Author:Mark Burgess,Alex Jennings,Trevor Littledale
A gripping BBC Radio 4 drama about King George VI's struggle to overcome his stammer and his close working relationship with his speech therapist.It is Coronation Day, 1937. As the country celebrates, the new monarch must face one of the most difficult challenges he has ever encountered: the dreaded BBC Radio Broadcast to the Nation. Only one man can prepare the terrified King for his ordeal at the microphone - Australian speech therapist Lionel Logue. With his unconventional methods such as tongue-twisters, breathing exercises and Shakespearean quotations, and a variety of teaching styles ranging from empathy to bullying, Logue aims to give George VI the confidence to navigate the minefield ahead. As the two men wrestle with the intricacies of the speech, their conversation ranges from the Abdication Crisis to the King's childhood and his uneasy relationship with his father - and the King's dependence on and deep friendship with Logue becomes apparent. Starring Alex Jennings as George VI and Trevor Littledale as Logue, this is a riveting portrait of a prominent man at a pivotal moment in his own life and in the history of the 20th century.
Sweet... incredibly touching
—— ObserverA heartwarming story and a reminder that in the crazy world of showbiz, anything is possible ... one of the most incredible showbiz tales of our time
—— HeatA refreshing revelatory and spirit-moving memoir which reads as beautifully as she sings...
—— Irish IndependentHard to put down
—— The Sunday TimesA revealing portrait of an often misunderstood woman
—— OK!Movingly told
—— The TimesWarm, witty and wise
—— The ScotsmanBoth an exposé and a defence of Orson Welles by the daughter who spent a lifetime trying to impress him . . . offers a new perspective on a familiar career
—— Times Literary SupplementA portrait of longing never quite fulfilled
—— The OldieBefore now, much of hip-hop's history has been a cross between personal narrative and music commentary. Can't Stop Won't Stop goes to the next level, documenting hip-hop's cross cultural, political, economic and global intricacies. For too long it's been nearly impossible for hip-hop kids to find themselves on the pages of history. With Can't Stop, Won't Stop, Jeff Chang takes them there.
—— Bakari Kitwana, author of The Hip-Hop Generation: Young Blacks and the Crisis in African American CultureAn exuberant and revelatory history of the inner-city cultural revolution that still rocks the world. Jeff Chang is hip-hop's John Reed.
—— Mike Davis, author of Dead Cities, City of Quartz and Planet of SlumsHis scope is operatic, sprawling, and concerns itself with the people, places, and politics that drove hip-hop from its infancy. . . . It is essentially a people's history . . . perhaps Jeff Chang is hip-hop America's Howard Zinn.
—— Salon.comThe birth of hip-hop out of the ruin of the South Bronx is a story that has been told many times, but never with the cinematic scope and the analytic force that Jeff Chang brings to it. . . . This is one of the most urgent and passionate histories of popular music ever written.
—— The New YorkerWhen Hip-Hop 101 becomes a requirement, Jeff Chang's history of the turmoil that begat this beloved culture will be the go-to textbook.
—— Vibe magazineThe most important new genre of the last quarter century finally has a sweeping historical overview as powerful as the music with "Can't Stop Won't Stop" . . . the best-argued, most thoroughly researched case for hip-hop as a complete and truly American culture.
—— Chicago Sun-TimesYou need to read this - period
—— Fact
zpostcode
Recruit
weather
mreligion
Yellowpages
sport
constellation
shopping
name
game
directory
literature
Word
tour
furnish
Lottery
tftnews
lyrics
News
digital
car
dir
Edu
Finance
