Author:Christopher Fowler
In Which Mr May Makes A Mistake And Mr Bryant Goes Into The Dark
On a rainy winter night outside a run-down nightclub in the wrong part of London, four strangers meet for the first time at 4:00am.
A few weeks later the body of an Indian textile worker is found hanging upside down inside a willow tree on Hampstead Heath. The Peculiar Crimes Unit is called in to investigate. The victim was found surrounded by the paraphernalia of black magic, and so Arthur Bryant and John May set off to question experts in the field.
But the case is not what it appears. When another victim seemingly commits suicide, it becomes clear that in the London night is a killer who knows what people fear most. And he always strikes at 4:00am.
In order to catch him, the PCU must switch to night shifts, but still the team draws a blank. John May takes a technological approach, Arthur Bryant goes in search of academics and misfits for help, for this is becoming a case that reveals impossibilities at every turn, not least that there's no indication of what the victims might have done to attract the attentions of a murderer that doesn’t seem to exist. But impossibilities are what the Peculiar Crimes Unit does best.
As they explore a night city where all the normal rules are upended, they’re drawn deeper into a case that involves murder, arson, kidnap, blackmail, bats and the psychological effects of loneliness on Londoners. It's a trail that takes them from the poorest part of the East End to the wealthiest homes in North London - an investigation that can only end in tragedy…
The Lonely Hour ends on the most shocking cliffhanger yet – but if anyone can pull off the impossible, it's the most consistently brilliant, entertaining and educational voice in contemporary British crime fiction, the utterly fabulous Christopher Fowler.
—— Cathi Unsworth , CRIMESQUADA mesmerising, beautifully-written domestic thriller that really stands out from the crowd. I flew through it.
—— Mark Edwards, author of FOLLOW YOU HOMEEngrossing, original and hugely enjoyable.
—— Emma Curtis, author of THE NIGHT YOU LEFTA fabulous read.
—— Woman & HomeA menacing new thriller . . . Expect to be gripped!
—— That's Life!A domestic noir to race through.
—— Sunday MirrorEnjoyably twisty.
—— ObserverA tense and suspenseful domestic thriller . . . will linger with you long after you finish the final page.
—— CultureFlyA compelling, disturbing and beautifully told story. I loved Jane's debut Daughter and adored The Drowning Lesson but Jane has topped them both with Little Friends
—— Diane Jeffrey, author of He Will Find YouCountless psychological thrillers get compared to Big Little Lies; Shemilt's is the real deal
—— PeopleSurefire suspense [. . .] riveting creepiness
—— New York TimesA fantastically clever novel with some wonderful twists
—— Jo's Book BlogPraise for Jane Shemilt
—— -A compelling sense of place, good twists, and a tense, intense ending
—— Sarah Vaughan, bestselling author of Anatomy of a ScandalWe absolutely loved this
—— Richard & Judy Book ClubThrilling
—— Sunday ExpressBuilds layer upon layer of tension in a novel you won't be able to put down
—— Tess Gerritsen, bestselling author of I Know a SecretUtterly gripping. A tautly-coiled spring of suspicion and suspense which builds to a devastating ending
—— Mail on SundayA dark and twisty tale
—— HeatWell-written, taut and tense
—— Wendy Holden , Daily MailTaut and thought-provoking
—— Woman & HomeGripping to the last page
—— My WeeklySuspenseful, brooding
—— Sunday MirrorClever
—— SunDenise Mina is always brilliant, but Conviction is I think her best yet – joyously dark, comic, loads of fun
—— Alison Flood , Observer, *Books of the Year*A pitch-perfect comic thriller
—— Jake Kerridge , Sunday Express, *Books of the Year*Denise Mina gets to the heart of what crime really is. You feel like you are right there, in all the dark nooks and crannies that her characters inhabit
Not a single word is wasted in this beautifully written novel. Unsettling, evocative and staggeringly good, it is possibly Mina’s finest achievement
—— Daily ExpressA wonderfully atmospheric, unsettling read.
—— Louise Rhind-Tutt , iDeeply unsettling and thought provoking in all the best ways
—— Doug Johnstone , Big IssueThe Long Drop is an exceptional book. The pages reek of fifties Glasgow, forming an oppressive backdrop to a true crime story that fascinates and appals from start to finish. Mina’s prose cuts to the bone, laying bare the prideful wickedness of men in a tale that is as often touching as it is frightening. A feast of a crime novel.
—— Stuart NevilleThe Long Drop is a fascinating, quietly insidious work, unsettling but absorbing
—— Marcel Berlins , The TimesIt is a beautifully written book, a masterpiece by the woman who may be Britain’s finest living crime novelist
—— Daily TelegraphThe Long Drop is not just a success and a thrilling read in its own right, but a game-changer for the genre.
—— Stuart Kelly , Scotland on SundayA relentlessly tense and exciting read, every page oozes menace and its core of truth makes it all the more unsettling.
—— Sunday MirrorDeliciously shadowy.
—— Claire Allfree , MetroDark, gritty and chilling, it is steeped in the atmosphere and mores of Glasgow in the 1950s
—— Choice[An] extraordinary story of a 1950s Glasgow murder mystery.
—— Guardian, 2017 Books of the YearThe Long Drop is an extraordinarily unsettling, evocative and compelling novel
—— Laura James , AGA MagazineI’ve been a fan of Ms Mina for a while, but The Long Drop has to be my favourite. The writing is beautiful and more than once I found myself having to pause, just to take in the sheer elegance of the prose. It’s an absolute gem of a book.
—— Abir Mukherjee[O]ne of crime fiction’s most acute observers of contemporary society.
—— Jake Kerridge , Sunday Express, 2017 Books of the YearA wonderfully punchy evocation of a legendary murder mystery, packed with the authentic sights, sounds and intrigues of Glasgow in the late Fifties.
—— Robert Goddard[I] was gripped, impressed by her insight into the mind of a psychopath… A grim novel, but a very good one.
—— Allan Massie , Yorkshire Post, 2017 Books of the YearMina's novels are engrossing, deeply rooted in reality and astutely perceptive about human nature
—— Daily ExpressPowerful, passionate and compelling. Mina can chill your blood and break your heart in the same sentence
—— Mark BillinghamWhy do Scottish writers dominate British crime fiction? With Denise Mina at least, the answer is pure class
—— Daily TelegraphRemarkable… It often seems as if Mina has freed herself from most of the strictures of the thriller format in order to explore altogether more literary territory. It is a pleasure to accompany her. The writing is frequently arresting
—— James O'Brien , Times Literary SupplementCharismatic, grimy masterpiece
—— Jake Kerridge , Daily TelegraphBleak and atmospheric
—— Harriet Lane , Observer