Astonishing and excruciating. It gnaws at us still

A modern classic

One of the greatest books of the [last] century

Rings down the decades as the most moving testament to the persecution of innocence

Of all the multitudes who throughout history have spoken for human dignity in times of great suffering and loss, no voice is more compelling than that of Anne Frank

A masterpiece

A remarkable reading and visual experience

Mesmerizing... Polonsky creates unforgettable panels that enable us to see Anne Frank's writing in a fresh light

Folman and Polonsky . . . focus on illuminating its humor, insight, and supporting cast in this spirited graphic adaption . . . Anne, drawn with large dark eyes, blooms like the hardiest, loveliest weed-a moody teenager whose wit, self-awareness, and rich fantasy life take center stage . . . The beauty of Anne's life and the untarnished power of her legacy-here further elevated by Folman and Polonsky-are heartening reminders of the horror of her fate.

Evocatively crafted, this comic brings Frank's world to life for all ages but takes care to respect and prioritize the primacy of her story in her own words.

'Even deep sleep brings no redemption,' she writes. 'The dreams still creep in.' Those dreams bring out the best of the illustrations amid the depictions of the everyday confinement in which Anne, her family, and others are hiding. A different format distills and renews Frank's achievement.

Emphasizes the visual nature of Frank's text . . . Bring[s] renewed vigor . . . Powerful . . . points us to the very gap, between what we, her readers, can imagine for her of her missed future, and what she would never have the opportunity to live through.

Faithful to the spirit and often the language of the diary, with passages that capture Anne's sharp sense of humour, as well as her frustrations with her mother, her agitation with her sister (with whom she feels unfavourably compared), her sexual curiosity, fleeting infatuations, dark moods, mortal fears and internal conflicts... Mr Polonsky's beautiful artwork offers a charming and convincing view of Anne on the page

The graphic adaptation gorgeously captures the confessional spirit of the original diary with artistic expressions of Anne's inner world. The book illustrates and expands on Anne's dreams and imaginings, and one can almost believe that these are pictures Anne herself might have drawn as she was turning things over in her mind.

Folman and Polonsky have reclaimed Anne Frank in all of her humanity, and they allow us to witness for ourselves her beauty, courage, vision and imagination, all of the qualities that make her life and early death so heartbreaking. And, in doing so, they have elevated the tools of the comic book to create an astonishing work of art.

Remarkable

Folman and Polonsky's adaptation brings poignant comedy and a touch of the surreal to its portrait of the eight inhabitants of the annexe

Elegantly drawn

In producing this first ever graphic adaptation of the diary Ari Folman and David Polonsky continue Anne's work, doing a great service to younger and future generations by helping to keep the story of Anne Frank as fresh,
compelling and vital as it ever was.

The adaptation by Ari Folman is refreshing, well researched and innovative. The art by David Polonsky is stunning, vivid, and rich. Altogether, it's a graphic novel that is more than essential reading

The illustrations in Anne Frank's Diary: The Graphic Novel have... [a] polished, often luminous effect.

Impressive. . . In an afterword, Ari Folman discusses some of the challenges of "editing" such an "iconic text." Their goal, he says, was "to honor and preserve the spirit of Anne Frank in each and every frame." This they have done to engaging effect.

As lively and vivid a novel as even the most demanding reader could wish for: epic in scope, deliciously meaty with its wide array of characters and milieux, and utterly convincing in its treatment of Cold War espionage and intrigue. This marvelous novel reads like the work of a mid-career master; what a wonderful surprise, then, to realize it's the opening salvo from a supremely gifted debut novelist. Lara Prescott is the real deal, and the evidence is right here on every page.

I was riveted by Lara Prescott’s new novel. I barely stirred from my chair for two days. How does one even begin to talk about this book? It’s all here—the KGB versus the CIA, the sexual office politics of Mad Men, a horrifying new look at the gulag, the tragic love affair between Boris Pasternak and his mistress, a brilliantly-drawn portrait of a time when a single book had the power to change history. I predict that The Secrets We Kept will be one of the most important books of the year.

Lara Prescott’s The Secrets We Kept is trenchant, timely, and compulsively readable. The book thrillingly recalls the period detail of Mad Men, the complex characters of Patricia Highsmith, and the satisfying plots of John le Carre, but ultimately it’s Prescott’s distinctive voice and vision that feel most stirring and relevant. This is a first-rate novel, and it signals the arrival of a major new writer.

The whirl of trench coats and cocktails and midnight meetings on park benches has the heady whiff of classic old-fashioned spy storytelling, brilliantly filtered through Prescott’s thoroughly modern lens.

Sweeping between Russia and Washington, this captivating novel is so assured it’s hard to believe it’s a debut. And it is very easy to see why there’s such a huge buzz about it.

Wholly original and brilliantly realised, The Secrets We Kept hymns the subversive power of great prose whilst ratcheting up the tension with masterly technique.

This is a fascinating story... What is entirely Prescott's own is the story of Irina, and her fellow, more experience, spy Sally Forrester. Sally is a particularly affecting character, and, since this is a book about spies, there is the usual complement of lies and double crossings. Woven into the narrative intrigue are a number of touching love stories, including one which allows Prescott to explore how the McCarthyite "Red Scare" found echoes in a widespread paranoia about gays and lesbians in the US government.

A fascinating fictionalisation.

In this stylish and confident debut novel, we delve into the story behind the story, which is just as enthralling.

It draws the reader into the emotional lives of the characters and their ever-changing roles and personas.

All the pre-publication hype is fully justifiedas American author Prescott’s debut novel turns out to be a truly wonderful blend of historical romance, spy thriller and insights into the myriad aspects of love in troubled times… Loved it.

It transported me back in time and kept me utterly gripped from beginning to end.

An astonishingly accomplished debut: original, fiercely intelligent, pointedly witty, utterly thrilling and gripping. I don’t think it’s an exaggeration to say that this is an epic novel worthy of its topic – Dr. Zhivago and the CIA plot to publish the supposed subversive work in the USSR. The Secrets We Kept is an engrossing drama that works on so many levels. Part thriller, part love story, this reimagining of historical events is very convincing, fact and fictional creativity coalesce perfectly. The result is a beguiling read; the tragedy and iniquity of the story will drain you, but there are moments of joy and triumph too… Block out a couple of days and treat yourself to a wonderful read.

No mere spy thriller, it is, as the typists say of Dr Zhivago, both “a war story and a love story... but it was the love story we remembered most".

What a book!... riveting…This unusual story is both beautifully written and deeply compelling in equal measure…I was utterly swept away by Prescott’s vivid style of writing together with her cast of strong and wonderfully convincing characters. It is rich in historical detail and covers (for me) a fascinating period in history with astonishing lucidity. This really isn’t quite the run-of-the-mill, fast-paced, heart-in-the-mouth thriller I had expected; instead it is SO much more! It is thrilling, and it is pacy, yet it is also deeply emotional and full of zest.

The Secrets We Kept is a brilliantly told story, about a piece of relatively unknown history. It is tense, enthralling and has brilliant female characters. You’ll not be able to put it down and you will think about the characters long after you finish the book. This is one of my books of the year, for sure!

If you’ve read Doctor Zhivago, you’ll get a kick out of this.

Intriguing debut novel

The plot is complicated and the narrative even more so, owing to Prescott’s decision to use multiple first-person narrators in addition to the gossipy first-person-plural voice of the C.I.A.’s pool of female typists (which, incidentally, is highly effective). And Prescott pulls all this off… Prescott’s portrait of Sally Forrester, in particular, and Sally’s love for her colleague, Irina, is emotionally sincere and Prescott acutely captures the isolation inherent in Sally’s professional, social and sexual identity.

Engaging …This is a highly readable novel about the power of literature … The pen really is mightier than the sword

Lara Prescott has managed to summon a vanished world where novels mattered and women didn’t.

Lara Prescott's dazzling debut novel is a sweeping page turner, and now a global literary sensation.

Lara Prescott's absorbing take on the Cold War spy thriller ... doesn't disappoint … Sweeping and ambitious ... It is a tautly written masterclass in blending fiction and fact.

An entertaining read