Bawdy baroque-punk prose of marvellous fluency, overlaid with a gloss of heavy-weight erudition... an astonishing achievement, little short of a masterpiece

A gargantuan, dazzling fable by Britain's brightest young writer

A story of adventure enthralling in its scope and inventiveness, by turns comic and horrific, zestful and elegaic, involving a reclusive order of monks whose church is slowly sliding into the sea; Renaissance Rome with its sexual license and political rivalries; war and atrocity in the Central Italian States; and a remote tribe in the West African rain forest. Running through this variegated fable is the search for the rhinoceros. The exuberance, the sheer proliferation of incident and scene, are disciplined and controlled by unerring narrative pace and cunning

A truly fabulous piece of new British fiction

The novel, a parody, sets itself up as a kind of Maoist Anna Karenina . . . At its core, Hard Like Water seeks to make a mockery of claims to political purity. As Hongmei and Aijun arouse each other with propaganda slogans and revolutionary citations, the novel pokes fun at how easily an ideology can be contorted to satisfy individual desires

A piercing satire of Communism and the language of revolutions

Yan probes the darkness and absurdity of Chinese society and history with a sexy satirical tale of the Cultural Revolution as wrought in a small village . . . distinctive and punchy. Yan's exuberant and unflinching tragicomedy is undeniably appealing

Surreal and amusing, biting and fun

A gritty, memorable story . . . Yan's study of power and class struggle becomes, in the end, a near-classic tragedy

Yan's signature biting wit creates another indelible work of bittersweet humor and socio-political insight

Predicted to become a new future classic . . . this is a powerful, multi-faceted book that questions everything from marriage to sexual desire, power and the dangers of hubris

Gao Aijun, the narrator of this boisterous novel, set during the Cultural Revolution, finds his life charmless: his village is like "a pool of stagnant water," and his wife makes him feel "a clump of cotton" in his throat. Then he meets a beautiful woman, also married, and, to attract her, sets out to lead the "revolution" in their village. In speech larded with Mao quotes and traditional maxims, Gao reveals how their romance, fuelled by the feverish political climate, pitches the village into ever-escalating extremism -- a years-long parade of self-advancing schemes culminating in an unthinkable end