Author:Peter Raby
In 1858, aged thirty-five, weak with malaria, isolated in the remote Spice Islands, Alfred Russel Wallace wrote to Charles Darwin: he had, he said excitedly, worked out a theory of natural selection. Darwin was aghast - his work of decades was about to be scooped. Within a fortnight, his outline and Wallace's paper were presented jointly in London. A year later, with Wallace still at the opposite side of the world, On the Origin of Species was published. Wallace had none of Darwin's advantages or connections. Born in Usk, Gwent, in 1823, he left school at fourteen and in his mid-twenties spent four years in the Amazon collecting for museums and wealthy patrons, only to lose all his finds in a shipboard fire in mid-Atlantic. He vowed never to travel again. Yet two years later he was off to the East Indies, beginning an eight-year trek over thousands of miles; here he discovered countless unknown species and identified for the first time the point of divide between Asian and Australian fauna, 'Wallace's Line'. With vigour and sensitivity, Peter Raby reveals Wallace as a courageous and unconventional explorer. After his return, he plunged into a variety of controversies, staying vital and alert until his death at the age of 90, in 1913. Gentle, self-effacing, and remarkably free from the racism that blighted so many of his contemporaries, Wallace is one of the neglected giants of the history of science and ideas. This stirring biography - the first for many years - puts him at centre stage, where he belongs.
A trove of shark lore, a suspenseful adventure yarn, and a decent man's account of the way other decent men behave toward one another when they are under great pressure
—— Geoffrey Wolff , NewsweekAnalytical, truthful and intimately personal... Throughout one learns considerably about the history of sharks, whales, professional divers, and other such creatures of the sea... Matthiessen is a most qualified observer of men and nature
—— Natural HistoryFor its natural history, for its persistent courage and for its terrifying portrait of White Death, this book... will live in the memory of all who read it
—— AtlanticPeter Matthiessen is beyond dispute the best nature writer working today
—— Peter FarbA stirring account of a fascinating adventure
—— Sunday TribuneThere aren't many writers like Charles around... His ability to step across emotional boundaries and enter the consciousness of the wild makes for an exhilarating, immersive, yet at times disturbing read. For me, the end result is a deeply thought-provoking book that encourages the reader to explore for themselves exactly where they stand on issues of humanity, conservation and moral legacy.
—— James Aldred, author of Goshawk SummerFiercely polemical, forcing the reader to see the world in a new light... Charles Foster is an original thinker with a strangely compelling prose style... Cry of the Wild is thought-provoking, profound, at times infused with a beautifully wistful lyricism and often witty.
—— Country LifeFoster [brings] a sense of wonder: geese fly in from the north with snow falling from their wings; imagined through the eyes of a young rabbit, a white owl wafts through the still night air like thistledown, a strangely beautiful occurrence that might at any moment end the rabbit's life... He avoids the temptations of anthropomorphism while reminding us that we who share these traits are more vulnerably and elegantly animal than we pretend.
—— Literary ReviewA lyrical work of creative nonfiction containing eight stories of besieged animal lives. Emotional without being anthropomorphic, it is a thought-provoking read.
—— BBC Wildlife MagazineArdent and arresting... one of the darkest, most haunting books I've read in a long time... Yet the stories are also motivated by such depth of attention and love that their very existence offers some hope for a better future.
—— New StatesmanI have read Cry of the Wild with something approaching awe... The conviction with which these characters live on the page and suffer the assaults of existence can certainly live happily and proudly alongside Tarka.
—— Adam Nicolson, author of Life Between the TidesLike Tarka, the stories in Cry of the Wild are not written for children. They take on the qualities of myth and magic which touch the source of our deepest feelings. How does the word on the printed page do this? ... the prose is muscular and astonishing... "Immersion" is a word commonly used about reading these days. I dislike it intensely. The sound of the word feels cold, unpleasant, like being pressed underwater. Not at all the deep sobbing that emerged from somewhere as I sat with these stories... This is not like any other nature book.
—— Caught by the River