Author:Charles Handy
Britain's leading guru looks to the future.
Charles Handy is one of the giants of contemporary thought. His books on management – including Understanding Organizations and Gods of Management – have changed the way we view business. His work on broader issues and trends – such as Beyond Certainty – has changed the way we view society.
In The Second Curve, Handy builds on a life's work to glimpse into the future and see what challenges and opportunities lie ahead. He looks at current trends in capitalism and asks whether it is a sustainable system. He explores the dangers of a society built on credit. He challenges the myth that remorseless growth is essential. He even asks whether we should rethink our roles in life – as students, parents, workers and voters – and what the aims of an ideal society of the future should be.
Provocative and thoughtful as ever, he sets out the questions we all need to ask ourselves – and points us in the direction of some of the answers.
The bracing manifesto of a forward-looking radical ... The Second Curve successfully channels the energy and enthusiasm of the younger generation, in whom Handy places great hope ... Handy’s prescience over the decades has earned him the right to dabble and, given his record, you would not want to bet against some of his radical ideas coming true.
—— Andrew Hill , Financial TimesGentle but incisive ... [Handy's] voice is a reassuring, challenging presence. We should continue to listen to it.
—— Management TodayThis book will get you thinking.
—— Daily TelegraphCompelling and scalable.
—— EdgeStrong and original... It is impossible not to be impressed and a little daunted by so much energy and wisdom.
—— Irish IndependentWise words, succinctly put – the work of a master.
—— Peter Cook , HR ZoneStill full of insights into the ever-changing world of work... Challenging received opinion, as he has done for decades.
—— Peter Day , BBC World ServiceA fierce manifesto for radical political, corporate and social change.
—— The Financial TimesIn this book Handy encourages us to think differently about organisational structures. He presents engaging, cogent arguments about the organisations that we know today in sectors such as politics, education, business and how they will need to be very different in 20 years’ time.
—— Marketing WeekYou need to get hold of Stephen Witt's jaundiced, whip-smart, superbly reported and indispensable How Music Got Free
—— Washington PostFascinating… An engrossing story… surely the year's most important music book
—— IndependentAstonishing
—— GuardianEnthralling
—— Sunday TimesAn accomplished first book… So compelling
—— EconomistLucid, page-turning, engaging… A cross between a nail-biting true-crime story and the type of blow-by-blow books penned by Bob Woodward… Deeply sourced and dramatic
—— Scott Timberg , Literary ReviewWitt's first book has great strengths — primarily that he is a natural storyteller, with an eye for character and the ability to digest large amounts of technical detail, and turn it into a colourful tale
—— Financial TimesScorching investigative history of how the music industry found itself staring catastrophe in the face... Full of colourful characters... Essential reading for anyone who cares about the future of our creative industries
—— The BooksellerThis is a riveting account of greed, huge characters and the collapse of a kind of empire, and will be the benchmark by which future books are judged
—— Jamie Atkins, 4 stars , Record CollectorThe richest explanation to date about how the arrival of the MP3 upended almost everything about how music is distributed, consumed and stored
—— Dwight Garner , New York TimesA rare thing… Compulsively readable
—— Andrew Orlowski , RegisterDefinitive exploration of the turmoil the music industry has experiences in the last 20 years
—— Daily MailA surprisingly engaging guide
—— Rachel Farrow , UK Press SyndicationRemarkable
—— Ed Power , Irish IndependentHats off to Witt…because the book he’s delivered is sensational: lucid, informative, breathlessly exciting, with the pounding narrative tempo of a first-class thriller
—— Allan Jones , UncutWitt brings the many-layered tale to vibrant life
—— Andrew Hill , Financial TimesWitt’s sharp prose and pace grips... His narrative hurtles like a thriller toward the “sin cleansing” development of iTunes and the profit shift from recorded to live music. It is – in both senses – a ripping yarn
—— Helen Brown , TelegraphOne of the most gripping investigative books of the year - my mind reels at who will play Glover in the inevitable movie adaptation
—— Zach Sokol , Vice UKAn exhaustive and entertaining account of how digital music piracy started, what effect it had on the industry and who was involved
—— Andrew Williams , MetroJaundiced, whip-smart, superbly reported and indispensable
—— Louis Bayard , Guardian WeeklyBrilliant… Witt's account is every bit as riveting as a thriller… Required reading for anybody interested in how we came to consume music today
—— John Meagher , Irish IndependentIt’s a truly terrific read. Thoughtful, compelling, action-packed (surprisingly), utterly robust and guaranteed to be one of those nonfictions you rip through as if it was a novel by your favourite author
—— BookmunchExcellent
—— Sonny Bunch , Miami HeraldA terrific tale of music piracy at the dawn of the digital era
—— Helen Brown , Daily TelegraphThe collapse of the music industry, thanks to the emergence of the internet and illegal downloading, is told here with all the urgency and colour of a thriller
—— Louis Wise , Sunday TimesWitt tells the captivating and tense story of how the digital music revolution transformed the music industry, and made criminals out of many of us. Read it to learn all about a landmark moment in music and technology that still affects us today.
—— Isaac Fitzgerald , BuzzfeedHis book is a tour de force, delving into the criminal underworld of hackers and pilferers as well as the complacent corporate boardroom
—— Lionel Barber , Financial TimesA must-read. It flows like a captivating novel.
—— Mohamed El Erian , The NationalA terrific book… Rich and fascinating.
—— Waitrose WeekendPage-turner about how piracy nearly destroyed the established music industry.
—— Andrew Hill , Financial TimesA great read.
—— DisruptsBrilliant.
—— Hugo Rifkind , The TimesWitt skillfully and thoroughly documents this “warez” scene of file sharers… Absolutely enthralling, and occasionally cinematic.
—— Jon Fine , Strategy + BusinessBeautifully told.
—— William Leith , Evening Standard