its fragility until it is almost too late: as apt a metaphor for 2020 as a novel could hope to provide
—— Ed Cumming , iBewitching
—— Geoffrey Wheatcroft , Daily MailOsborne, who specialises in stories about hapless Westerners coming a cropper in foreign lands, has another hit on his hands with this sinister, sensuous and wonderfully evocative tale
—— Katie Law , Evening StandardOozing menace, Osborne's compelling novel is wonderfully atmospheric and deeply macabre
—— Anthony Gardner , Mail on SundayLawrence Osborne did not disappoint in his atmospheric thriller The Glass Kingdom
—— Lionel Shriver , Observer, *Books of the Year*Osborne masterfully depicts . . . a Bangkok where an irrational yet intoxicating mix of Buddhism and animism holds sway alongside laissez-faire economics . . . eroding his characters' sense of autonomy through attrition
—— Max Crosbie-Jones , ArtReviewOne of the best stand-alone mysteries I've read in a while; thrilling and complex, with richly imagined characters who will break your heart even as they confront the monsters, real and imagined, that hide in the dark
—— Kathleen KentIf you only read one thriller this year, let it be this one. Psychologically absorbing, original and atmospheric. I could not turn the pages fast enough
—— Elin Hilderbrand, author of 28 SummersHeaberlin knows how to build to a truly shocking twist, how to break a reader's heart and then begin mending it
—— Dallas Morning NewsPraise for Julia Heaberlin
A beautifully written and extraordinary book
A thriller to remember why you love thrillers
Strong characterisation, haunting images, a wonderful sense of place
Rich, multilayered characters . . . I wanted to sit and savor her beautiful prose but the twisty plot and unexpected revelations propelled me through this spine-chilling novel . . . absolutely mesmerizing
—— Heather Gudenkauf, bestselling author of The Weight of SilenceThe author of Black-Eyed Susans returns with an elegantly written tale, set in a world where women are vulnerable and men are dangerous, the finger of suspicion pointing at them all
—— Daily ExpressAn emotionally charged story . . . there are so many layers to Heaberlin's story which keeps the mystery going right up until the end
—— CultureflyPerfect for fans of The Girl on the Train
—— Marie ClaireTwisty, exciting yet so very real
—— Gillian McAllisterFew people do psychological thrillers as claustrophobic and as creepy as Claire Douglas
—— Tim WeaverDelivered with panache and wit
—— New York Times Book ReviewThis book was like a refreshing can of something fizzy - the interactions between the program members are a joy, and the plot full of sharp turns and surprises. I quickly became quite fond of this disparate gang of plotting, scheming young monsters. Can't remember reading something I enjoyed so much in ages. Highly recommended.
—— Helen Callaghan, author of the Sunday Times bestseller Dear AmyReaders won't want to put down this fast and engaging debut novel, and they'll root for the characters who've been cast as villains
—— Library JournalA powerful puzzle of a murder mystery, as impossible to solve as it is to put down. What starts as a delicious thriller becomes a fascinating investigation of amorality, vengeance, and redemption. A powder keg of a debut.
—— Robin Wasserman, author of Girls on FireStick a bunch of devious psychopaths together and what could possibly go wrong? (...) a completely original, clever whodunit from a talented new arrival to the world of psychological suspense.
—— Mary Kubica, New York Times bestselling author of The Other Mrs.Sharp, original and extremely entertaining. The portrayal of psychopathy is nuanced and sensitive - something you don't see enough of in thriller fiction.
Truly original. Vera's main characters are believable and likeable, despite their nature. A very intriguing read.
—— Joy Kluver, author of Broken GirlsShocking, moving, full of heart ... deeply layered and intricately plotted ... A Slow Fire Burning shows a writer at the height of her powers
—— The ObserverThis tense and irresistible read is best binged in one sitting
—— HeatIntricately interwoven plots and subplots, propulsive twists and a neat finale, a deliciously easy psycho drama to hungrily tear through.
—— Evening StandardA brilliant read
—— Bella magazineA psychological thriller that begins with a death on a canal boat and involves a cadre of shifty, damaged characters.
—— The i PaperA multi-layered mystery simmering with secrets, resentments and griefs.
—— WOMAN