Author:Michael Hall,H.R.H The Prince Of Wales
"Hall’s consummate history is not just the story of the evolution of one of the world’s great collections… The book is also a through-the-keyhole insight into the shifting tastes, good or bad, of 1,000 years of monarchs."
- The Times
The Royal Collection is the last great collection formed by the European monarchies to have survived into the twenty-first century. Containing over a million artworks and objects, it covers all aspects of the fine and decorative arts, from paintings by Rembrandt and Michelangelo to grand sculpture, Fabergé eggs and some of the most exquisite furniture ever made. The Royal Collection also offers a revealing insight into the history of the British monarchy from William the Conqueror to Queen Elizabeth II, recording the tastes and obsessions of kings and queens over the past 500 years.
With unprecedented access to the royal residences of St James' Palace, Windsor Castle and Buckingham Palace, Art, Passion & Power traces the history of this national institution from the Middle Ages to the present day, exploring how royalty used the arts to strengthen their position as rulers by divine right and celebrating treasures from the Crown Jewels to the "Abraham" tapestries in Hampton Court Palace. Author Michael Hall examines the monarchy's response to changing attitudes to the arts and sciences during the Enlightenment and celebrates the British monarchy's role in the democratisation of art in the modern world. Packed with glimpses of rarely seen artworks, Art, Passion & Power is a visual treat for all art enthusiasts.
Accompanying the BBC television series and a major exhibition at the Royal Academy, Art, Passion & Poweris the definitive statement on the British monarchy's treasures of the art world.
This book has the pace of a detective novel, sending fresh blood pulsing through an old tale as Murphy recreates the heartbreaking drama of Van Gogh’s loosening grip on reality.
—— Daily MailMurphy’s revelations are fascinating and add intriguing details to the great crisis of Van Gogh’s life.
—— Michael Prodger , The TimesMurphy’s book rescues the real Van Gogh from the lazy clichés of tea towel memorabilia by painting an electric, nuanced portrait of a man who achieved artistic brilliance despite his mental health issues and not because of them. In doing so, she allows for a version of his history in which her subject’s passion for life, art and humanity blooms like the sunflowers he painted.
—— Daily MailShe knows Provence with an intimacy that’s rare in the ear genre. Her descriptions of the people, their landscape, their customs are unusually detailed… Her second stand-out quality is a doggedness that goes beyond the usual art-historical drives. Relentlessly she wrestles with the book’s central mystery.
—— Waldemar Januszczak , Sunday TimesNo one before has built up such a detailed picture of the people who surrounded the great artist.
—— Martin Gayford , Daily TelegraphLegend has it that Van Gogh cut off the ear to send to a woman he loved, surely one of the most ineffective instances of flirting in cultural history. However, Murphy’s sleuthing allowed her to track down the girl that Van Gogh gave his ear to, who turned out to be a cleaner in a brothel. She also found a document drawn up by Dr Felix Rey, who cared for Van Gogh after the incident, which confirms that the ear was brutally severed.
—— Evening StandardIt is arguably the best-known story in the history of art: Vincent van Gogh lops off part of his ear in a moment of insanity and drops it off at a brothel. The facts behind how the artist mutilated himself and what happened next can now be told for the first time, according to experts, after crucial medical evidence was discovered. Bernadette Murphy, the researcher who discovered the letter and traced the family of the unknown girl, has now speculated that Van Gogh could have been offering his own flesh in a noble but deluded attempt to help heal her.
—— Hannah Furness , Daily TelegraphThe horror of Vincent van Gogh cutting off his ear in 1888 is one of the most famous incidents in art history...Now dramatic discoveries are painting the real story in a new light...When [Bernadette Murphy] presented her research to experts at the Van Gogh Museum in Amsterdam, they were astonished.
—— Dalya Alberge , Daily MailA recently discovered letter from Félix Rey, the doctor who treated Van Gogh in the hospital...was found in an American archive by Bernadette Murphy. The discovery brings an end to a long-standing biographical question.
—— ArtlystBernadette Murphy...discovered a document in an American archive. A note written by Félix Rey, a doctor who treated van Gogh at the Arles hospital, contains a drawing of the mangled ear showing that the artist indeed cut off the whole thing. Murphy...was also able to identify the woman to whom van Gogh gave his ear.
—— Nina Siegal , New York TimesAn Irish-born amateur historian appears to have solved one of the great mysteries of Western art. Bernadette Murphy includes the first-ever reproduction of the diagram in her book Van Gogh’s Ear. Another coup for Murphy is her debunking of the long-circulating story that had dozens, even a hundred or so, of Arles residents signing a petition in late February, 1889, urging the mayor to return the recovering van Gogh to his family or, failing that, put him in an asylum.
—— Globe and Mail (Canada)Her bit of 'research gold' — as one van Gogh specialist called it — came from a drawing in the collection of novelist Irving Stone. 'It’s really quite jarring, after 129 years to see something new come along,” says a van Gogh specialist. 'It’s not Bernadette having an opinion or some theories, it’s really concrete stuff she's uncovered...The really great thing about what she has done is that she has traced back this information to somebody who was standing next to Vincent van Gogh.'
—— Toronto Star (Canada)The discovery of a drawing by the doctor who treated the artist in 1888 provides comprehensive evidence that Van Gogh sliced far deeper than scholars had thought.
—— The TimesBernadette Murphy has investigated his grisly act with the forensic zeal of a latter-day Sherlock Holmes…no-one before has built up such a detailed picture of the people who surrounded this great artist during his short, unhappy but artistically fertile sojourn in Arles.
—— Daily Telegraph[It] is both intriguing and unexpected.
—— Eastern Daily PressAs meticulous and methodical as the finest fictional sleuth, Murphy studied… She allows for a version of his history in which her subject’s passion for life, art and humanity blooms like the sunflowers he painted.
—— Helen Brown , Daily Mail[It] recounts her formidable detective work.
—— Michael Prodger , Sunday Times, Book of the YearVan Gogh’s Ear is a compelling detective story and a journey of discovery. It is also a portrait of a painter creating his most iconic and revolutionary work, pushing himself ever closer to greatness even as he edged towards madness – and one fateful sweep of the blade that would resonate through the ages.
—— Joanna Carter , App Whisperer, Book of the YearBernadette Murphy… Is like a detective on the case of Van Gogh. And she’s excellent – she creates a vivid picture of this strange, troubled genius, and also of what it was like to be in Provence in 1888.
—— William Leith , Evening StandardWith the forensic zeal of a latter-day Sherlock Holmes, Murphy investigates Van Gogh’s grisly act of chopping off his own ear.
—— Daily TelegraphThe results of her [Murphy's] tireless research to us reveals, too, a fascinating picture of life in the 19th-century Province... Murphy is terrier-like in her pursuit of the facts... and didn't stop digging until she'd found the whole story
—— Fortean TimesHis enthusiasm is infectious... This is not just about one ancient industry – somehow, superbly, it's about industry itself
—— William Leith , Evening StandardCombining what is clearly a life-long love of art with an admirable depth of knowledge, Barnes brings a novelist’s eye to the gallery wall and, with this, a fresh, accessible approach to the stories being told in each painting.
—— Lucy Scholes , IndependentThought-provoking, beautifully presented, tender.
—— Rachel Joyce , ObserverBarnes has a wonderful eye for what makes a good picture, and a command of language that again and again allows readers to share what he sees.
—— Andrew Scull , Times Literary SupplementWell-informed and deeply admiring, but never didactic.
—— Prue Leith , Woman and Home[It] gave me a new confidence in how to engage with, understand and, more importantly, enjoy wandering around an exhibition.
—— Mariella Frostrup , ObserverFor those…insecure when viewing art, not always sure how to decode it or emotionally engage with it, this offers a lifeline…Utterly compelling.
—— Mail on Sunday , Mariella FrostrupA typically elegant ad absorbing book by one of t great contemporary English Writers, and with strong Gallic undertones – a wonderful set of essays about artists, many of them French, covering the period from Romanticism through to modernism.
—— Terry Lempiere , GuardianOpinionated, enthusiastic, witty and beautifully written.
—— Charlotte Heathcote , Sunday ExpressJulian Barnes is best known for his fiction...but he's also an excellent art writer... Peppered with personal insights and select historical detail, each piece is as engaging as the next
—— Millie Watson , Citizen FemmeUnusually moving.
—— William Leith , Evening Standard