Author:Bridget Christie,Bridget Christie,Fred MacAulay
The complete first and second series of Bridget Christie’s award-winning series about modern feminism
Comedian Bridget Christie noticed that misogyny, like shiny leggings, has made an unexpected comeback. But did it ever really go away?
Bridget asks why feminism became a dirty word, and whether the modern British woman needs it. From a smell in a well-known bookshop to a pen designed especially for women, she looks at some of the more ridiculous things associated with being a woman. She ponders women's relationship with their bodies via a lap dance, TOWIE and a fish called Michael, asks who has the best sexism in the world, and discusses why twitter is a sexist's natural habitat. She explains what happens when you wear an 'End FGM' badge on a popular TV show, and tries to find a feminist icon who doesn't want to replace the word 'feminism' with 'bootylicious'.
The series’ token man Fred MacAulay helps her remember some of the key incidents which brought her to an epiphany and a call to arms.
Series 1 of Mind the Gap won the Rose D’Or International Broadcasting Award for Best Radio Comedy 2014 and the Chortle Award for Best Radio Series 2014. Series 2 won the Chortle Award for Best Radio Programme 2015.
A fascinating insight into the child star turned superstar, Hindsight lets fans know JT better than ever before
—— OKHis blow-by-blow account of the performance is breathless in its fan-boy enthusiasm and much of the rest of When Ziggy Played Guitar is rooted in its personal impressions. “The by-product of Ziggy’s success was the validation of identity, our identity”, Jones writes, and it’s hard not to be moved by his hero worship.
—— New StatesmanJones is a wonderfully fluent writer, with a terrific knack for atmospheric phrasemaking, period detail and juicy factoids.
—— Daily TelegraphDylan Jones’s account of David Bowie’s rise to superstardom. We’ll eat up anything about the greatest pop star who ever walked this planet.
—— The Herald MagazineThis excellent book looks at the background to that memorable TV event, and its enduring legacy.
—— Choice MagazineUnlike previous Bowie biographies, Jones’ book says less about Bowie and more about the time, reading often, and in a very entertaining way, like a culturally-aware history textbook. For every mention of the miners’ strike or Bloody Sunday there’s a full page devoted to The Velvet Underground or A Clockwork Orange – and these pages are needed to help fully explain how Bowie put together this character who proclaimed "let all the children boogie".
—— whiffytidings.comMeticulously researched by GQ editor Dylan Jones…this 214-page tome enlists the help of people like Bono, Neil Tennant, Siouxsie Sioux and ahem, Tony Blackburn to put those 240 glorious seconds into cultural context.
—— Hot Press MagazineA personal view of one of the most influential moments in pop history.
—— Choice magazineJones's engaging personal tribute to Bowie's glittering talent concludes that 'Ziggy is owned by all of us who were touched that day.
—— Daily Mail, Must ReadThe great chronicler of Hollywood in the late twentieth century turns his critical eye to the cinema and television of the twenty first. Essential reading
—— Colin MacCabeA bold, witty, and brilliantly argued analysis of the role pop culture has played in the rise of American extremism
—— Ruth ReichlYour book was . . . like a bag of pot, with me saying, 'I'm not gonna smoke.' But I was insatiable
—— Quentin Tarantino on EASY RIDERS, RAGING BULLS