Author:John Richardson
John Richardson draws on the same combination of lively writing, critical astuteness, exhaustive research, and personal experience which made a bestseller out of the first volume and vividly recreates the artist's life and work during the crucial decade of 1907-17 - a period during which Pablo Picasso and Georges Braque invented Cubism and to that extent engendered modernism.
Richardson has had unique access to untapped sources and unpublished material. By harnessing biography to art history, he has managed to crack the code of cubism more successfully than any of his predecessors. And by bringing a fresh light to bear on the artist's often too sensationalised private life, he has succeeded in coming up with a totally new view of this paradoxical man of his paradoxical work. Never before has Picasso's prodigious technique, his incisive vision and not least his sardonic humour been analysed with such clarity.
John Richardson's second volume on Picasso confirms what his first suggested: that this is a masterpiece in the making, the most illuminating biography yet written on a twentieth-century visual artist... A continuous pleasure to read
—— Richard HughesMagisterial...Richardson's ambitious project dwarfs all previous biographies of Picasso... [He] has a gift for telling pen-portraits and makes vivid an entire gallery of pioneering dealers and early collectors.
—— Frances Spalding , Sunday TimesRichardson covers [the] momentous ten years from 1907 to the end of the First World War with great elegance and quiet authority... What makes the two published volumes so outstanding is the sense of Picasso the man emerging - in all his complexity - alongside the superb analysis of Picasso the artist
—— William Boyd , SpectatorA wonderfully vivid little book
—— Daily TelegraphAn unexpected page-turner.
—— Independent on SundayA compelling romance (complete with mystery) ... deeply satisfying.
—— Michael HolroydA brilliant sleuthing job which will appeal to anyone who has ever found a skeleton in the family closet.
—— Daily ExpressA beguiling study
—— Financial TimesEngaging
—— Gillian Tindal , Literary ReviewThis beautifully written book is a splendid testament to the intelligence, attention to detail, depth of research, and down to earth vision of a first rate scholar
—— Theodore K Rabb , Times Literary SupplementThere are still interesting things to be said about Van Eyck's great double portrait
—— Michael Glover , Independent, Books of the YearExploring the double-portrait image in often revelatory detail, Hicks presents a truly inspiring picture of her own
—— Erica Wagner , The Times, Books of the YearNo-one can write, and explain, like Hicks. Here her mastery is complete
—— SpectatorThis impressive work of art historical scholarship is in every way as engaging as its subject
—— Peter Murray , Irish ExaminerA rattlingly readable effort... Greig does a fine job revealing tales one suspects the artist may have wished to keep private.
—— Alastair Smart , TelegraphAnybody with an ear for a good story, never mind an eye for fine art, will be beguiled.
—— Hephzibah Anderson , Mail on SundayGreig's fascinating, intimate biography of Lucian Freud was a revelation. Every question I had about Freud – from the aesthetic to the intrusively gossipy – was answered with great candour and judiciousness… Wry, dry and completely beguiling.
—— William Boyd , Guardian[Greig’s] perceptive observations and eagle’s eye for detail immediately drew me in.
—— Rebecca Wallersteiner , VantageThe Freud who emerges in this account is a slippery figure, not only for journalists who tried to explain him but also for his intimates.
—— New YorkerMr Greig's is a compelling portrait of a complete amoralist who became a monstre sacré.
—— The EconomistGreig’s portrait glimmers with his eye for the telling detail.
—— Robert Collins , Sunday TimesA mesmerising book, seamlessly crafted, totally absorbing, and impossible to put down.
—— The TabletA very readable and enjoyable book, full of salacious detail of the artist and his fascinating life.
—— Julia Weiner , Jewish ChronicleThis intimate biography of Lucian Freud spares no blushes in its account of one of Britain's greatest painters, tracing his life and work through candid revelations about his views on art, relationships and family.
—— Charlotte Mullins , Art QuarterlyBuilding up brush stroke by brush stroke, Greig has produced a three-dimensional study of equal candour. Part demon, part genius, it is an absorbing portrait of the complexity of a strange human character.
—— Peter Lewis , Daily MailAn unapologetic mixture of intelligent perception and high gossip... It is, overall, more revealing than anything about [Freud] yet written.
—— Frances Spalding , GuardianI am captivated by this fascinating memoir... It's an extraordinary read.
—— Barbara Taylor Bradford , Daily MailCandid and intelligent.
—— Spear'sA gripping, page-turning vision of Lucian Freud that penetrates deep into the artist's private life.
—— Sunday Times OnlineUtterly engrossing and lavishly illustrated
—— Mail on Sunday