Author:Irène Némirovsky,Sandra Smith
From the author of the bestselling Suite Française.
Pierre and Agnès marry for love against the wishes of his parents and the family patriarch, the tyrannical industrialist Julien Hardelot, provoking a family feud which cascades down the generations. Even when war is imminent and Pierre is called up, the old man is unforgiving. Taut, evocative and beautifully paced, All Our Worldly Goods points up with heartbreaking detail and clarity how close were those two wars, how history repeated itself, tragically, shockingly...
'A remarkable novel...beautifully translated... Her voice, compassionate yet always shrewd, with its sharp portrait of France at war and during the optimistic and confused Twenties and early Thirties, is always distinctive' Literary Review
A gorgeous novel - witty, tender and true
—— Financial TimesA remarkable novel...beautifully translated... Her voice, compassionate yet always shrewd, with its sharp portrait of France at war and during the optimistic and confused Twenties and early Thirties, is always distinctive
—— Literary ReviewNémirovsky's great bourgeois tragedy is modest in scale but epic in scope. Her highly distinctive style, the delicate but relentless accretion of finely observed detail, produces a story in which universal cataclysm mirrored in apparently insignificant personal destiny, to extraordinary resonant effect
—— Jane Shilling , Sunday TelegraphA coolly crafted traditional family novel
—— A S Byatt , GuardianNémirovsky's last stories are a living history of the occupation, written in real time
—— Sunday Times'Jeff Shaara's To the Last Man lets you live WWI in the air, in the mud, and in the councils of government in a way that makes you understand how the participants experienced it. Von Richtofen, Lufbery, Ludendorff, and Pershing come alive and their collective experience makes you wish you been there to watch it, but glad you didn't!'
—— John S. Grinalds, Major General, U.S. Marine Corps (Retired)Tells the slowly unfolding story of Baines' journey of self-discovery with great subtlety
—— Sunday TimesQuinn has a cinematic eye for narrative scope... Like all good novels this book tells us something new
—— SpectatorAn absorbing tribute to the city and its unsung heroes
—— Holly Kyte , Sunday TelegraphIn a novel of cinematic denouements, Quinn has reclaimed an intriguing chapter of Liverpool's past
—— Emma Hagestadt , IndependentA real page-tuner
—— Mail on SundayHe [Anthony] hooks you in with his deep, complex characters; he meticulously sets the scene
—— www.thebookbag.co.ukA constantly engaging and witty novel from a tremendously clever writer.
—— TelegraphPlausiby drawn....strong central characters, interesting subplots and well-sketched minor characters.
—— TLSAs idiosyncratic as it is ambitious...given shape and purpose by a true literary craftsman. The book both keeps you reading and makes you think.
—— Sally Cousins , Sunday TelegraphI drank in Nigel Farndale's The Blasphemer in huge lungfuls, and mourned it when it was finished. For anyone who loved Saturday, Atonement or Birdsong, this is the generational novel at its best.
—— Mail on Sunday