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A Christmas Carol BBC TV Tie-In
A Christmas Carol BBC TV Tie-In
Nov 17, 2024 8:47 PM

Author:Charles Dickens

A Christmas Carol BBC TV Tie-In

QUIET AND DARK, BESIDE HIM STOOD THE PHANTOM, WITH ITS OUTSTRETCHED HAND

A Christmas Carol, first published in 1843, is Charles Dickens’s timeless festive tale of transformation and redemption. On Christmas Eve Ebenezer Scrooge, the uncharitable miser, is visited by the ghost of his dead business partner, Jacob Marley, who comes with a warning.

Later that evening, Scrooge falls into a deep sleep and is called upon in the night by three more spectres, the Ghosts of Christmas Past, Present, and Yet to Come. These apparitions bring strange visions and offer Scrooge the chance to absolve for his lifetime of avarice and greed.

Accompanying a the three-part special from Steven Knight (Taboo, Peaky Blinders) starring Guy Pearce, Andy Serkis, Stephen Graham, Charlotte Riley, Joe Alwyn, Vinette Robinson, Jason Flemyng, Kayvan Novak and Lenny Rush. Written and executive produced by Steven Knight, executive produced by Tom Hardy, Ridley Scott, Dean Baker, David W. Zucker, Kate Crowe and Mona Qureshi for the BBC.

Reviews

We are doubly blessed that Beethoven should have led such an extraordinary life. Laura has combined the two - the genius of his music and the richness of his experiences - to shine a revealing light on our greatest composer

—— John Humphrys

Elegant, enquiring and best read with the music turned up

—— Julian Glover , Evening Standard

I found Tunbridge's book full of thought-provoking detail. Beethoven may be irredeemably pale and male, but, in this far-ranging discussion, his life and revolutionary music never feel stale

—— Richard Morrison , The Times

A concise, subtly revealing survey... emphasizing the many-sidedness of the composer's spirit

—— Alex Ross , New Yorker

This book is really wonderful! Nine works of Beethoven from different times in his life tell the story of that life - nine windows through which the man and his music are revealed with captivating clarity. We often speak about the 'universal spirit' of Beethoven but this book also brings to life how he fits into, and indeed creates, the new universe of cultural life which was born as the nineteenth century began. However many books on Beethoven you own, find the space for one more. This one

—— Stephen Hough, pianist, composer, writer

In a year when everyone's looking for a new take on Beethoven, Laura Tunbridge has found nine. It makes great sense to look at the composer not thematically but in selected fragments, taking us nine small steps closer to his elusive totality. Fresh and engaging

—— Norman Lebrecht, author of Genius and Anxiety

I truly enjoyed reading it . . . Excellent . . . Laura Tunbridge upends the two-centuries-old image of Beethoven as a Promethean Titan heroically composing works of genius on his isolated rock of suffering. She convincingly argues that Beethoven's current iconic status must be understood within the context of his financial dealings and lifetime of often affable, sometimes acerbic, vibrant interchanges with family members, other composers, patrons, friends, musicians, singers, publishers, producers, and makers of musical instruments. Her detailed musical analyses of familiar as well as now rarely-performed works of Beethoven converse with one another as well as with other music of the era and with quotidian life in Vienna. This well researched and accessible book is a must read for all who seek to know more about the flesh and blood tangible Beethoven and the checkered history of his reception than about the Beethoven of unfathomable mythic immensity

—— John Clubbe, author of Beethoven: The Relentless Revolutionary

Mark that young man, he will make a name for himself in the world

—— Mozart after hearing the young Beethoven play

Tunbridge has come up with the seemingly impossible: a new way of approaching Beethoven's life and music . . . and in every chapter a superb - and accessible to non-musicians - analysis of the music . . . profoundly original and hugely readable

—— John Suchet, author Beethoven: The Man Revealed

Remarkable . . . she captures the essence of his genius and character. I'll always want to keep it in easy reach

—— Julia Boyd, author of Travellers in the third Reich

Illuminating . . . deftly gathers in the connections . . . In 288 pages, Tunbridge gives us detail enough to create a rounded portrait . . . She makes us marvel at Beethoven all the more

—— Fiona Maddocks , Observer

You don't have to be a music scholar to enjoy this brilliant, and pleasingly concise book. But, if you don't love Beethoven, both the man and his music, when you start, you should by the time you finish

—— Roger Alton , Daily Mail

Cuts straight to the action . . . Tunbridge balances the traditional narrative of universal, timeless genius, of innovation before its time, with a pragmatic, jobbing musician working hard to make a living

—— Alexandra Coghlan , Spectator

Compact but also rewarding...a lot of information is packed into her musical portraits

—— Richard Fairman , Financial Times

Laura Tunbridge finds something fresh to say about Beethoven by looking at his life through nine pieces... An entertaining way to celebrate the great man's 250th birthday

—— James Marriott , Sunday Times Books of the Year

A twinkling elucidation of concert life in Vienna... fluent, concise and engaging

—— Paul Griffith , Times Literary Supplement

Laura Tunbridge, in her new biographical study, has found an elegant way to give Beethovenian heroism and struggle its due, while slyly plucking at the reverse of Solomon's martial banner... Each chapter delivers its little shock of correction

—— James Wood , London Review of Books

Laura Tunbridge offers a timely portrait of the composer in an elegant biography . . . refreshingly, [she] focuses on the man rather than the myth. Knowledgeable and humane, this is a deeply sympathetic portrait of a turbulent musical genius

—— Jane Shilling , Daily Mail

Tunbridge never stints on musical description, nor compromises her admirable rigour, while her prose is vivid, crystal-clear and never less than fascinating . . . a wonderfully rewarding book

—— Jessica Duchen , Classical Music Magazine

Absolutely intoxicating. Such vivid detail, rich atmosphere, heartbreak, and elegance. Sophy Roberts melds research and personal experience to trace the paths of political prisoners, convicts, and conscripts determined to find beauty in exile, and track down the regal pianos now scattered in villages, museums, and storehouses across the largest country on earth. Some cherished and some neglected, these pianos tell of the musical colonization of a continent, and their stories sing.

—— Jonathan C. Slaght, author of OWLS OF THE EASTERN ICE

Romance and tragedy, gulags and tower blocks, princes and oligarchs and of course tigers and pianos, Roberts captures all the wonder and heartbreak of an entire Empire in one feast of a book.

—— Ben Rawlence, author of CITY OF THORNS and RADIO CONGO

Not-to-be-missed travel.

—— The Tablet

Beautifully constructed, clear-eyed and generous-spirited.

—— Will Atkins, author of THE MOOR and THE IMMEASURABLE WORLD

Stories endure in this compelling debut.

—— Wanderlust

A noble quest to understand the dazzling respect for music embedded in Russian culture.

—— Country Life

An intoxicating journey into the wilds of Siberia.

—— Stella magazine
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