Author:Henrietta Garnett
Anne Thackeray Ritchie, daughter of the author of Vanity Fair and step-aunt of Virginia Woolf, was also a fine writer. Based on new and original research, this enchanting and evocative memoir paints the world of Anny's intricate web of relations and friends: children's parties with the Dickens family, holidays with Julia Margaret Cameron and the Tennysons, intimate scenes with Browning in Rome and Ruskin on Lake Coniston.
In addition we read about Anny's own inner life: her near-obsession with her father: William Makepeace Thackeray, her escape into writing, her startling marriage to her second cousin and her godson, and the story of her sister Minny's passionate marriage to Leslie Stephen. We also learn of Stephen's second wife, Julia Jackson, mother of Vanessa Bell and Virginia Woolf.
Meticulously researched, this intimate story draws not only on a wealth of letters, journals, hitherto unpublished sketches and photographs, but also on family legends passed down to the author through four generations. Illuminating, comic and touching, Anny reads like a novel, presenting a unique portrait of the rich literary world that formed the bridge between the Victorians and Bloomsbury.
An uplifting, gender-bending critique of how women negotiate public space
—— Deborah Levy , Guardian, Book of the YearDeliciously spiky and seditious, she takes her readers on a rich, intelligent and lively meander through cultural history, biography, literary criticism, urban topography and memoir… I defy anyone to read this celebratory study and not feel inspired to take to the streets in one way or another.
—— Lucy Scholes , ObserverWell researched and larded with examples, this picaresque account of a picaresque longing successfully paints women back into the city... Elkin reboots the appetite to go walking and thinking in the city, which can only be a good thing.
—— Evening StandardFlâneuse is not simply a reclaiming of space, but also of a suppressed intellectual and cultural history. Finding ways to reframe images of women walking and to reverse male gazes, Flâneuse builds on recent work by Rebecca Solnit and the artist Laura Oldfield Ford, among others, with striking intellectual vigour and clear, enrapturing prose.
The thoughtful urban stroller Lauren Elkin is a self-appointed heir to Woolf's 'street haunter'. A memoir, a travelogue and an eminently likeable work of literary criticism, Flaneuse is more like a song sung under Elkin’s breath. [...] At its best, her book evokes reading aloud... reading your own life through the novels that form part of it.
—— Gaby Wood , Daily TelegraphWonderful… a joyful genealogy of the female urban walker. The book’s narrative meanders brilliantly and appropriately across several times periods at once… Elkin’s Flaneuse does not simply wander aimlessly, any more than Elkin does herself in this elegant book: she uses her reflection to question, challenge and create anew the life that she observes.
—— Lara Feigel , GuardianAn intense meditation on what it means to be a women and walk out in the world. Flaneuse encourages its readers to lace up their shoes and go for a walk. Elkin lets the reader become a companion to many women who have thought seriously about the relationship between a woman and the path she chooses to tread.
—— Erica Wagner , New StatesmanI've been waiting for years to see the history of women walkers in the city added to the critical literature of the flaneur--and here, in Lauren Elkin's really smart and lovely book
—— Vivian GornickEngaging, inspiring and vigorous... The persuasiveness with which she urges us to rethink and expand our understanding of the art of flânerie, together with the force of her insights and the strength and weight of her voice, leaves us with a contribution to the field that feels singular. Buy it, read it, talk about it. And carry it with you in your mind when you next go walking in the city.
—— Matthew Adams , The NationalFlâneuse offers a rich engagement with the “psychogeography” of 20th-century literature and the contemporary city… A rich, rewarding pedalogue
—— Martin Doyle and Sara Keating , Irish TimesIn her richly evocative and absorbing debut, cultural critic Elkin homes in on the female version of the flaneur . . . In this insightful mix of cultural history and memoir, Elkin emerges at the protagonist as she mines her personal journey from the suburbs of Long Island to her current home in Paris
—— Publishers WeeklyMarvellously eclectic and erudite
—— BooksellerAn appealing blend of memoir, scholarship, and cultural criticism . . . Elkin's own story runs through the text like a luminous thread. She tells us the woman-in-the-street stories of Jean Rhys, Virginia Woolf, George Sand, Sophie Calle, Agnès Varda, and Martha Gellhorn, but all sorts of other cultural figures appear, including Barthes, Rilke, Baudelaire, Hemingway, Derrida, Dickens, and numerous others . . . Enlightening walks through cities, cultural history, and a writer's heart and soul
—— KirkusThis is a book about wandering women, the author included, who build relationships with their cities by walking through them . . . Women can and do make feminist statements simply by strolling through their stomping grounds; Elkin creates an interesting and inarguable case for this. She, too, is a wanderer and provides compelling anecdotes about her own journeys, interspersed with those of literary heavy-hitters George Sand, Jean Rhys, Virginia Woolf, and others . . . This is ultimately a celebration of women. You'll want to take a stroll by the end
—— Library JournalInspiring
—— PsychologiesTold in a light and humorous way, Elkin’s cultural meander provides plenty of food for thought.
—— FranceA fascinating way to write about George Sand, Virginia Woolf and others, plus Elkin’s own artistic explorations of Paris, London, Venice and Tokyo. It makes us all want to be London wanderers.
—— Culture Whisper, Book of the YearElkin delivers a prococative yet light and humorous read, mingling her own memories with those of the female artists she portrays.
—— French Property NewsWith this book, Elkin hopes to track down the female equivalent – the flâneuse – to ‘see where a woman might fit into the cityscape’… It is a timely effort: in the Trump era of manspreading and male privilege, it is especially vital that we pay attention to notions of gendered space. Elkin’s prose is wry, insightful and saturated with detail
—— Sam Ford , Totally DublinDelightfully meandering.
—— Daily TelegraphElkin is a beguiling writer, and resolutely female, her sentences doing what Virginia Woolf wanted women's sentences to do, which is to "hold back the male flood"… Flâneuse is a riposte to all that macho stomping about… Flâneuse is so rich with shining trinkets and wise thoughts that not a single page disappoints or bores. It's that rare thing these days - a work of feminism which is enthused by literature and art and ideas rather than pop culture.
—— Ellis O'Hanlon , Irish IndependentElkin explores the history of people and places in astonishing detail. She writes with a passion and personality that creates the kind of familiarity which encourages us to believe that the women she studies were close friends of hers… Elkin's first person, colloquial yet witty style lets you into the recesses of her imagination and invites you to be her travel companion
—— Oxford StudentLauren Elkin is one of our most valuable critical thinkers – the Susan Sontag of her generation
—— Deborah LevyJuliet Nicolson is firing on all cylinders ... She is able to write about powerful emotion in a way that is both heartfelt and unselfconscious ... It makes the book perfectly personal as well as a fascinating history
—— William BoydThis book is a marvellous illustration of the often forgotten fact that people in history were real, with real ambition, real passion and real rage. All these women took life by the throat and shook it. It’s a wonderful read, and a powerful reminder of the significance of our matrilineal descent
—— Julian FellowesJuliet Nicolson's book will engage the hearts and minds of daughters and sons everywhere. She has turned my attention to much in my life, and I am full of admiration for her clarity and gentleness
—— Vanessa RedgraveI loved A House Full of Daughters. I was initially intrigued, then gripped, and then when she began writing about herself, deeply moved and admiring of the way in which she charted her own journey. An illuminating book in which she charts the inevitability of family life and the damage and gifts that we inherit from the previous generations
—— Esther FreudA fascinating, beautifully written, brutally honest family memoir. I was riveted. This is a book to read long into the night
—— Frances OsborneI was riveted... She is so astute about mother/daughter relationships and the tenderness of fathers and daughters. She deeply understands the way problems pass down through generations... I congratulate her on her fierce understanding.
—— Erica JongJuliet Nicolson’s writing is so confident and assured. She combines the magic of a novelist with the rigour of a historian, and the result is thrilling and seriously powerful
—— Rosie BoycottOnce I started it was impossible to stop. I was totally absorbed by Juliet Nicolson's large-souled approach to family memoir down the generations, drawing the reader into lives that reverberate with achievement and suffering... movingly original
—— Lyndall GordonA moving and very revealing account of seven generations of strong and yet curiously vulnerable mothers and daughters
—— Julia BlackburnAn outstanding book about a gifted, unconventional family told through the female line. Insightful, painfully honest, beautifully written and full of love, wisdom, compassion, loss, betrayal and self-doubt. A House Full of Daughters will resonate down the years for all who read it
—— Juliet GardinerAn engaging memoir in which Nicolson lays bare discoveries about herself, but also gives a fascinating inside take on her renowned, and already much scrutinized, forebears. She also has much that is thought-provoking to say about mothers and daughters, marriage and the way in which damaging patterns can repeat down generations.
—— Caroline Sanderson , BooksellerNicolson is perceptive on difficult mother-daughter relationships.
—— Leyla Sanai , IndependentA fascinating personal look at family, the past and love.
—— Kate Morton , Woman & HomeBeautifully written history… She has as easy and elegant a style as her many writer relations, so this book is seductively readable. It could be described as a late addition to the ‘Bloomsbury’ shelves, but that should not put off anyone who feels enough has been said about that particular group. I found it touching and fascinating. In admitting that Nigel Nicolson was a friend, I can say with confidence that he would have been painfully proud of his daughter’s candid confession.
—— Jessica Mann , BookOxygenHighly readable, no-holds barred tale.
—— Jenny Comita , W MagazineNicolson has written a poignant and courageous history.
—— Daily TelegraphThe most enjoyable book to take on holiday would undoubtedly be Juliet Nicolson’s A House Full of Daughters… It is ideal holiday reading.
—— Lady Antonia Fraser , GuardianA simple premise looking at seven generations of women in one family, but it's got all the juicy bits of several novels in one
—— Sarah Solemani , You Magazine[An] ambitious memoir.
—— Lady, Book of the YearAn entrancing book… A poignant, well-written memoir-cum-social history
—— Sebastian Shakespeare , Daily Mail, Book of the YearA fine family memoir.
—— Daily MailThis engrossing book charts seven generations of a family who were obsessive documenters of their lives through diaries, letters, memoirs and autobiographical novels… Interwoven with the personal is a portrait of society’s changing expectations of women, and the struggle to break free from patriarchy. Here, brilliantly laid bare, are both the trials of being a daughter and of documenting daughterhood in all its complexity.
—— Anita Sethi , ObserverA charming book about the female side of Nicolson’s family tree.
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