Author:Michael Holroyd
Henry Irving - a merchant's clerk who became the saviour of British theatre - and Ellen Terry, who made her first theatre appearance as soon as she could walk, were the king and queen of the Victorian stage. Creatively interdependent, they founded a power-house of arts at the Lyceum Theatre, with Bram Stoker as business manager, where they recast Shakespeare's plays on an epic scale and took the company on lucrative and exhilarating international tours.
In his masterly new biography, award-winning writer Michael Holroyd explores their public and private lives, showing how their artistic legacy and their brilliant but troubled children came to influence the modern world.
Holroyd has a wonderful eye for detail...an entirely captivating biography...one of the glories of the form
—— GuardianIt has all the tumbling narrative, spicy detail and easy empathy that determine his midas touch... shows Holroyd yet again pushing the biographer's art to new imaginative planes
—— Financial TimesMagnificent - not just as a fascinating exercise in group biography, but as a masterpiece of comic writing...such joie de vivre
—— New StatesmanThis is a fabulous cavalcade of a book, written with infectious verve and deep imaginative sympathy ... a joy to read
—— John Carey , Sunday TimesMichael Holroyd has once again triumphed over a seemingly impossible subject. For so capacious is this tale of two great actors and their descendants that he has written a sweeping social history of theatre in the late 19th and early 20th-century England. Deftly plotted, with an infectious verve that springs from his delight in the waywardness of human nature
—— Frances Spalding , IndependentThrough a rapidly evolving, scene-changing narrative, presented with a range of eye-catching effects Holroyd evokes the mysterious world of the Victorian and Edwardian theatre, the hiss of the gas footlights, the coloured lights and smoke, with all the attention to detail of the star-struck fan seated in the front stalls
—— Mark Bostridge , Independent on SundayHe writes with eloquence and clarity, sketching the broader context with a light but firm touch and incidentally providing a literary masterclass in the marshalling and sifting of detail
—— Literary Review'[Holroyd's] own uncanny powers of balance, perception and penetration [appear] in a multiple biography that somehow recaptures an ephemeral imaginative reality more intense to its subjects and their public than life itself
—— ObserverHolroyd's sweeping biography...proceeds at a furious pace, and, in less expert hands, the detail packed onto the page might bewilder; instead, the effect is of an epic, perfectly balanced by intimacies of setting and character.
—— The New YorkerAs unconventional as it is fascinating
—— The TimesA fabulous cavalcade of a book, written with infectious verve
—— John Carey , The Sunday TimesTo attempt the biography of even one of these giants of the 19th Century English stage would be a challenge to most, but the energetic Michael Holroyd tackles both...Amazingly he carried it off in a ripping yarn spiced with melodrama and tinged with pathos
—— Judith Rice , The GuardianHolroyd's charmingly modest intention is to "carry readers back in time and convey a sense of adventure and intimacy with the past". In this he triumphantly succeeds
—— Katie Owen , Sunday TelegraphA funny, gossipy epic
—— Christopher Hirst , IndependentSelf-depracating yet never self-pitying, irreverent yet never truly cynical, she comes across as a woman genuinely at ease with herself ... French is engaging company, and at her best she writes about heartbreak and elation with such grace that her book is impossible to dislike
—— Boston Standard