Author:Donald Macleod,Donald Macleod
He was a revolutionary, an innovator, a disruptor. A man who accomplished incredible success, but endured serious personal hardships. A legend who changed the way audiences listen to music and whose melodies still resonate today, 250 years after his birth.
Go on a journey to explore the life and works of arguably the greatest composer in history: Ludwig van Beethoven.
Join Donald Macleod, presenter of BBC Radio 3's Composer of the Week, as he brings Beethoven vividly to life: from his childhood in Bonn to how he won over the aristocratic music circles of Vienna, from the creation of his timeless works to the tragic loss of his hearing - and everything in between.
Beethoven the legendary composer is just part of the story. In this exclusive BBC Audio release, other sides to his personality will be revealed, such as the man who experienced ordinary difficulties in family, friendship and love; and the playful character who introduced the scherzo (literally, "joke") into symphony.
Over 60 episodes, this radio masterpiece includes more than six hours of Beethoven's timeless music performed by the BBC Philharmonic and BBC Symphony Orchestra.
BBC Philharmonic / Gianandrea Noseda (conductor):
Symphony No 4 B flat major, Op 60
Symphony No 5 in C minor, Op 67
Symphony No 6 in F major, Op 63
Symphony No 8 in F major, Op 93
Overture from Die Ruinen von Athen, Op 113
BBC Symphony Orchestra; Sakari Oramo (conductor):
Symphony No 3 in E flat major, Op 55
Leonore Overture No 2
BBC Philharmonic / Vassily Sinaisky (conductor):
Fidelio Overture
BBC Philharmonic / Juanjo Mena (conductor):
Musik zu einem Ritterballet Woo.1
Egmont overture
Symphony No 7 in A major, Op 92
Khatia Buniatishvili (piano):
Khatia Buniatishvili appears courtesy of Sony Classical
Excerpts from:
Piano Sonata No.17 in D minor, Op.31 No.2, "The Tempest"
Piano sonata No.19 in G minor, Op.49 No.1
Piano Sonata No.23 in F minor, Op. 57, "Appassionata"
Written and presented by Donald Macleod
Produced by Martin Smith, Chris Taylor, Sam Phillips, Mike Evans, Amelia Parker, Amy Wheel
Consultant: Dr Erica Buurman
Commissioned by BBC Radio 3
Music copyright restrictions mean that the musical interludes in this programme are provided as punctuation to the narrative, rather than a direct illustration.
An extraordinary encounter with a wildly fascinating and astonishingly ill-known region... This is a wonderful book.
—— Sunday TimesThe ultimate quest for the oddest objects - pianos - in the most unlikely place - Siberia. But Roberts makes it much more than that, an elegant and nuanced journey through literature, through history, through music, murder and incarceration and revolution, through snow and ice and remoteness, to discover the human face of Siberia. I loved this book.
—— Paul TherouxAn impressive exploration of Siberia's terrifying past.
—— GuardianAn exuberant, eccentric journey through Russian vastness, European history and Russian culture, The Lost Pianos of Siberia is a quixotic quest, a picaresque travel adventure and a strange forgotten story, all wrapped into one fascinating book.
—— Simon Sebag-MontefioreWhat shines through in this book is Roberts' genuine, humane affection for and fascination with the people she meets in Siberia.
—— Literary ReviewA stunning example of modern historical travel writing
—— IndependentA richly observed cultural history... thrilling.
—— New StatesmanFascinating account of Siberia’s horrific legacy told with great verve… Roberts is a wonderfully lyrical writer.
—— The ObserverBeautifully written... A unique short history of Russia from Catherine the Great to Putin... A sense of the extraordinary marks every page.
—— History TodayCaptures Siberia's wildness, but favours its enchantments.
—— Times Literary SupplementCourage, patience, erudition and a sympathetic imagination… A travel book of rare quality.
—— Dervla MurphyRoberts achievement is to vividly bring us into a hidden landscape that in an over-travelled world retains its mystique. Through her painterly depiction of the people she encounters, she infuses the epic with the intimate and reveals how sometimes looking is more important than finding
—— Business Post MagazineUtterly absorbing - a wonderful addition to the story of resilience, tragedy and triumph that are the hallmarks of Siberia. Roberts displays an empathy and understanding worthy of this deeply haunted, strangely fascinating land.
—— Benedict AllenRoberts' writing is beguiling.
—— The iA modern-day Freya Stark.
—— TatlerThe Lost Pianos of Siberia is one of those magical books that captures the imagination and draws you into the beauty and majesty of Siberia. Idiosyncratic in style – part travelogue, part history, part detective trail – it is full of wonderful stories about human endurance through adversity and the transformative power of music in the most remote and forgotten outposts of this vast territory. A book to savour and remember.
—— Helen Rappaport, author of THE LAST DAYS OF THE ROMANOVSUtterly fascinating and revealing to anyone who only knows Siberia through its Great Myth as a forgotten, frozen Nowhere.
—— Christopher SomervilleA thrilling adventure to the ends of the earth, where sunlight glitters in the snowdrifts and the strains of the exile's song floats through the air. Pack your suitcases for Siberia - Sophy Roberts' gorgeous prose will summon you there like a smell.
—— Cal Flyn, author of THICKER THAN WATERWhat worlds this book traverses! From gilded recital halls to the haunts of Siberian tigers; from remote penal colonies to volcanic islands in the Bering Sea: I felt as if I had travelled through places I had only dreamed of, following these magical instruments through landscapes and histories so full of tragedy and hope.
—— Daniel Mason, author of THE PIANO TUNERAbsolutely intoxicating. Such vivid detail, rich atmosphere, heartbreak, and elegance. Sophy Roberts melds research and personal experience to trace the paths of political prisoners, convicts, and conscripts determined to find beauty in exile, and track down the regal pianos now scattered in villages, museums, and storehouses across the largest country on earth. Some cherished and some neglected, these pianos tell of the musical colonization of a continent, and their stories sing.
—— Jonathan C. Slaght, author of OWLS OF THE EASTERN ICERomance and tragedy, gulags and tower blocks, princes and oligarchs and of course tigers and pianos, Roberts captures all the wonder and heartbreak of an entire Empire in one feast of a book.
—— Ben Rawlence, author of CITY OF THORNS and RADIO CONGONot-to-be-missed travel.
—— The TabletBeautifully constructed, clear-eyed and generous-spirited.
—— Will Atkins, author of THE MOOR and THE IMMEASURABLE WORLDStories endure in this compelling debut.
—— WanderlustA noble quest to understand the dazzling respect for music embedded in Russian culture.
—— Country LifeAn intoxicating journey into the wilds of Siberia.
—— Stella magazineAn account of dogged journeys through Siberia from the Urals to the Sea of Okhotsk... Roberts's pages sing like a symphony.
—— Spectator Books of the YearAbdurraqib, known for his playful, intelligent sense of humor on Twitter, highlights amazing performances that shed light on societal constructions and moments of sheer joy his book about Black culture in America. Writing about joy is challenging; falling back on cliche is a constant temptation that Abdurraqib avoids in this insightful tome
—— ForbesThat sense of limitlessness wraps itself around every essay in Abdurraqib's newest book, A Little Devil in America: Notes in Praise of Black Performance. In it, he writes about Black performance in America-from Great Depression-era dance marathons to the enduring cool of Don Cornelius to the art of Mike Tyson entering a boxing ring-with both great reverence and rigorous analysis. The book, in the way Abdurraqib's work so often does, erects monuments to our should-be legends and our unignorable icons alike, and paints an expansive, deeply felt portrait of the history of Black artistry
—— Leah Johnson , Electric LiteratureThis deft consideration of seemingly irreconcilable values, between the personal and private dimensions of performance, can be found throughout the essays in A Little Devil in America...Abdurraqib sees performance as a site of radical questioning, experimentation, and dream-making. This book is not a work of theory. It is sensual. We watch him watching his idols and we watch him dancing along with them, sometimes clumsily. If Brooks's goal is to make a case for performers' intellectualism, Abdurraqib's is to help us understand how they teach us to live richer, more embodied lives
—— Danielle A. Jackson , VultureEngrossing and moving ... A new, poetic take on essays that, I think, changes the game in many ways.
—— Roger Robinson , New Statesman Books of the YearAstonishing, impressive ... the connections he makes point to the enduring influence of Black art ... a book as bold as it is essential
—— TIME Book of the YearAbdurraqib writes with uninhibited curiosity and insight about music and its ties to culture and memory, life and death, on levels personal, political, and universal.
—— Booklist (starred)A towering work full of insightful observations about everything from the legacy of Nina Simone to the music of Bruce Springsteen... a powerful work about art, society, and the perspective through which its author regards both.
—— Electric LiteratureA joyful requiem - emphasis on joyful. Abdurraqib has written a guide for the living as well as a memorial for those we have lost.
—— Los Angeles Review of BooksAs powerful and touching as anything I've read this year, and Abdurraqib has emerged as the Ta-Nehisi Coates of popular culture.
—— James Mann , The Big Takeover