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Cecil Beaton: Theatre of War
Cecil Beaton: Theatre of War
Oct 3, 2024 7:26 PM

Author:Cecil Beaton

Cecil Beaton: Theatre of War

At the beginning of the Second World War the Ministry of Information, through the advice of Kenneth Clark, commissioned Cecil Beaton to photograph the Home Front. Beaton set to work recording the destruction of the Wren churches in the City and the heroism of Londoners under attack. He conducted a survey of Bomber and Fighter Commands for the RAF, which was published with Beaton's own astute commentary. Beaton was an effective propagandist, but his voice, like his photographs, was touchingly elegant. Whatever his subject, Beaton was always a stylist.

Beaton's wartime work for the Ministry amounted to seven thousand photographs, which are now housed with their negatives at the Imperial War Museums. They form a great document both of the landscape of war and of the passing of the Empire. He travelled through the Western Desert and on to Iraq, Palestine, Transjordan and Syria. In 1943 he left for India where he photographed the final days of the Raj in New Delhi and Calcutta before joining the Burma campaign. He ended the war deep in Chinese territory where he witnessed the Nationalist resistance to the Japanese.

Beaton's inherent sense of theatre extended from palatial drawing rooms to the jungle and the desert. Whatever the circumstances he never departed from his radical aesthetic. Theatre of War is published in conjunction with the Imperial War Museums on the occasion of a major exhibition.

Reviews

One of the most beautiful books of the year.

—— Richard Dorment , Telegraph

Showcases Beaton’s grittier side as he captured countries and cultures affected by the Second World War.

—— Esquire

This plush Coffee table book contains the old rogue’s finest work…an eye-catching record of Britain at war.

—— Shortlist

Touching and often harrowing.

—— Huffington Post

Beaton had a supreme understanding of life as theatre, and set out to document the conflict with the same dramatic intensity he had used to capture society girls in the late 1920s and 1930s.

—— World of Interiors

A handsome accompanying book of which the photographer himself would be proud.

—— Country Life

Beautiful.

—— Black & White Photography

Images that by turn show great beauty, document little known frontiers of war, celebrate pivotal individuals, recall forgotten horrors, and allow glimmers of humour in the often-unalloyed tragedy of our wartime reminiscence.

—— Anothermag.com

Beaton … was able to make poetry out of his subject – whether it was a bomber pilot waiting to be called, a shipyard gantry or a child’s face.

—— Daily Mail

Moorehead skilfully weaves…threads of individual stories together to create a web of interconnected lives… broad narrative is dotted with flashes of detail; the colour of a piece of clothing, the wording of a letter… Moorehead captures a sense of hope and vitality among the women of the Resistance, fighting with courage and determination for a future they believed in

—— Elsa Maishman , Scotland on Sunday

Moorehead … takes up the story of four friends in Turin who decided passive resistance was no longer enough [against Mussolini’s reign] and joined a growing partisan movement based in the remote valleys of Piedmont. This is a bittersweet tale, not of betrayal, exactly, but of subtle excision from the script

—— The Tablet

A House in the Mountains is a page-turner… This book is to be welcomed as a highly readable story in its own right, and as an accessible introduction to the role of women in the Resistenza

—— Christian Goeschel , BBC History

A deeply-researched, fast-paced account of the Italian Resistance, a story not widely known to the general reader

—— History of War

This is a highly satisfying conclusion to the author's series. Excellent, well-presented evidence of the incalculable strengths and abilities of women to create and run a country

—— Starred Review , Kirkus

[A] moving finale of a quartet of books on resistance to fascism

—— Economist

[An] encyclopedic new account... a vivid, meticulous tapestry, densely weaving the threads of German and Soviet military strategy, political calculation from Washington and London to Moscow, and war's pitiless human cost

—— Julian Evans , The Telegraph

[Dimbleby] skilfully tracks the shifts and turns of the campaign, sparing no detail . . . a riveting account

—— Tony Rennell , Daily Mail, Book of the Week

Dimbleby tells the story of strategic miscalculation and (self-)deception on all sides, and then Hitler's 'war of extermination', magnificently

—— Allan Mallinson , The Spectator

Amazing . . . fascinating

—— Jeremy Vine

My best history book of 2021 -- a masterful account of maybe the biggest event ever . . . essential!

—— Lee Child

A very open and honest account of a centenarian's life . . . You cannot help but be amazed

—— Who Do You Think You Are?

Embark on an enchanting journey into our country's past hundred years through the remarkable life of Captain Sir Tom Moore

—— Eastern Daily Press

This minute-by-minute retelling tackles the big questions, but also - by drawing on the letters and diaries from the Dresden City Archive - never loosed sight of the experiences of people who witnessed, and suffered, the attach first-hand

—— BBC History Revealed, Book of the Month

It's a wonderful book, so absorbing, thoughtful and thought provoking, I didn't want it to end

—— Maureen Waller, author of London 1945: Life in the Debris of War

The story of the Allied bombing of Dresden in 1945 is well known, but McKay's searing account is in a league of its own. His research is first-class, his writing elegant and emotive. He is brilliant at portraying the city's prewar beauty, grimly powerful on the horror of the firestorm, and moving and thoughtful about Dresden's rise from the ashes. By the end, I was itching to jump on a flight to Germany. That tells you about the skill and spirit of this terrific book

—— Dominic Sandbrook , The Times/Sunday Times Books of the Year
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