Author:Bartolome Las Casas,Anthony Pagden
Bartolomé de Las Casas was the first and fiercest critic of Spanish colonialism in the New World. An early traveller to the Americas who sailed on one of Columbus's voyages, Las Casas was so horrified by the wholesale massacre he witnessed that he dedicated his life to protecting the Indian community. He wrote A Short Account of the Destruction of the Indies in 1542, a shocking catalogue of mass slaughter, torture and slavery, which showed that the evangelizing vision of Columbus had descended under later conquistadors into genocide. Dedicated to Philip II to alert the Castilian Crown to these atrocities and demand that the Indians be entitled to the basic rights of humankind, this passionate work of documentary vividness outraged Europe and contributed to the idea of the Spanish 'Black Legend' that would last for centuries.
Impeccably researched and exhaustive in detail, this is both a moving memoir and an illuminating work of history.
—— Hampstead and Highgate Express , Hampstead and Highgate ExpressExcellent... Gordon Sander gives a fascinating and moving account of the remarkable story of another Dutch family called Frank who also went into hiding in July 1942.
—— The Jewish News , The Jewish NewsAn expansive, explosive account
—— EsquireKurlansky is a very superior journalist: diligent in his research, quirkily original in his insights, swift and clear in his storytelling. 1968 is a riveting, evocative, entertaining read
—— ObserverThe best political diarist of our time
—— Financial Times'Man is an excellent guide...well-versed in Mongolian, he has travelled extensively in the country while researching the more mysterious elements Genghis' life, and this experience shines through the book...he writes knowledgeably'
—— Literary ReviewA top biography...This is great, grisly stuff and an education for anyone
—— Evening Standard... This bright, engaging and breezy book ... suits the tenor of our times.
—— The TimesA remarkable feat of documentary detail and novelistic vividness...an unfolding literary event
—— New York Times Book ReviewThe Pulitzer Prize-winning Maus tells the story of Vladek Spiegelman, a Jewish survivor of Hitler's Europe, and his son, a cartoonist coming to terms with his father's story. Maus approaches the unspeakable through the diminutive. Its form, the cartoon (the Nazis are cats, the Jews mice), shocks us out of any lingering sense of familiarity and succeeds in 'drawing us closer to the bleak heart of the Holocaust'
—— New York TimesA quiet triumph, moving and simple - impossible to describe accurately, and impossible to achieve in any medium but comics
—— Washington PostAll too infrequently, a book comes along that' s as daring as it is acclaimed. Art Spiegelman's Maus is just such a book
—— EsquireA remarkable work, awesome in its conception and execution... at one and the same time a novel, a documentary, a memoir, and a comic book. Brilliant, just brilliant
—— Jules FeifferMaus is a masterpiece, and it's in the nature of such things to generate mysteries, and pose more questions than they answer. But if the notion of a canon means anything, Maus is there at the heart of it. Like all great stories, it tells us more about ourselves than we could ever suspect
—— Philip PullmanSpiegelman's Maus changed comics forever. Comics now can be about anything
—— Alison BechdelReading [his work] has been an amazing lesson in storytelling
—— Etgar KeretIt can be easy to forget how much of a game-changer Maus was.
—— Washington Post
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