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A Walk in the Dark
A Walk in the Dark
Nov 16, 2024 11:25 PM

Author:Chris Boucher,Nicholas Courtney,Patrick Mower,Geoffrey Matthews,Helen Atkinson-Wood,David McAlister,Anthony Jackson,Full Cast

A Walk in the Dark

A five-part vintage crime drama about a mysterious death on an ocean liner

Aboard the Carthena, on its way from Sydney to Southampton, a passenger walks on the dark deck, unaware his death is only seconds away. It's a death which will set in motion a criminal investigation stretching from England to Australia.

In London, Ruth Cobb receives a visit from the Southampton police, informing her that the dead man was her brother, Stuart. DC 'Birdie' Partridge and his sergeant believe it was an accident, or suicide, but the feisty Ms Cobb is adamant that it was murder. The official report suggests her brother was drunk and depressed after a row with his girlfriend - but the Stuart she knew was gay, and teetotal...

Sensing a conspiracy, Birdie disobeys orders and starts probing further - and he soon finds that in Ruth, he has an amateur sidekick who is equally keen to uncover the truth. But the more she pursues her enquiries, the more she puts herself in danger. Can Birdie stop Ruth from becoming the next victim?

Created by screenwriter and script editor Chris Boucher, whose TV credits include Shoestring, Juliet Bravo and Bergerac, this absorbing thriller stars Patrick Mower (Emmerdale) as Birdie and Helen Atkinson Wood (Blackadder the Third) as Ruth.

Production credits

Written by Chris Boucher

Directed and produced by Gerry Jones

NB: Due to its age, this serial contains some dated attitudes and language

Cast

DC 'Birdie' Partridge - Patrick Mower

DS Dunne - Geoffrey Matthews

Ruth Cobb - Helen Atkinson Wood

Martin Lennister - David McAlister

Captain of the Carthena - Nicholas Courtney

Australian driver - Anthony Jackson

Daryl Kennedy - John Rowe

Server in chip shop - John Warner

Hotel receptionist - John Hollis

Superintendent - Alan Dudley

Mrs Flanders - Heather Bell

Detective - Crawford Logan

Jones - Derek Pollitt

Minicab driver - Martin Friend

Hotel landlord - Peter Tuddenham

Garvey - Gregory de Polnay

Inspector - Michael Godley

Mr Dibley - Michael Tudor Barnes

Shop assistant - Patience Tomlinson

Bank clerk - Gary Cady

Stuart Cobb - David Timson

First broadcast on BBC Radio 4, 22 November-20 December 1981

Reviews

An extraordinary encounter with a wildly fascinating and astonishingly ill-known region... This is a wonderful book.

—— Sunday Times

The ultimate quest for the oddest objects - pianos - in the most unlikely place - Siberia. But Roberts makes it much more than that, an elegant and nuanced journey through literature, through history, through music, murder and incarceration and revolution, through snow and ice and remoteness, to discover the human face of Siberia. I loved this book.

—— Paul Theroux

An impressive exploration of Siberia's terrifying past.

—— Guardian

An exuberant, eccentric journey through Russian vastness, European history and Russian culture, The Lost Pianos of Siberia is a quixotic quest, a picaresque travel adventure and a strange forgotten story, all wrapped into one fascinating book.

—— Simon Sebag-Montefiore

What shines through in this book is Roberts' genuine, humane affection for and fascination with the people she meets in Siberia.

—— Literary Review

A stunning example of modern historical travel writing

—— Independent

A richly observed cultural history... thrilling.

—— New Statesman

Fascinating account of Siberia’s horrific legacy told with great verve… Roberts is a wonderfully lyrical writer.

—— The Observer

Beautifully written... A unique short history of Russia from Catherine the Great to Putin... A sense of the extraordinary marks every page.

—— History Today

Captures Siberia's wildness, but favours its enchantments.

—— Times Literary Supplement

Courage, patience, erudition and a sympathetic imagination… A travel book of rare quality.

—— Dervla Murphy

Roberts achievement is to vividly bring us into a hidden landscape that in an over-travelled world retains its mystique. Through her painterly depiction of the people she encounters, she infuses the epic with the intimate and reveals how sometimes looking is more important than finding

—— Business Post Magazine

Utterly absorbing - a wonderful addition to the story of resilience, tragedy and triumph that are the hallmarks of Siberia. Roberts displays an empathy and understanding worthy of this deeply haunted, strangely fascinating land.

—— Benedict Allen

Roberts' writing is beguiling.

—— The i

A modern-day Freya Stark.

—— Tatler

The Lost Pianos of Siberia is one of those magical books that captures the imagination and draws you into the beauty and majesty of Siberia. Idiosyncratic in style – part travelogue, part history, part detective trail – it is full of wonderful stories about human endurance through adversity and the transformative power of music in the most remote and forgotten outposts of this vast territory. A book to savour and remember.

—— Helen Rappaport, author of THE LAST DAYS OF THE ROMANOVS

Utterly fascinating and revealing to anyone who only knows Siberia through its Great Myth as a forgotten, frozen Nowhere.

—— Christopher Somerville

A thrilling adventure to the ends of the earth, where sunlight glitters in the snowdrifts and the strains of the exile's song floats through the air. Pack your suitcases for Siberia - Sophy Roberts' gorgeous prose will summon you there like a smell.

—— Cal Flyn, author of THICKER THAN WATER

What worlds this book traverses! From gilded recital halls to the haunts of Siberian tigers; from remote penal colonies to volcanic islands in the Bering Sea: I felt as if I had travelled through places I had only dreamed of, following these magical instruments through landscapes and histories so full of tragedy and hope.

—— Daniel Mason, author of THE PIANO TUNER

Absolutely intoxicating. Such vivid detail, rich atmosphere, heartbreak, and elegance. Sophy Roberts melds research and personal experience to trace the paths of political prisoners, convicts, and conscripts determined to find beauty in exile, and track down the regal pianos now scattered in villages, museums, and storehouses across the largest country on earth. Some cherished and some neglected, these pianos tell of the musical colonization of a continent, and their stories sing.

—— Jonathan C. Slaght, author of OWLS OF THE EASTERN ICE

Romance and tragedy, gulags and tower blocks, princes and oligarchs and of course tigers and pianos, Roberts captures all the wonder and heartbreak of an entire Empire in one feast of a book.

—— Ben Rawlence, author of CITY OF THORNS and RADIO CONGO

Not-to-be-missed travel.

—— The Tablet

Beautifully constructed, clear-eyed and generous-spirited.

—— Will Atkins, author of THE MOOR and THE IMMEASURABLE WORLD

Stories endure in this compelling debut.

—— Wanderlust

A noble quest to understand the dazzling respect for music embedded in Russian culture.

—— Country Life

An intoxicating journey into the wilds of Siberia.

—— Stella magazine

An account of dogged journeys through Siberia from the Urals to the Sea of Okhotsk... Roberts's pages sing like a symphony.

—— Spectator Books of the Year

Abdurraqib, known for his playful, intelligent sense of humor on Twitter, highlights amazing performances that shed light on societal constructions and moments of sheer joy his book about Black culture in America. Writing about joy is challenging; falling back on cliche is a constant temptation that Abdurraqib avoids in this insightful tome

—— Forbes

That sense of limitlessness wraps itself around every essay in Abdurraqib's newest book, A Little Devil in America: Notes in Praise of Black Performance. In it, he writes about Black performance in America-from Great Depression-era dance marathons to the enduring cool of Don Cornelius to the art of Mike Tyson entering a boxing ring-with both great reverence and rigorous analysis. The book, in the way Abdurraqib's work so often does, erects monuments to our should-be legends and our unignorable icons alike, and paints an expansive, deeply felt portrait of the history of Black artistry

—— Leah Johnson , Electric Literature

This deft consideration of seemingly irreconcilable values, between the personal and private dimensions of performance, can be found throughout the essays in A Little Devil in America...Abdurraqib sees performance as a site of radical questioning, experimentation, and dream-making. This book is not a work of theory. It is sensual. We watch him watching his idols and we watch him dancing along with them, sometimes clumsily. If Brooks's goal is to make a case for performers' intellectualism, Abdurraqib's is to help us understand how they teach us to live richer, more embodied lives

—— Danielle A. Jackson , Vulture

Engrossing and moving ... A new, poetic take on essays that, I think, changes the game in many ways.

—— Roger Robinson , New Statesman Books of the Year

Astonishing, impressive ... the connections he makes point to the enduring influence of Black art ... a book as bold as it is essential

—— TIME Book of the Year

Abdurraqib writes with uninhibited curiosity and insight about music and its ties to culture and memory, life and death, on levels personal, political, and universal.

—— Booklist (starred)

A towering work full of insightful observations about everything from the legacy of Nina Simone to the music of Bruce Springsteen... a powerful work about art, society, and the perspective through which its author regards both.

—— Electric Literature

A joyful requiem - emphasis on joyful. Abdurraqib has written a guide for the living as well as a memorial for those we have lost.

—— Los Angeles Review of Books

As powerful and touching as anything I've read this year, and Abdurraqib has emerged as the Ta-Nehisi Coates of popular culture.

—— James Mann , The Big Takeover
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