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Breakfast at Sotheby's
Breakfast at Sotheby's
Oct 5, 2024 7:17 AM

Author:Philip Hook

Breakfast at Sotheby's

Breakfast at Sotheby's is a wry, intimate, truly insider-y exploration of how art acquires its financial value, from Philip Hook, a senior director at Sotheby's

When you stand in front of a work of art in a museum or exhibition, the first two questions you normally ask yourself are 1) Do I like it? And 2) Who's it by? When you stand in front of a work of art in an auction room or dealer's gallery, you ask these two questions followed by others: how much is it worth? how much will it be worth in five or ten years' time? and what will people think of me if they see it hanging on my wall?

Breakfast at Sotheby's is a guide to how people reach answers to such questions, and how in the process art is given a financial value. Fascinating and highly subjective, built on thirty-five years' experience of the art market, Philip Hook explores the artist and his hinterland (including -isms, middle-brow artists, Gericault and suicides), subject and style (from abstract art and banality through surrealism and war), "wall-power", provenance and market weather, in which the trade of the art market is examined and at one point compared to the football transfer market. Comic, revealing, piquant, splendid and absurd, Breakfast at Sotheby's is a book of pleasure and intelligent observation, as engaged with art as it is with the world that surrounds it.

Philip Hook is a director and senior paintings specialist at Sotheby's. He has worked in the art world for thirty-five years during which time he has also been a director of Christie's and an international art dealer. He is the author of five novels and two works of art history, including The Ultimate Trophy, a history of the Impressionist Painting. Hook has appeared regularly on television, from 1978-2003 on the BBC's Antiques Roadshow.

Reviews

Reading it is like participating in a hugely enjoyable personal tutorial given by a cultured, witty, clear-eyed, world teacher with a fully functioning sense of humour. A real delight

—— William Boyd , Spectator

Hook's view of the art world is that of the professional auctioneer. In an A-Z format, it is an entire art education contained in under 350 pages. Wry, dry and completely beguiling

—— William Boyd , Guardian, Books of the Year 2013

An auctioneer's alphabet of quirky reflections and off-beat lists such as 'middle-brow artists' and 'fictional artists': an ideal volume for the art-lover's bedside

—— Martin Gayford , Spectator, Books of the Year

How to nail the mad, bad, crazy contemporary art world in print? Sotheby's senior director Hook draws on 35 years' experience in this informal memoir. He unravels, with humour, piquancy and erudition, what drives the economics of taste

—— Financial Times, Books of the Year

It's very hard to write an amusing book about art that has some serious things to say. But Philip Hook has done it. It's more a kind of Lonely Planet guide, written from the perspective of an auctioneer. In places it's a hoot, but it's also very wise here and there, and refreshingly irreverent. Sir William Russell Flint, for example, "painted like Augustus John commissioned by Playboy magazine"

—— Sunday Times, Books of the Year

His delightful Breakfast at Sotheby's is a house sale of a book, a chance for him to clear out 35 years of memories as an art dealer and auctioneer, first at Christie's and then Sotheby's, a rival auction house. Besides the colourful stories, Mr Hook offers various theories about the art world, and keen insight on that vexing question of what gives art value. Amid the well-known answers (provenance, colour, "wall power") are some less obvious observations, both relevant and delightful

—— The Economist

Hicks' enchantment with the tapestry is compelling and her style confident and writerly

—— Daily Telegraph

A beguiling study

—— Financial Times

Ranging from Scorsese to soufflé Schama is a damn marvel

—— Independent

Lively and provocative... This book is a delight

—— Herald

Richardson, a magisterial writer, brilliant critic and deliriously funny raconteur, is a unique, dazzling match for his subject

—— Financial Times

A colossal undertaking that has taken almost his whole life and will enrich yours forever

—— The Spectator

[It] will be on many an art lover's Christmas list this year.

—— Mary Lussiana , Country & Town House

Fond and faintly disturbing.

—— Nicky Haslam , Spectator

A rattlingly readable effort... Greig does a fine job revealing tales one suspects the artist may have wished to keep private.

—— Alastair Smart , Telegraph

Anybody with an ear for a good story, never mind an eye for fine art, will be beguiled.

—— Hephzibah Anderson , Mail on Sunday

Greig's fascinating, intimate biography of Lucian Freud was a revelation. Every question I had about Freud – from the aesthetic to the intrusively gossipy – was answered with great candour and judiciousness… Wry, dry and completely beguiling.

—— William Boyd , Guardian

[Greig’s] perceptive observations and eagle’s eye for detail immediately drew me in.

—— Rebecca Wallersteiner , Vantage

The Freud who emerges in this account is a slippery figure, not only for journalists who tried to explain him but also for his intimates.

—— New Yorker

Mr Greig's is a compelling portrait of a complete amoralist who became a monstre sacré.

—— The Economist

Greig’s portrait glimmers with his eye for the telling detail.

—— Robert Collins , Sunday Times

A mesmerising book, seamlessly crafted, totally absorbing, and impossible to put down.

—— The Tablet

A very readable and enjoyable book, full of salacious detail of the artist and his fascinating life.

—— Julia Weiner , Jewish Chronicle

This intimate biography of Lucian Freud spares no blushes in its account of one of Britain's greatest painters, tracing his life and work through candid revelations about his views on art, relationships and family.

—— Charlotte Mullins , Art Quarterly

Building up brush stroke by brush stroke, Greig has produced a three-dimensional study of equal candour. Part demon, part genius, it is an absorbing portrait of the complexity of a strange human character.

—— Peter Lewis , Daily Mail

An unapologetic mixture of intelligent perception and high gossip... It is, overall, more revealing than anything about [Freud] yet written.

—— Frances Spalding , Guardian

I am captivated by this fascinating memoir... It's an extraordinary read.

—— Barbara Taylor Bradford , Daily Mail

Candid and intelligent.

—— Spear's

A gripping, page-turning vision of Lucian Freud that penetrates deep into the artist's private life.

—— Sunday Times Online

Utterly engrossing and lavishly illustrated

—— Mail on Sunday
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