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Chromorama
Chromorama
Oct 11, 2024 10:26 PM

Author:Riccardo Falcinelli

Chromorama

The Italian colour bible: a gorgeously illustrated exploration of colour and the modern gaze, from an award-winning designer

'Fresh and exciting, like an unopened packet of coloured pencils. Countless thought-provoking facts to ponder over, beautifully written' Coralie Bickford-Smith, author of The Fox and the Star

Why are pencils yellow and white goods white? Why is black the colour of mourning? What connects Queen Victoria's mauve gown and Michelle Obama's yellow dress?

In Chromorama, acclaimed graphic designer Riccardo Falcinelli delves deep into the history of colour to show how it has shaped the modern gaze. With over four hundred illustrations throughout and with examples ranging widely across art and culture - from the novels of Gustave Flaubert to The Simpsons, from Byzantine jewellery to misshapen fruit, from Mondrian to Hitchcock's thrillers - Falcinelli traces the evolution of our long relationship with colour, and how first the industrial revolution, and then the dawn of the internet age, changed it forever.

Beautifully designed, deeply researched, and written with warmth and wit, Chromoroma is an engrossing account of shade and light, of tone and hue, of dyes, pigments, and pixels. It is the story of why we now see the world the way we do.

Reviews

Completely fascinating . . . I had no idea I knew so little about colour, Chromorama explodes the myths and fills in the blanks. A wonderful book.

—— Lauren Laverne , BBC Radio 6

Fascinating. A mine of ideas and questions, suppositions and facts. Although Keats mourned the rainbow's unmaking, Falcinelli, in drawing his myriad-hued references together, weaves a different magic into its arc

—— Rachel Campbell-Johnston , The Times

Brilliant. Chromorama looks at the history of colour in an accessible, innovative and very human way

—— Creative Review

Falcinelli is an esteemed graphic designer and the book has been a success in Italy; it covers a rich subject, familiar to all but so little understood outside a few specialisms that it has endless capacity to surprise. . . The elegant integration of text and images calls to mind John Berger's 1972 Ways of Seeing

—— Literary Review

Fresh and exciting, like an unopened packet of coloured pencils. Countless thought-provoking facts to ponder over, beautifully written. Falcinelli made me see the world in a new light

—— Coralie Bickford-Smith, author of The Fox and the Star

A fascinating montage history of the perception, money and technology behind colour, running across the spectrum all the way from dragon's blood to E120

—— Owen Hatherley, author of Trans-Europe Express

A book that not only makes the world brighter and more complex, but which sharpens our sense of how that world might look differently and might be made differently. Falcinelli has a luminous appreciation for human creativity, and a passionate and quietly radical sense of the richness of experience possible outside of modern mass-production. Chromorama is a luxurious and immersive work

—— Seán Hewitt, author of All Down Darkness Wide

One of the best books on colour I've read. A layered tapestry of stories, insights and ideas, each beautifully and clearly written. I expected to read about things I already knew about, but it kept surprising me in its twists and turns. For anyone interested in colour, it's a must.

—— Marion Deuchars, author of Let's Make Some Great Art

This book is a wonderful celebration of the impact of colour on our lives, and a reminder that so much of the world we take for granted has had the thoughtful eye of a designer behind it

—— Stefanie Posavec, co-author of Dear Data

Dazzlingly beautiful. . . A covetable book, perfectly designed, filled with enchanting images and stories. Falcinelli answers an essential question: what are books for? To remind us that nothing is fixed. Tastes, rules, prohibitions. . . everything changes

—— La Repubblica

One of the most important graphic designers in Italy, Falcinelli takes us on a journey to discover the meaning of colour. With four hundred images featuring comics and architecture, movies and everyday objects, he tells the story of why we understand colour the way we do

—— Il Libraio

A book that you can hear and taste, read and savour. Ranging widely across ideas and images, it follows in the footsteps of Roland Barthes

—— Il Messaggero

A compelling and breathtaking account of the women whose stories have been lost, ignored, or silenced in history. As important as it is remarkable

—— Susie Dent, bestselling author of Word Perfect

Challenging, inclusive and riveting, Janina Ramirez's book is breaking new grounds. This is a history as you've never read before. A unique page turner

—— Olivette Otele, author of African Europeans: An Untold History

Inventive, informative, surprising - this book is a revelation! Seeing so many remarkable women creating so much powerful history rewrites our entire sense of the medieval past

—— Waldemar Januszczak, Chief Art Critic, Sunday Times

As both writer and broadcaster, Dr Janina Ramirez radiates tremendous passion for her subject. To spend time in her company is to soon find yourself intoxicated by the vast drama of human history, with all its far-off wonders, frustrating mysteries, and tantalising echoes that still resonate in our modern world

—— Greg Jenner, author of Ask a Historian and Dead Famous: An Unexpected History of Celebrity

Gripping, incisive, brilliant, Janina Ramirez opens a door into hidden worlds, the secrets of women's lives. She is a detective and guide on this, an eye-opening, wonderful journey into the power, beauty and reality of early women's experiences

—— Kate Williams, author of England's Mistress: The Infamous Life of Emma Hamilton

Women have been consistently written out of our English history, transformed into ciphers, handmaidens, shadows. Janina Ramirez brings them back out into the light - and they glow with agency, power and passion

—— Alice Roberts, author of Ancestors: A prehistory of Britain in seven burials

de Waal is a writer of grace and restlessly enquiring intelligence, and Letters to Camondo succeeds admirably... Edmund de Waal's beautiful book opens a window onto an entire lost world

—— Ian Thomson , Evening Standard

A rich and gorgeous meditation on art and grief... Beautifully written, elegantly odd and wonderfully immersive, this is a book like no other

—— Daunt Books

De Waal's sentences like to take the historical weight of the objects he describes, in prose that often puts you in mind of Bruce Chatwin, that other aesthete magically in thrall to painfully buried European history. He builds a picture of Camondo accumulating belongings in an extravagant effort at belonging... [an] unforgettable book

—— Tim Adams , Observer

De Waal's gentle and thoughtful probing is persuasive and his exploration of the family history after the count's death in 1935 - especially the deaths of family members under the Nazis - is both poignant and unforced

—— Michael Prodger , New Statesman

The form of a series of letters to Camondo... [is] an inspired idea, for it allows de Waal to achieve an intimacy of tone and directness of expression... a powerful address that is both a rupture with and a binding to all that precedes it

—— Laurel Berger , Spectator

A fascinating portrait of the French collector Count Moise de Camondo

—— A Little Bird, *Summer Reads of 2021*

Although women have always made art, for far too long, art history has been told as the story of male achievement. Katy Hessel's The Story of Art without Men is a brilliantly readable and lively corrective. Outraged and celebratory, it's chock-full of female trail-blazers - from the Renaissance until the present day - who forged their way, despite facing the kind of hurdles that would stump most mortals

—— Jennifer Higgie, author of The Mirror and the Palette

Compiled with zip and wit, even the informed reader will learn something new on every page - we really cannot recommend it enough

—— The Fence

A sumptuously illustrated history... at once broad in scope and meticulously researched

—— Breeze Barrington , TLS

This book has blown my mind. Really passionately recommend

—— India Knight , Sunday Times

An extraordinary eye-opener, and very readable ... we badly need books like Hessel's

—— Evening Standard

Hessel's beautifully written 500-year survey is a welcome, necessary, addition to the bookshelves

—— Claire Armitstead , Guardian

Highly readable and lavishly illustrated... a rich storehouse of groundbreaking female art

—— Liz Hodgkinson , The Lady

Astonishing

—— Bella Mackie

This book changes everything. As soon as you open it, it's like you've opened a box of lit fireworks - out soars great artist after great artist. Her retake on the canon has changed it forever

—— Ali Smith , Observer

Hessel possesses that rare quality of a public intellectual, whereby she can distill vast amounts of knowledge and history into something accessible, relevant and joyful

—— Pandora Sykes

Extraordinary

—— L.A. Times
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