The greatest book on Auschwitz since Primo Levi ... Kulka has achieved the impossible: a mythological and strangely beautiful new language for living with Auschwitz ... a book as mighty as it is modest

Of the many accounts of survival in the Nazi concentration camps - Jewish and non-Jewish - few approach Otto Dov Kulka's for the quality of its writing and attempt to understand the nature of contemporary barbarism ... one of the essential books of our age; not since Primo Levi's The Periodic Table has there been such a powerful holocaust memoir ... the writing, at times trance-like, creates an extraordinary sense of communion and intimacy with the reader ... in pained but lucid prose Kulka seeks to understand how his memory processed the trauma of Auschwitz

'A poetic masterpiece unlike anything else written on the subject'

This is one of the most remarkable testimonies to inhumanity that I know. The deeply moving recollections of Dov Kulka's boyhood years in Auschwitz, interwoven with reflections of elegiac, poetic quality, vividly convey the horror of the death-camp, the trauma of family and friends, and the indelible imprint left on the memory of a young boy who became a distinguished historian of the Holocaust. An extraordinarily important work which needs to be read

Astonishing ... [Landscapes] is, quite simply, extraordinary ... a sort of Modernist precipitate of a historical work, something strange and powerful formed from, but separate to, the solution of history ... I can't see how this book could be bettered

Almost unclassifiable ... Nothing else I have read comes close to this profound examination of what the Holocaust means ... [Kulka's] journey strikes me as a quest similar to the attempt to describe the face of God or the structure of the universe. They are too vast and too mysterious. Not that this stops us, or this author, from trying

Primo Levi's testimony, it is often said, is that of a chemist: clear, cool, precise, distant. So with Kulka's work: this is the product of a master historian - ironic, probing, present in the past, able to connect the particular with the cosmic. His memory is in the service of deep historical understanding, rendered in evocative prose that is here eloquently translated from Hebrew

Beautiful, startling ... This is a great book: read it. And be grateful - its publication is, in every possible sense, a miracle ... It is the strange and shocking paradox, this child's world constructed in such proximity to death, that makes the book so startling and so beautiful. Every incident is, in effect, seen twice: through the eyes of the historian and the eyes of a boy ... This is not history, it is something else... his words enter the wider sphere of literature

Kulka's reflections have an unsettling rawness ... yet even in Auschwitz, there are moments of protest, black humour and beauty ... This is a grave, poetic and horrifying account of the Holocaust which does not so much revisit the Auschwitz of the past, but the Auschwitz of Kulka's inner world

This is not so much a book about Auschwitz as one about coming to terms with the shock of survival ... Amid fragmentary, digressive impressions are images of terrible poetic concreteness ... What, ultimately, makes Kulka's book unlike any other first-hand account written about the camps is the authenticity of its vision of an 11-year-old boy... He has done the rest of us - and the world - so great a kindness by writing his book ... offer[ing] the barest glint of sunlight amid a thunderous darkness

A book of moments, hauntings and dreams ... it is unremitting and touches us all [with] a hallucinatory power

Otto Dov Kulka's brief, beautiful and unsettling Landscapes of the Metropolis of Death brings together childhood memories of Auschwitz with the reflections of a historian who has spent his life working on the Holocaust: a masterly interrogation of memory and the limitations of historical detachment

For the first time, [Kulka] has turned his academic eye inward to explore as unflinchingly as possible the ways in which his childhood encounter with Auschwitz has affected him. Landscapes of the Metropolis of Death makes for deeply disturbing but ultimately very rewarding reading, and is unlike any Holocaust memoir I have ever come across ... The book is not a memoir in the conventional sense, but an extraordinary collection of some of the memories, ideas and dreams that make up Kulka's internal landscape

In this short, powerful memoir, every word tells its story

The term memoir barely seems adequate to the introspective, often poetic, sometimes hallucinatory moments that [Landscapes] captures ... such an important contribution to the literature on the Holocaust ... [it] unsettles presuppositions about the camp and its lasting psychological effects so thoroughly that even a reader steeped in the Holocaust canon is likely to experience a sense of defamiliarisation

Wonderful, passionate, dangerous, fascinating stuff. I couldn't put it down

Leanda de Lisle has the gift of reminding us that history is the story of real people; real men, real women, full of rage and ambitionand lust and hope and love. The Tudors are already our most vivid dynasty, by quite a long chalk, but these pages render them more vivid still. This was an age when the game was worth the candle, when a chance remark could result in a crown or the axe. Wonderful, passionate, dangerous, fascinating stuff. I couldn't put it down

This fresh take on the Tudor dynasty is history at its best... an engaging and well-sourced account, sprinkled with provocative anecdotes that will appeal to both scholars and general readers... This compelling tale is driven by three-dimensional people and relationships, and de Lisle does a fantastic job of making them feel lived and dramatic

Reveals an entirely new perspective on one of England's most fascinating dynasties

A very lucid, entertaining and excellent read

A thrilling, intelligent and fresh royal history that sweeps from the family’s unlikely beginnings in the 1420s to their apotheosis under Elizabeth

The compelling story of the Tudors is vividly brought to life in de Lisle's narrative

This should now be the go-to book for those looking for a broad understanding of the Tudors

De Lisle's energy and stamina in this vast operation are truly impressive. What is more, she tells an often thrilling story with great dexterity... Altogether, this remarkable achievement puts de Lisle firmly in the front rank of popular historians of the period

Unlike many books that claim to tell the story of the Tudors, but focus mainly on four characters (namely Henry VIII and his three children who all ruled England after him), this excellent book includes so many members of the Tudor family who may not always be forgotten, but are often sidelined