Author:Nicci French
Feel chills down your spine with the thrilling first novel in Nicci French's bestselling killer series
'Undeniably at the top of British psychological suspense writing' OBSERVER
'Utterly gripping . . . I could hardly turn the pages fast enough' 5***** READER REVIEW
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Monday: five-year-old Matthew Faraday is abducted. His face is splashed across newspaper front pages. His parents and the police are desperate. Can anyone help find their little boy before it is too late?
Psychotherapist Frieda Klein just might know something.
One of her patients describes dreams of seizing a boy who is the spitting image of Matthew. Convinced at first the police will dismiss her fears out of hand, Frieda reluctantly finds herself drawn into the heart of the case. A previous abduction, from twenty years ago, suggests a new lead - one that only Frieda, an expert on the minds of disturbed individuals, can uncover.
Struggling to make sense of this terrifying investigation, Frieda will face her darkest fears in the hunt for a clever and brutal killer . . .
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'The twists within the last few chapters left me thinking about it for hours after' 5***** READER REVIEW
'I was really gripped from start to finish' 5***** READER REVIEW
Praise for Nicci French:
'Sophisticated, compassionate, gripping . . . Not many books are as insightful as they are addictive; Nicci French's are' Sophie Hannah
'A brilliantly crafted new crime series' Daily Mirror
'Terrific. The writing is pacy, the jaw-dropping twists are plentiful' Short List
'One of French's hardest-to-put-down novels' Sunday Express
'French is undeniably at the top of British psychological suspense writing, expert in the unguessable twist, supremely skilled at ratcheting up the tension' Observer
'A nerve-jangling and addictive read' Daily Express
Cussler is hard to beat
—— Daily MailThe Adventure Kinf
—— Sunday ExpressThe guy I read
—— Tom ClancyPerhaps the most significant novelist of the second half of the 20th century in Britain. He will have charted our decline and recorded the nature of our bureaucracies like no one else has. He's in the first rank
—— Ian McEwanIt gives the reader, at long last, pieces of a jigsaw puzzle that have been missing for 54 years . . . A Legacy of Spies does something remarkable . . . Like wine, le Carré's writing has got richer with age
—— The Timesle Carré's masterful new novel
—— Jonathan Freedland , The GuardianThe English canon has rarely seen an acclaimed novelist and popular entertainer sustain such a hot streak in old age . . . A Legacy of Spies achieves many things. Outstandingly, it is a defiant assertion of creative vigour
—— The ObserverA Legacy of Spies deploys a complex and ingeniously layered structure to make the past alive in the present once more . . . le Carré has not lost his touch
—— Evening StandardHis writing is as crisp as ever . . . another tale of intrigue which will slip effortlessly into its place in the Smiley canon
—— Daily ExpressWhat are we to make of Smiley? What is his game? Do we like him? Admire him? Every le Carré reader has wrestled with these questions-and A Legacy of Spies brings them to the fore more directly than any previous book
—— Vanity FairIngenious
—— Washington PostUtterly engrossing and perfectly pitched, it is a triumph
—— Daily MailWe are back in the more interesting territory of moral uncertainty and failure. What, Smiley asks, was he fighting for?
—— TLSThe literary event of the Autumn
—— Evening StandardI have re-read The Spy Who Came In From The Cold over and over again since I first encountered it in my teens, just to remind myself how extraordinary a work of fiction can be
—— Malcolm GladwellHe can communicate emotion, from sweating fear to despairing love, with terse and compassionate conviction. Above all, he can tell a tale. Formidable equipment for a rare and disturbing writer
—— Sunday TimesThe best spy story I have ever read
—— Graham Greene on The Spy Who Came In From The ColdA literary master for a generation
—— ObserverGeorge Smiley is our favourite fictional spy
—— Sunday Expressle Carré has made and peopled a myth. Myths do not age
—— Financial TimesDeeply moving in its portrait of a man adrift in a climate he no longer understands
—— Metro[As] labyrinthine as you'd expect ... le Carré has always been a master
—— The TabletRazor-sharp insight from the battle-weary Guillam and fascinating glimpses into the murky spycraft at the height of the Cold War only add to the joy of this sublimely accomplished thriller
—— The PeopleThis is a truly wonderful, morally complex, politically astute novel written with elegance and panache . . . the visceral thrill of its twists and its complexities, its edge-of-the-seat qualities
—— Scotland on Sunday[Le Carré's] writing has lost none of its pith or potency . . . his powers of invention have kept up with the pace of an ever-changing and complex world'
—— The ScotsmanThrilling and fascinating - a satisfying close to the saga
—— The IndependentThis sublime thriller
—— Sunday MirrorThis really is vintage le Carré
—— Mail on SundayIt's brilliantly done and very enjoyable
—— Prospect[A] late-career triumph
—— 1843 MagazineA splendid novel
—— Sunday TimesAn immensely clever piece of novelistic engineering
—— GuardianAli Land's Good Me Bad Me is an intensely compelling exploration of nature versus nurture wrapped up in a page-turning psychological thriller. Darkly disturbing and beautifully written. What more could any reader want?
—— Sarah PinboroughGood Me Bad Me is an astonishing debut - technically sophisticated and emotionally heart wrenching. So many things are done well - the status jungle of girls school, the psychological dissonance of a dysfunctional family, the internal machinery of damaged children. I thought it was wonderful
—— Helen Callaghan, bestselling author of , Dear AmyOne word: Wow. What a brilliant book - believable, shocking, thought-provoking and utterly compelling. The writing, as well as being so pacey, is beautiful. This feels such a current and original book
—— T R RichmondGood Me Bad Me is a compelling page-turner. Chilling and dark, it grips you and won't let go
—— Rebecca DoneTen pages into Good Me Bad Me, I became an Ali Land fan. Her beautiful, intimate voice immediately tugged me into the heart and mind of a serial killer's daughter and then wouldn't let go. Is there hope for this teenager's new life outside of her mother's horror? Original, intense, and utterly compelling, Good Me Bad Me is not just a terrific thriller but a psychological dive into a young girl's soul. It takes subtlety and perfect balance to maintain a dark tale like this, and Land never once stutters or makes you look away
—— Julia Heaberlin, author of Sunday Times bestseller , Black-Eyed Susans2017's most hotly anticipated psychological thriller
—— StylistA creepy, compulsive thriller I read in one breathless gulp... Good Me Bad Me reveals its shocking secrets slowly while reeling in the reader with all the intricate skill of a spider spinning a web. One not to be missed
—— Red MagazineDark, claustrophobic and thought-provoking. You'll read this outstanding debut while holding your breath!
—— Prima MagazineAn incredible narrative voice . . . Very special and different
—— Radio 4's Open BookTerrifyingly good. The terror of Liz Nugent mixed with the teen angst of Louise O'Neill
—— The Irish Examiner
Frightening and enthralling
Gripping from the first page
—— Elle UKEven the twists have twists
—— i paperChirovici has written a very clever book. The plot twists and turns, backtracks and goes round in circles, so you can never be quite sure where it’s going to go next.
—— Watford ObserverThe Book of Mirrors will keep you up until you’ve finished it
—— MetroTwisty novel full of unexpected developments and untrustworthy characters
—— Sunday Times CultureChilling
—— Steph’s Book Bloga must read
—— FeminaAn intriguing whydunit underpinned by a treatise on memory, as a number of witnesses create a cat’s cradle of conflicting testimony designed to keep the reader guessing to the very end
—— Irish TimesThe Book of Mirrorsengages on a number of levels. Chirovici delights in leading the reader down various blind alleys and keeps us turning the pages
—— Times Literary Supplement