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100 Artists' Manifestos
100 Artists' Manifestos
Dec 21, 2024 10:00 AM

Author:Alex Danchev,Alex Danchev

100 Artists' Manifestos

In this remarkable collection of 100 manifestos from the last 100 years, Alex Danchev presents the cacophony of voices of such diverse movements as Futurism, Dadaism, Surrealism, Feminism, Communism, Destructivism, Vorticism, Stridentism, Cannibalism and Stuckism, taking in along the way film, architecture, fashion, and cookery.

Artists' manifestos are nothing if not revolutionary. They are outlandish, outrageous, and frequently offensive. They combine wit, wisdom, and world-shaking demands. This collection gathers together an international array of artists of every stripe, including Kandinsky, Mayakovsky, Rodchenko, Le Corbusier, Picabia, Dalí, Oldenburg, Vertov, Baselitz, Kitaj, Murakami, Gilbert and George, together with their allies and collaborators - such figures as Marinetti, Apollinaire, Breton, Trotsky, Guy Debord and Rem Koolhaas. Edited with an Introduction by Alex Danchev

Reviews

'The Manifesto is remarkable for its imaginative power ... it is the first great modernist work of art'

—— Marshall Berman

Magisterial...Richardson's ambitious project dwarfs all previous biographies of Picasso... [He] has a gift for telling pen-portraits and makes vivid an entire gallery of pioneering dealers and early collectors.

—— Frances Spalding , Sunday Times

Richardson covers [the] momentous ten years from 1907 to the end of the First World War with great elegance and quiet authority... What makes the two published volumes so outstanding is the sense of Picasso the man emerging - in all his complexity - alongside the superb analysis of Picasso the artist

—— William Boyd , Spectator

A wonderfully vivid little book

—— Daily Telegraph

It is, in its broad outlines, a familiar story, but King, the author of Brunelleschi's Dome, tells it with tremendous energy and skill. It is hard to imagine a more inviting account of the artistic civil war that raged around the Paris salons of the 1860s and 1870s, or of the outsize personalities who transformed the way the world looked at painting

—— William Grimes , Scotsman

King's book is an absorbing investigation into [Meissonier's] rise and fall, and while this alone would have been subject enough, the author opens up the canvas by interweaving the parallel fortunes of another artist, Edouard Manet... In King's careful hands this tale of two artists rises beyond a mere historical account to become a revealing investigation into the vagaries of taste and success

—— Iain Gale , Scotland on Sunday

King's history of artistic rivalry and the stormy gestation of the Impressionist movement is a rich and textured read, full of the sounds and smells of Paris in a wild and exciting time

—— Books Quarterly, Waterstones

Startlingly frank.

—— Nick Curtis , Evening Standard

Both tender biography and blunt revelation. In that it is the first to reveal the man and the essential symbiosis of heterosexual obsession…with the messy business of painting, it is the most important book yet written on Freud.

—— Brian Sewell , Evening Standard

A riveting anecdotal portrait… Everywhere there are fascinating nuggets… A fond, fair-minded, thankfully non-judgmental and pretty full portrait of a person shaped around the people – and most saliently the lovers – who came into his life.

—— Rachel Campbell-Johnston , The Times

Greig has penetrated deep into the labyrinth of Freud’s private life. The result is a gripping page-turner about an endlessly fascinating and extraordinary man.

—— Lynn Barber , Sunday Times

Compelling and fascinating… It is a book fill of clues – generous with routes to an understanding of this massively difficult and hugely gifted individual.

—— William Boyd , Mail on Sunday

[It] will be on many an art lover's Christmas list this year.

—— Mary Lussiana , Country & Town House

Fond and faintly disturbing.

—— Nicky Haslam , Spectator

A rattlingly readable effort... Greig does a fine job revealing tales one suspects the artist may have wished to keep private.

—— Alastair Smart , Telegraph

Anybody with an ear for a good story, never mind an eye for fine art, will be beguiled.

—— Hephzibah Anderson , Mail on Sunday

Greig's fascinating, intimate biography of Lucian Freud was a revelation. Every question I had about Freud – from the aesthetic to the intrusively gossipy – was answered with great candour and judiciousness… Wry, dry and completely beguiling.

—— William Boyd , Guardian

[Greig’s] perceptive observations and eagle’s eye for detail immediately drew me in.

—— Rebecca Wallersteiner , Vantage

The Freud who emerges in this account is a slippery figure, not only for journalists who tried to explain him but also for his intimates.

—— New Yorker

Mr Greig's is a compelling portrait of a complete amoralist who became a monstre sacré.

—— The Economist

Greig’s portrait glimmers with his eye for the telling detail.

—— Robert Collins , Sunday Times

A mesmerising book, seamlessly crafted, totally absorbing, and impossible to put down.

—— The Tablet

A very readable and enjoyable book, full of salacious detail of the artist and his fascinating life.

—— Julia Weiner , Jewish Chronicle

This intimate biography of Lucian Freud spares no blushes in its account of one of Britain's greatest painters, tracing his life and work through candid revelations about his views on art, relationships and family.

—— Charlotte Mullins , Art Quarterly

Building up brush stroke by brush stroke, Greig has produced a three-dimensional study of equal candour. Part demon, part genius, it is an absorbing portrait of the complexity of a strange human character.

—— Peter Lewis , Daily Mail

An unapologetic mixture of intelligent perception and high gossip... It is, overall, more revealing than anything about [Freud] yet written.

—— Frances Spalding , Guardian

I am captivated by this fascinating memoir... It's an extraordinary read.

—— Barbara Taylor Bradford , Daily Mail

Candid and intelligent.

—— Spear's

A gripping, page-turning vision of Lucian Freud that penetrates deep into the artist's private life.

—— Sunday Times Online

Utterly engrossing and lavishly illustrated

—— Mail on Sunday
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