Life as a pinball [. . .] all the time absorbing history and art and adventurous travel. A black man pursuing culture and pursued by prejudice, pinging against the glamour and the pitfalls of the antiques trade. A surprising story, like many of the objects he appraises on the Antiques Roadshow.

Ronnie has told me stories from his past over our years together on the Antiques Roadshow. But, reading his autobiography, all I can say is, yes, I am surprised. Is there anything he hasn't done? Ronnie has overcome a heart-breaking start in life to achieve great success and no one deserves it more. What a dude, what a life!

A gripping memoir about overcoming an abusive childhood...A fascinating rollercoaster read, very well told..full of devastating cruelty and remarkable strokes of luck

There is so much more to Ronnie than meets the eye. Reading everything he has overcome and all that he has achieved gives you a deeper, richer understanding of the man and why he finally feels able to count his blessings.

A brilliant memoir by Ronnie Archer-Morgan. His is a mercurial memoir of a meritorious life.

Told with warmth and candour, this 'memoir of finding life's treasures' is involving, surprising and memorable.'

he provides a fascinating new insight into his life at the time they were written, and the lives of his fellow Beatles ... This, then, is a book for dipping into and sampling at leisure. It allows us to see some of the most familiar songs ever written in new and surprising ways ... [it] will not only thrill Beatles obsessives but fascinate anyone who has ever sung along to a Lennon and McCartney tune. Which must, surely, include half the world or more.

a feast for the eyes. Dyed-in-the-wool Beatles fans will be bowled over by the sheer profundity of unpublished photographs, previously unseen lyrics sheets, journal entries, paintings, and the like. Indeed, The Lyrics easily represents the finest collection of illustrations associated with McCartney's life and work. And it's beautifully rendered, to boot. Drop-dead gorgeous as books go

the two things it reveals - an unrelenting work ethic and the picture-painting imperative of the storyteller - are the twin pillars of his life's work, as revealed here in random reflections on 154 selected songs spanning 64 years ... it's this up-front abdication of control, of responsibility and ultimately of authorial meaning that makes McCartney's story, and his open-handed attitude to a monumental body of work, so engaging.

Nothing comes close to Paul McCartney's breezeblock of a title ... Combine this monumental lyrics collection with Peter Jackson's Get Back and many Beatles fans won't come out again until the clocks go forward. Paul McCartney says this is as close as he will get to an autobiography and no wonder - his life is in every line of these songs. Each alphabetical entry (a smart arrangement that opens up a trove of lesser known McCartney lore) is not only accompanied by a wealth of wonderful photographs and memorabilia (the lyrics to Carry That Weight on Apple notepaper!), but also McCartney's own recollections and analysis. "Mostly, we were writing to the world," McCartney says about I Want to Hold Your Hand. The Lyrics makes it a pure joy to reach out for these songs once again.

a rich, enjoyable and beautifully presented treat

To read over the words to these 154 songs is to be impressed not merely with McCartney's productivity but with the fertility of his imagination and the potency of his offhand, unfussy style ... giddy playfulness and unguarded experimentation. They're a joy to read because they exude the joy their maker took in their making.

The text is accompanied by beautifully reproduced illustrations, including personal snapshots, formal portraits and memorabilia. The result is a hybrid of collected lyrics, memoir and picture book, a composite form resembling the all-round character of McCartney's musicality ... The Lyrics is a rewarding portrait of an exceptional songwriter.

From All My Loving to Your Mother Should Know, the former Beatle illuminates a life spent puzzling how to get from the beginning of a song to its end

Paul McCartney's storied career has been a long and winding road paved with songwriting gold. Thankfully, these fab volumes do it justice

engrossing ... reading it is like watching genius - which McCartney undoubtedly was and fitfully remains - in the process of creation, summoning something out of nothing

The Lyrics is stunningly beautiful and a masterpiece of book design, a true joy for bibliophiles. Paul McCartney has fashioned, through the explorations of his songs with the poet Paul Muldoon, a fascinating insight into his life and creative genius. The booksellers of Waterstones are proud to celebrate this magnificent and deeply original book.

This lavishly produced two-volume boxed-set, which took five years to compile, is destined to be under many Christmas trees.

The Beatles used to chuck lyric sheets in the wastebasket after recording a song: Linda McCartney fished them out and saved them. The Lyrics is the deluxe version of her scrapbook, a ... handsome, two-volume compendium of Paul McCartney's work as a lyricist, accompanied by photos and Macca's engaging reminiscences.

Paul McCartney never wrote an autobiography. He argued that his remarkable life story is "all in the songs" - the hundreds upon hundreds of timeless, instantly engrossing classics that have become the soundtrack to Western culture. One hundred and fifty-four of these musical gems are gathered in The Lyrics - a gripping commentary on the inspiration for the tunes, their making and the characters they portray. ... McCartney's commentary throughout feels candid, enlightening and at times philosophical. His insight into the makeup and meaning of the lyrics is illuminating and entertaining, adding layers of depth to the already rich texture.

Sir Paul has arranged 154 favourite compositions alphabetically, with lots of glossy photos. But in the essays that accompany each song, his underlying purpose is to affirm his status as a writer ... what fan will not enjoy a meander that feels like a long private audience with one of the Fab Four?

Paul McCartney's delicious The Lyrics is a treasure trove. Gloriously illustrated with old snaps, posters with the Beatles' bottom-of-the-bill, handwritten set lists, lyrics on scraps and exhausting tour lists criss-crossing Britain.

The Lyrics is sumptuously made to a standard associated with high-end art publishers. It is lovely to hold and to touch and to look at. There are countless beautifully reproduced photographs, of McCartney - who in his younger years ravished the lens - his mother, father, brother and aunties, his wives, his children, his friends and notable collaborators. Many of the pictures are published for the first time. There are also handwritten lyric sheets festooned with doodles, scribbled diary entries, gig posters, newspaper reports, pictures of first pressings ... This book is ... more like an autobiography, done McCartney's way. Rather than publish a conventional life story, he has opted to tell this life through songs and pictures ... His eloquence is found in his art: next to the splendour of the songs ... The book showcases McCartney's lyrics ... the songs make up a larger canvas, or mosaic, that the artist himself is only now stepping back to contemplate.

Stating in the introduction to this two-volume gift edition that he has no intention of writing a memoir, Paul McCartney presents his songs as the next best thing, leaving us to mine their words as a guide to his life and world view.

These two beautifully produced hardbacks give a lot of bang for your buck. Macca recalls the inspiration behind 154 of his songs and the collaborative process of writing them, his stories taking in Lennon, Linda and fame, and there's a trove of photographs and memorabilia from his personal archive. He says the time has never been right to write a full memoir, but this collection is brimming with insights into the man and the music.

In his new collection of essays, A Little Devil in America, the poet and critic Hanif Abdurraqib surveys this sprawl of expression. Here he charges himself with quite an ambitious task, pinning down and contextualizing the historic scale of such a globally significant cultural output, and it is one that would appear to call for an equally ambitious scope... Contemplations of legendary voices, sleights of hand, and charismatic choreographies are in dialogue with his own stories of grief, love, faith, and the search for freedom within the confinements of borders and a body...Abdurraqib expands the conception of "performance" to include the whole realm of behavior and culture...Playfulness, seduction, artistry, and reinvention: Abdurraqib wants us to know that these devilish gestures have their place, too, among the saints that line the corridors in this tiresome, captivating, and essential struggle

In A Little Devil in America, Abdurraqib walks readers through Black archives of dance, film, social struggle, and song as though these "intimate histories" of performance (as Saidiya Hartman calls them) could free us from anything that misses the beat. For this collection of essays, he does the work of a DJ: he digs through the crates, selects the most appropriately unexpected songs/topics/subjects, builds a collage between cuts and scratches, and presents his set. His books are soundscapes in print, and I was somehow listening to each sentence as if it were a breakbeat of personal narrative and socio-historical commentary...Hanif is one of the most exciting writers of his generation

Abdurraqib, known for his playful, intelligent sense of humor on Twitter, highlights amazing performances that shed light on societal constructions and moments of sheer joy his book about Black culture in America. Writing about joy is challenging; falling back on cliche is a constant temptation that Abdurraqib avoids in this insightful tome

That sense of limitlessness wraps itself around every essay in Abdurraqib's newest book, A Little Devil in America: Notes in Praise of Black Performance. In it, he writes about Black performance in America-from Great Depression-era dance marathons to the enduring cool of Don Cornelius to the art of Mike Tyson entering a boxing ring-with both great reverence and rigorous analysis. The book, in the way Abdurraqib's work so often does, erects monuments to our should-be legends and our unignorable icons alike, and paints an expansive, deeply felt portrait of the history of Black artistry

This deft consideration of seemingly irreconcilable values, between the personal and private dimensions of performance, can be found throughout the essays in A Little Devil in America...Abdurraqib sees performance as a site of radical questioning, experimentation, and dream-making. This book is not a work of theory. It is sensual. We watch him watching his idols and we watch him dancing along with them, sometimes clumsily. If Brooks's goal is to make a case for performers' intellectualism, Abdurraqib's is to help us understand how they teach us to live richer, more embodied lives

Engrossing and moving ... A new, poetic take on essays that, I think, changes the game in many ways.

Astonishing, impressive ... the connections he makes point to the enduring influence of Black art ... a book as bold as it is essential

I absolutely love this book. It's incredible and so well written. I keep trying to find fault but so far no joy - It's so good

[John Yorke's] writing book is arguably possibly almost as good as mine, all right it's loads better shut up

Probably, in the hackneyed phrase, "the last book on screenwriting you'll ever need." He is very good at debunking the claims of some screenwriting gurus, all of whom are busy trying to sell you their own particular brand of snake oil. It's truly excellent

Of all the books I've read about story construction and the art of fiction, this one is the most comprehensive and concise