Author:Richard Kemp
Green: Enter without explosives or firing unless enemy targets are identified.
Amber: Enter firing. No explosive entry.
Red: Explosive entry using a grenade or charge. Enter firing at will.
What happened in Helmand's Sangin Valley in the spring of 2007 was nothing short of extraordinary. After the last gasp defence of the platoon houses by the Paras that preceded them in theatre, the soldiers of the Royal Anglian Regiment arrived in Afghanistan charged with taking the battle to the enemy. Despite brutal, debilitating conditions, the tour that followed became a bloody lesson in how to conduct offensive infantry warfare. Over a six-month tour of duty, the 'Vikings' battlegroup unleashed hell in heavy, relentless fighting that saw teenage soldiers battle toe to toe against hardcore Al Qaeda and Taliban warriors at unprecedented levels of ferocity.
The stories that emerged from the Sangin Valley, defined by bravery, comradeship, endurance and, above all, aggression, are remarkable So much so that Sandhurst manuals were re-written to incorporate the lessons of the campaign. But the fight was far from one-sided. May 2007 saw the Anglians suffer the highest number of British military casualties in any single month since the end of World War II. And those that did return home came back changed by the intensity of the experience.
In Attack State Red, Colonel Richard Kemp, a former Commanding Office of 1st Battalion, The Royal Anglian Regiment, and Chris Hughes, the Daily Mirror Security Correspondent, tell the story of the Royal Anglian's deployment for the first time. Combining the strategic insight of 3 Para with the adrenaline charge of Sniper One, they have produced the most dynamic, substantial and visceral account of the war in Afghanistan that's ever been written.
Wonderful stuff
—— Sunday TimesFascinating, delightful, illuminating. The diarists soon become like old friends ... and make our wartime past seem no more distant than yesterday
—— Mail on SundayIt's always easy to imagine people in this period becalmed in a sepia-toned limbo. This book tells the messy, but far more interesting, truth
—— Time OutFew books have so successfully stepped inside the minds of the British people during wartime
—— MetroA fascinating account of everyday life in Britain
—— Good HousekeepingVibrant, lyrical and engrossing
—— Daily ExpressA mesmerising read
—— BBC HistoryOne closes the books with the odd sense of saying farewell to a group of interesting and interestingly different individuals one might have encountered on a long journey
—— Sunday TimesI love these diaries. They have the attraction of being stories, but REAL stories - better than any novel
—— Margaret ForsterIn her group biography of three monarchs, Carter has succeeded in painting their personalities in vivid colours...she brings an excellent biographer's eye for the telling detail...the great appeal of this book lies in it narration and comparative analysis of the life and personality of her imperial subjects...well-researched and expertly written...an engaging and remarkably even-handed portrayal
—— The Times Literary SupplementThat these three absurd men could ever have held the fate of Europe in their hands is a fact as hilarious as it is terrifying. I haven't enjoyed a historical biography this much since Lytton Strachey's Victoria
—— Zadie SmithMiranda Carter writes with lusty humour, has a fresh clarifying intelligence, and a sharp eye for telling details. This is traditional narrative history with a 21st-century zing. A real corker of a book
A highly original way of looking at the years that led up to 1914
—— Antonia Fraser , Sunday Telegraph Books of the YearCarter deftly interpolates history with psychobiography to provide a damning indictment of monarchy in all its forms
—— Will Self , New Statesmen Books of the YearA depiction of bloated power and outsize personalities in which Carter picks apart the strutting absurdity of the last emperors on the eve of catastrophe
—— Financial Times Books of the YearTakes what should have been a daunting subject and through sheer wit and narrative élan turns it into engaging drama. Carter has a notable gift for characterisation
—— Jonathan Coe , Guardian Books of the Year