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Albert and Me: The Complete Series 1 & 2
Albert and Me: The Complete Series 1 & 2
Nov 16, 2024 11:04 AM

Author:Jim Eldridge,Full Cast,Richard Beckinsale,Pat Coombs,Robert Lindsay,Brenda Blethyn,Brenda Blethyn,Milton Johns,Sharon Duce

Albert and Me: The Complete Series 1 & 2

Richard Beckinsale and Robert Lindsay star in this BBC radio sitcom about a single dad left holding the baby

Bryan Archer's girlfriend has run off with the electrician, leaving him to raise their 18-month-old son, Albert, alone. Fortunately, Bryan's mum Pat is around to help out, but he still needs to get a job and earn enough money to pay the rent. Can he find an employer who'll let him bring Albert along?

These seventeen episodes follow Bryan's mishaps and adventures juggling work and childcare, as he tries out as a cosmetic salesman, takes a driving job - but gets caught up in crime, and finds employment as a temporary filing clerk, where he has a bit of bother with a missing file. On holiday with Albert in Frimlington, he finds his fellow holidaymakers aren't too welcoming, and a family Christmas turns farcical when he realises he's managed to get himself double-booked for the festivities. And there are challenges in store as he tries to get a loan to buy a house, attempts to save his sister's marriage, and gets a scare when his little boy is taken into hospital for tests...

Created by award-winning writer Jim Eldridge, whose credits include King Street Junior and Parsley Sidings, thissitcom about a doting single dad originally starred the late Richard Beckinsale as Bryan in the pilot and original 1977 series. The second series, broadcast in 1983, saw Robert Lindsay taking his place, and Pat Coombs reprising her roles as Mum and baby Albert. The guest cast includes Douglas Blackwell, Dilys Laye, Gorden Kaye and Marcia Warren.

Production credits

Written by Jim Eldridge

Produced by John Fawcett Wilson

Incidental music: Max Harris

First broadcast BBC Radio 2, 5 January 1977 (Pilot), 5 November-24 December 1977 (Series 1), 16 March-4 May 1983 (Series 2)

Cast

Bryan Archer - Richard Beckinsale/Robert Lindsay

Mum/Albert - Pat Coombs

Dad - John Comer

Vernon Wordsworth - Frank Thornton

Anna Jameson - Sharon Duce

Alice - Anne Cunningham

The Magistrate/Dave/Mr Graham - Douglas Blackwell

Joe Billings/Fred - Harry Fowler

Mr Benson - John Arnatt

Sandra - Karin MacCarthy

Rex - Terence Alexander

Mrs Warburton - Jan Holden

Labour Exchange official - Milton Johns

Stephanie - Madeline Smith

Harry Ponder - John Junkin

Mr Simpson - Reginald Marsh

Linda - Joanna David

Nursery nurse - Heather Bell

Mr Wiggins - Peter Vaughan

Mavis - Cheryl Hall

Deirdre - Helen Worth

Jane - Diane Keen

Edward - Jon Laurimore

Welfare lady/Mrs Featherstone-Haugh/Mrs Hagger - Dilys Laye

Benefit official - Robin Parkinson

Uncle Eric - Michael Robbins

Mr Smith - David Ryall

Bank manager/Mr Benson - John Arnatt

Nurse - Penelope Reynolds

Police Sergeant - Robert Gillespie

Rose - Diana Berriman

Gran - Patricia Hayes

Maureen - Celia Bannerman

Store assistant - Kenneth Shanley

Mrs Willis - Diana King

Ron - Larry Martyn

Mary - Rosalind Adams

Mr Tibbies/Arnold - Roland MacLeod

Vera - Marcia Warren

Edward - Gorden Kaye

Joe - Ron Pember

Job Centre Clerk - David Graham

Vikkie - Sherrie Hewson

Mrs Weston - Frances Jeater

Amateur Photographer - John Tordoff

Terry - Derek Martin

Alison - Deidre Costello

Charlie - Peter Cleall

Andy - John Kane

Mr Charlesworth - Bernard Gallagher

Mrs Charlesworth - Lynda Baron

Sandra/Doreen - Wendy Murray

Lady Samantha - Sarah Berger

Vicar - Michael Bilton

Jenny - Brenda Blethyn

GP - Renu Setna

Nurse - Tammy Ustinov

Reviews

One of the best biographies in pop history. A phenomenal piece of observational journalism. Heath's books offers unprecedented access.

—— Mark Savage , BBC News

Candid, hilarious and revealing...gloriously gossipy. [They set] a benchmark for music biographies. Engrossing stuff.

—— Classic Pop Magazine

Candid, insightful and frequently hilarious dispatches from the front line of pop stardom. An astonishingly intimate and honest portrait of the maverick duo. Page turners of the highest order, saying more about their subjects than any “straight” biographies could ever hope to achieve.

-

—— Record Collector Magazine

The Beautiful Ones is for everyone. It doesn't matter whether you're a Prince fanatic or if your interest is simply piqued by all things music or pop culture: The book is worth picking up.The Beautiful Ones is not a read, but an experience, an immersion inside the mind of a musical genius. You are steeped in Prince's images, his words, his essence… The book can be a starting point for a Prince fascination, or a continuation of long-standing admiration. Either way, it will deepen the connection of any reader with the musical icon.

—— USA Today

It’s both a pleasure and a surprise to say that although The Beautiful Ones may not satisfy fans’ wildest dreams, it delivers much, much more than we had any reason to expect. As is clear from editor Dan Piepenbring’s very long intro, Prince took the project very seriously, and it shows in the work he delivered. Although the actual autobiography segment of this book ends at the end of Prince’s teens, it shines an intimate and revealing light on the least-known period of his life — his childhood — which is embellished with family photos, notes and other ephemera.

—— Variety

Piepenbring’s introduction certainly gives a sense of the singer, someone who was both otherworldly and prosaic.

—— Guardian

The Beautiful Ones is an affirmation of Prince’s Blackness and humanity…. Prince writes about his childhood with clarity and poetic flair, effortlessly combining humorous anecdotes with deep self-reflection and musical analysis….It’s another truth about him that is rarely explored in the media…. The Beautiful Ones shows that Prince is one of us — he just worked to manifest dreams that took him from the North Side of Minneapolis to the Super Bowl. It encourages us to tap into our power to design the lives we envision for ourselves and set a precedent for future generations to do the same.

—— Huffpost

The stories told in The Beautiful Ones are filmic dreams of a life.

—— New Statesman

The Beautiful Ones remains a jewel like fragment, Piepenbring’s sensitive introduction providing a snapshot of the Purple One’s last months at Paisley Park and during the Piano and Microphone tour.

—— Q Magazine

Piepenbring doesn't just want to write this memoir with Prince, he wants to do it right (whatever "right" is, Prince always colored way outside of the purple lines). Once Prince dies and the book project lives on, Piepenbring also wants to do right by his idol…. This means we get a memoir that is written by Prince, literally. Handwritten pages he had shared with Piepenbring make up Part 1, taking us from his first memory — his mother's eyes — through the early days of his career…. We also get a memoir that is carefully curated by Piepenbring, who writes that he was able to go through Paisley Park, room-by-room, sorting through Prince's life… The Beautiful Ones doesn't paint a perfect picture. It's not definitive. It can't be, it shouldn't be and, thankfully, it doesn't try to be. We'll never know what it might have been if Prince had lived. But it's a good start. Now, it's up to us to take what's there and make something out of it for ourselves, creating, just as Prince wanted.

—— NPR

The book kicks off with Piepenbring’s engrossing tale behind the memoir…That soon gives way to the pages the artist wrote before his passing...These recollections are tender and heartfelt…a rare treasure trove for Prince fanatics

—— Yahoo! Entertainment

This sumptuous-looking illustrated tribute to the late, great musician and singer tells the official story of Prince's life, through his own words and personal effects.

—— The Bookseller

Prince’s voice comes through loud and clear; his personality, joie de vivre and single-mindedness jumping off the page throughout.'

—— Classic Pop Magazine

A beautifully crafted objet d’art

—— Hot Press

Prince's posthumous memoir conceals as much as it reveals, but remains a beautiful and strange book.

—— The Quietus

Worth every penny.

—— Daily Mirror

This is a beautiful book and a must-have for Prince completists

—— Daily Express

A ghostly memoir of a pop legend

—— i

The Beautiful Ones is not a traditional memoir of the trailblazer, more a collage of stories, notes, and pictures, […] a fascinating document.

—— Irish Examiner

Prince’s deeply personal memoir, that includes never-seen photos, scrapbooks and lyric sheets. It’s a must for all fans.

—— Choice Magazine

Other books will surely dig deeper into the life and the music, but his glows with a special allure, gilded as it is by the touch of the creator himself.

—— Q Magazine

If you adored the amazing performer […] then you should get your hands on this amazing memoir, written by the artist himself in The Beautiful Ones. Prince provides incredible anecdotes about his meteoric rise to stardom, sharing photos and memorabilia that have never been seen before.

—— Essential Marbella Magazine

Beautifully constructed, clear-eyed and generous-spirited.

—— Will Atkins, author of THE MOOR and THE IMMEASURABLE WORLD

Stories endure in this compelling debut.

—— Wanderlust

A noble quest to understand the dazzling respect for music embedded in Russian culture.

—— Country Life

An intoxicating journey into the wilds of Siberia.

—— Stella magazine

An account of dogged journeys through Siberia from the Urals to the Sea of Okhotsk... Roberts's pages sing like a symphony.

—— Spectator Books of the Year

Abdurraqib, known for his playful, intelligent sense of humor on Twitter, highlights amazing performances that shed light on societal constructions and moments of sheer joy his book about Black culture in America. Writing about joy is challenging; falling back on cliche is a constant temptation that Abdurraqib avoids in this insightful tome

—— Forbes

That sense of limitlessness wraps itself around every essay in Abdurraqib's newest book, A Little Devil in America: Notes in Praise of Black Performance. In it, he writes about Black performance in America-from Great Depression-era dance marathons to the enduring cool of Don Cornelius to the art of Mike Tyson entering a boxing ring-with both great reverence and rigorous analysis. The book, in the way Abdurraqib's work so often does, erects monuments to our should-be legends and our unignorable icons alike, and paints an expansive, deeply felt portrait of the history of Black artistry

—— Leah Johnson , Electric Literature

This deft consideration of seemingly irreconcilable values, between the personal and private dimensions of performance, can be found throughout the essays in A Little Devil in America...Abdurraqib sees performance as a site of radical questioning, experimentation, and dream-making. This book is not a work of theory. It is sensual. We watch him watching his idols and we watch him dancing along with them, sometimes clumsily. If Brooks's goal is to make a case for performers' intellectualism, Abdurraqib's is to help us understand how they teach us to live richer, more embodied lives

—— Danielle A. Jackson , Vulture

Engrossing and moving ... A new, poetic take on essays that, I think, changes the game in many ways.

—— Roger Robinson , New Statesman Books of the Year

Astonishing, impressive ... the connections he makes point to the enduring influence of Black art ... a book as bold as it is essential

—— TIME Book of the Year

Abdurraqib writes with uninhibited curiosity and insight about music and its ties to culture and memory, life and death, on levels personal, political, and universal.

—— Booklist (starred)

A towering work full of insightful observations about everything from the legacy of Nina Simone to the music of Bruce Springsteen... a powerful work about art, society, and the perspective through which its author regards both.

—— Electric Literature

A joyful requiem - emphasis on joyful. Abdurraqib has written a guide for the living as well as a memorial for those we have lost.

—— Los Angeles Review of Books

As powerful and touching as anything I've read this year, and Abdurraqib has emerged as the Ta-Nehisi Coates of popular culture.

—— James Mann , The Big Takeover
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