Author:Justin Evans
George Davies has a problem: he can't bring himself to hold his newborn son. Desperate to save his dwindling marriage and redeem himself as a father and husband, George visits a therapist and begins to delve into the childhood memories that may be the root of his issues. Ten-year-old George, in the wake of his father's harrowing and unexpected death, is experiencing ominous visions - some friendly, others outright terrifying. Unable to control those visions, George starts to display erratic behaviour and eventually becomes violent. When a mysterious murder is ultimately revealed, the stakes are suddenly much higher for him and his family. Are the visions just the product of a grief-stricken child's overactive imagination? Symptoms of mental illness? Or is ten-year-old George possessed by a darker, more malevolent force?
Evans' story tingles with psychological suspense
—— Keith Donohue, author of The Stolen ChildSo incredibly scary and unnerving. Man, did this get under my skin in the very best way
—— Brad MetlzerThis stunning novel marks the debut of a serious talent. Evans manages to take a familiar concept-the young child haunted by a demon invisible to others-and infuse it with psychological depth and riveting suspense... Evans subtly evokes terror and anxiety with effective understatement
—— Publishers WeeklyThis is the kind of novel that keeps respectable reviewers up until the small hours. Put it down if you can
—— The TimesA psychological thriller that keeps the reader on edge until the last page... A haunting story of guilt, denial and the possibility of demonic possession
—— Kirkus Reviews, starred reviewA creepy and entertaining story full of perfectly written characters. A definite recommendation
—— Library JournalThis is an edgy, compelling read-more unnerving than scary-that will slide its hooks deep inside and throttle you more than a few times before it's all over
—— BooklistA blend of creepy literary horror and taut psychological thriller
—— Marie ClaireSinister, edgy and with a hold that doesn't let up
—— Woman & HomeBest read as an authentic, full-blooded, old-fashioned ghost story...genuinely eerie... will have you staying up late
—— Independent on Sunday. . . perfectly gripping . . . It is a clever serial/ ritual-murderer tale set in remotest rural Canada, but the most original feature of the story is its principal detective . . . Hazel Micallef is a splendid recruit to the ranks of fictional detectives.
—— Literary ReviewTerrifying, moving and complex . . . the first in a sensational series . . . truly compelling . . . a thrilling psychological tale which ratchets up the pace from the intriguing opening scene to the heart-in-the-mouth finale.
—— Peterborough Evening TelegraphPatterson is in a class by himself.
—— VANITY FAIR... opens with one of the most chilling murder scenes I've read in a long time ... High-octane stuff
—— Daily ExpressI was completely swept along by it. It was absolutely fantastic: I romped through it. It is wonderfully-well and scarily described. There is a James Bond quality. It was inspired. Cross Country has an amazing sense of speed, there's a really brilliant tension in the plot. You really believe in Alex Cross.
You're just completely engrossed in it from start to finish. Absolutely incredible. Taking [Cross] into Africa is a masterstroke. The story is unrelentingly exciting.
Psychologically acute and extremely disturbing, Ruth Rendell's work is outstanding
—— The TimesRendell has a Dickensian empathy, informed by a prodigious love of London life. Her account, bursting with colour and vitality, is a treat to read
—— The Independent