Author:Charles Burns
And you thought your adolescence was scary.
Suburban Seattle, the mid-1970s. We learn from the outset that a strange plague has descended upon the area's teenagers, transmitted by sexual contact. The disease is manifested any number of ways - from the hideously grotesque to the subtle (and concealable) - but once you've got it, that's it. There's no turning back.
As we inhabit the heads of several key characters - some kids who have it, some who don't, some who are about to get it - what unfolds isn't the expected battle to fight the plague, or bring heightened awareness of it, or even to treat it. What we become witness to instead is a fascinating and eerie portrait of the nature of high-school alienation itself - the savagery, the cruelty, the relentless anxiety and ennui, the longing for escape.
And then the murders start.
As hypnotically beautiful as it is horrifying (and, believe it or not, autobiographical), Black Hole transcends its genre by deftly exploring a specific American cultural moment in flux and the kids who are caught in it - back when it wasn't exactly cool to be a hippie any more, but Bowie was still just a little too weird.
To say nothing of sprouting horns and moulting your skin . . .
Many regard Black Hole as one of the greatest graphic novels, and it's not hard to see why. Burns's black-and-white strips are so cool, and his story - sex, drugs and teenage mutants - grips like a vice.
—— Rachel Cooke , ObserverDrawn in [Burns’] signature woodblock style, and [is] visually memorising
—— Stong WordA bleak but brilliant tale of suburban alienation
—— Marc Chacksfield , ShortListBlack Hole just might be the most perfect book going, if not the sexiest... As startling and evocative a work as the medium has ever produced.
—— Matt Fraction , Art BombMake no mistake: this is a bleak book that tries desperately in its final frames to introduce a note of optimism in resignation. It's also brilliant.
—— Peter Millar , The TimesA tour de force to rival Maus
—— The TimesAn adult and difficult story but [accompanied by] very simple black and white illustrations, comic book style, and it is exceptionally powerful...show the amazing power and depth that can come from a literary story shown through words and images
—— Ink PelletMy pick of next season’s graphic novels.
—— The BooksellerThis incredible fable is rich with subtext and allegory… It is a singularly spectacular graphic novel… Timeless, uniquely insightful into the human condition, witty and poignant.
—— PM Buchan , StarburstWith The Gigantic Beard that was Evil, Stephen Collins has produced a book too profound to be serious, too good for the patronizing pat of mainstream media...In The Beard That Was Evil, Collins has created a total work of art which elevates itself beyond comparison.
—— Nick Hayes , Literary ReviewCollins’s [book] is a love song – or is it? – to facial hair and all who get tangled up in it.
—— Rachel Cooke , ObserverA book to make you sing with the genius of it... A book of revolution, and a beautiful story told with imagination, grace and a lot of pencil lines. And you feel the hard effort on every page. Those individual hairs don’t draw themselves.
—— Rich Johnston and Hannah Means-Shannon , Bleeding CoolIn exquisite pencil drawings, Stephen Collins pursues Dave’s absurd quandary through its logical stages, from infamy to celebrity, from vast scaffolding to hot-air balloons. It’s a timely fable about any government’s attempt to impose conformity on the “becauselessness” of humanity.
—— Paul Gravett , IndependentWith The Gigantic Beard that was Evil, Stephen Collins has produced a book too profound to be serious, too good for the patronizing pat of mainstream media...In The Beard That Was Evil, Collins has created a total work of art which elevates itself beyond comparison.
—— Nick Hayes , Literary ReviewCollins’s [book] is a love song – or is it? – to facial hair and all who get tangled up in it.
—— Rachel Cooke , ObserverA book to make you sing with the genius of it... A book of revolution, and a beautiful story told with imagination, grace and a lot of pencil lines. And you feel the hard effort on every page. Those individual hairs don’t draw themselves.
—— Rich Johnston and Hannah Means-Shannon , Bleeding CoolIn exquisite pencil drawings, Stephen Collins pursues Dave’s absurd quandary through its logical stages, from infamy to celebrity, from vast scaffolding to hot-air balloons. It’s a timely fable about any government’s attempt to impose conformity on the “becauselessness” of humanity.
—— Paul Gravett , Independent