Author:C.S. Forester
A Horatio Hornblower Tale of the Sea
May, 1810 - and thirty-nine-year-old Captain Horatio Hornblower has been handed his first ship of the line . . .
Though the seventy-four-gun HMS Sutherland is 'the ugliest and least desirable two-decker in the Navy' and a crew shortage means he must recruit two hundred and fifty landlubbers, Hornblower knows that by the time Sutherland and her squadron reach the blockaded Catalonian coast every seaman will do his duty. But with daring raids against the French army and navy to be made, it will take all Hornblower's seamanship - and stewardship - to steer a steady course to victory and home . . .
This is the sixth of eleven books chronicling the adventures of C. S. Forester's inimitable nautical hero, Horatio Hornblower.
'I recommend Forester to every literate I know' Ernest Hemingway
Only a born novelist could have written a piece of history so intelligent, mischievous, penetrating and alive
—— The New York Times Book ReviewHis genuine wit and bellicose charm, and his fervent and intense sense of legitimately caring, render The Armies of the Night an artful document, worthy to be judged as literature
—— TimeMesmerising, and to re-read it today is to experience an additional punch: the one that verifies that history repeats itself as (malignant) farce
—— GuardianA work of personal and political reportage that brings to the inner and developing crisis of the United States at this moment admirable sensibilities, candid intelligence, the most moving concern for America itself. Mailer's intuition in this book is that the times demand a new form. He has found it
—— New York TimesEagles In The Storm is everything you could want from a historical tale
—— Culture FlyBloodthirsty, soaked in the sweat and tears of its time, this is a fine blend of history and action
—— Historical Novel SocietyThis gripping instalment of the Moscow Trilogy tells of a man wrongly imprisoned in the Gulags and his fight for redemption. Meticulously researched ... In this searing tale of love and war, most moving is the redemptive relationship between a soldier and a nurse that blooms amid the brutality. An homage to the author's favourite Russian writers and the Western masterpieces of Larry McMurtry, Cormac McCarthy and Elmore Leonard, such influences pervade this atmospheric tale told in the author's distinct own voice.
—— ObserverA GRIPPING tale ... Montefiore is BRILLIANT at depicting the BROODING MENACE ... the [penal battalions] are given increasingly risky missions, it is Benya's journey on horseback that we follow behind enemy lines in the grasslands of southern Russia ... An EPIC tale ... The language is arresting ... It's beautifully done: a WESTERN ON THE EASTERN FRONT.
—— Daily TelegraphDISPATCHES FROM THE DAYS OF BLOOD AND THUNDER ... There are atrocities on all sides and a smidgen of love as Benya falls for a brave Italian nurse. A subplot follows the ill-starred affair between Stalin's daughter and a Jewish writer. But Benya's struggle to keep his humanity is the memorable spine of the book.
—— Best of Summer reading, The TimesExhilarated and terrified ... Golden is plunged into a world where violent death could arrive at any moment and any pleasures that present themselves (an unexpected affair with an Italian nurse, for example) must be seized immediately. Sebag Montefiore PAINTS HIS VERBAL PICTURES of the WAR IN BOLD PRIMARY COLOURS ... SHEER ENERGY OF STORYTELLING AND GRAND SWEEP OF NARRATIVE.
—— Sunday TimesIT'S LONESOME DOVE MEETS STALINGRAD. A band of outlaws riding & fighting for their lives on sweeping plains - but these bandits are not battling tribes in the Wild West, they are on the grasslands of south Russia at war with Nazi Germany and its ally, the Italians. Our hero is not a Texas Ranger but a Jewish writer named Benya Golden. Montefiore has brought his understand of Russian history to life here with great gusto traversing Gulags, battlefields and Kremlin but Golden is a lover not a fighter...
—— Leila McKinnon , Womens Weekly AustraliaTolstoyan
—— The Jewish ChronicleSimon Sebag Montefiore’s skill with imagery is such that he immerses his reader in an utterly ethereal landscape … Montefiore can effortlessly meld beauty and battle
—— TLSFor the sheer pleasure of being swept away in an epic tale of love and war by a master storyteller, Red Sky At Noon by Simon Sebag Montefiore had me enthralled from beginning to end. This is the final part of his Moscow trilogy – a series of compelling historical novels in the great tradition of Scott, Thackeray and Tolstoy.
—— Billy Kay , Book of the Year, Sunday Herald (Scotland)A novel of ideas and a gripping thriller… Harris is a marvellously compelling story-teller
—— ScotsmanWith moral subtlety as well as storytelling skill, Harris makes us regret the better past that never happened — while mournfully accepting the bitter one that did
—— Boyd Tonkin , Financial TimesA fantastically entertaining historical novel that you won’t want to put down until you finish . . . For me, this is a better novel than Fatherland, which posited the ‘what if Hitler was still Fuhrer in 1964?’ scenario. It is altogether more grounded and serious, but equally enjoyable
—— NudgeExerts a powerful grip
—— Jasper Reese , The Arts DeskIt’s hard to imagine how history can be told better
—— Sport NewspaperLovely details. Clever Twists. Superb.
—— Evening StandardThis novel is gripping from start to finish
—— Waitrose WeekendIn recent years there have been a number of very good novels by veterans of the Global War on Terror. None is as ambitious, inclusive or powerful as Brian Van Reet's Spoils; none has this novel's range or uncanny ability to transport the reader to the battlefield and those rarely explored margins at the battlefield's ragged edge. Spoils is a fantastic debut.
—— Aaron Gwyn, author of Wynne's WarVivid and fierce, Spoils is an eloquent exploration of humanity. Depicting a world with no obvious villains or heroes, this novel is as important as it is timely. By exploring the nuances of motivation, loyalty, and sacrifice, Van Reet exposes the connections that bind us across even the greatest divides.
—— Virginia ReevesThe brilliance of Brian Van Reet’s Spoils lies not only in the sheer forward-motion velocity of its plotting, but in the psychological terrain it explores: what a generation of young women and men went looking for in Iraq, what they found, and why that discovery matters so profoundly for the rest of us.
—— Anthony GiardinaIn Spoils, Van Reet has imbued his subject with subtlety — something that it is so often stripped of, both by combatants and the media. One rarely sees a war novel by a soldier with such convincing writing on both sides of the trenches.
—— Jonathan McAloon , Financial TimesThis is a great novel… Brian Van Reet [is] a special talent.
—— NudgeAn honest glimpse into the action, emotion and futility of war.
—— UK Press SyndicationThe action is realistic and relentless, the writing lean and muscular, the tale harrowing, and the horrors seemingly inevitable but no less powerful for that.
—— John Walshe , Hot PressIn dazzling and propulsive prose, Brian Van Reet explores the lives on both sides of the battle lines… Depicting a war spinning rapidly out of control, destined to become a modern classic, Spoils is an unsparing and morally complex novel that chronicles the achingly human cost of combat.
—— Victoria SadlerSpoils reeks of the fog and futility of war… It has its own blue-collar beauty as it tells its tale from three perspectives: a gay, female US soldier, an Egyptian jihadist and a US tank commander.
—— Donal O’Donoghue , RTE GuideBrian Van Reet has firsthand combat experience to draw upon for this powerful piece of fiction, rendering it an intensely humane story, giving credible authenticity to the plot, and scenes presented to the reader… Enlightening, thought provoking and hauntingly mesmerising, I cannot recommend Spoils highly enough to anyone interested in novels about war and conflict.
—— Sharon Mills , NudgeEvery page brims with brutal authenticity.
—— The Mail on SundaySpoils bears eye-widening witness to valour, horror, violence, cruelty and absurdity.
—— Marcel Theroux , Guardian