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Billie Holiday
Billie Holiday
Nov 8, 2024 1:38 AM

Author:John Szwed

Billie Holiday

Today, Billie Holiday is an icon – an artist whose voice has weathered countless shifts in public taste, and whose impact on contemporary music is unquestionable. But when eighteen-year-old Billie Holiday stepped into Columbia studios in November of 1933 to record ‘Riffin’ the Scotch’ and ‘Your Mother’s Son-in-Law’, no one could predict the sensation that was about to emerge; marking the beginning of what is arguably the most remarkable and important career in twentieth-century popular music.

Drawing on revelatory new material, including unpublished memoirs and interviews, Billie Holiday is the first account to consider the singer as an artist, her influences, her uncanny voice and rhythmic genius, a number of her signature songs, and her legacy.

Reviews

John Szwed’s swift, conversational and yet detail-rich new biography, Billie Holiday: The Musician and the Myth, communicates its artist-first priorities in the subtitle, and then makes good on them throughout … That’s about as fine a centenary-year gift as anyone had a right to expect.

—— Guardian

Insightful, investigative… entertaining and illuminating … a wonderfully engaging and revealing look at the great Lady Day.

—— The Scotsman

Illuminating account restores to the singer the dignity of a true artist.

—— Observer

A musicologist’s appreciation of the jazz singer… a marvel.

—— Independent

Szwed’s book offers a fresh attempt to understand and explain the nature and scope of Holiday’s achievement.

—— Times Literary Supplement

As with the best of Holiday’s music, this elegant and perceptive study is restrained, nuanced, and masterfully carried out.

—— Kirkus

This is as good an insight into Lady Day as you are ever going to get … It’s not just highly recommended, it’s essential reading for anyone who ever played a Holiday CD.

—— Bebop Spoken Here blog

John Swezed provides facsinating insight into a body of work that still haunts and beguiles.

—— Choice magazine

A beautifully nuanced portrait of one of the greatest musicians of the 20th century – and one whose place in the pantheon of those who used the instrument inside them is assured.

—— Jazz Breakfast

Callow probes in detail into one of the most complex artists of the twentieth century.

—— Daily Echo

Epic survey of Welles’ life and work, Simon again probes in comprehensive and penetrating detail into one of the most complex artists of the twentieth century… The book shows what it was like to be around Welles, and, with a precision rarely attempted before, what it was like to be him.

—— Chris High , Purple Revolver

It’s a great story in print and Callow’s passion made it riveting on stage… Somehow conjuring up all the extravagance that flowed from Orson Welles’s gifted imagination.

—— Darren Slade , Daily Echo

In every way, Callow has captured his subject as he wants him.

—— Victoria Segal , Sunday Times

Biographical subject and author have found their perfect match.

—— Simon Shaw , Mail on Sunday

One Man Band rumbles along… Welles in his middle years is a more engaging prospect than most artists at a similar point. He has been lucky to have Callow as a biographer, balancing warmth with skepticism, fondness with reproof.

—— Anthony Quinn , Guardian

This richly detailed and revelatory biography presents the most frank and intimate portrait yet of Ray Davies

—— CGA Magazine

Rogan does an excellent job of trying to work out what makes The Kinks’ enigmatic frontman tick whilst charting the tumultuous career of a band whose idiosyncratic but brilliant hits are currently enjoying a renaissance

—— Mail on Sunday

This book is a good, solid, factually based read throughout… I imagine nearing six decades of recording history to be squeezed into one book is a task beyond the scope of a lot of authors, but this has been done rather well by Johnny Rogan… Excellent and complex.

—— Reg Seward , Nudge

An engaging and very accessible history book about our modern artistic achievements that, provocatively, also debunks some of the very icons it praises.

—— Simon Copeland , The Sun
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