Author:Viðar Hreinsson
Comic Sagas and Tales brings together the very finest Icelandic stories from the thirteenth to the fifteenth centuries, a time of civil unrest and social upheaval. With feuding families and moments of grotesque violence, the sagas see such classic mythological figures as murdered fathers, disguised beggars, corrupt chieftains and avenging sons do battle with axes, words and cunning. The tales, meanwhile, follow heroes and comical fools through dreams, voyages and religious conversions in medieval Iceland and beyond. Shaped by Iceland's oral culture and their conversion to Christianity, these stories are works of ironic humour and stylistic innovation.
'A poignant story with a strong authentic backdrop.'
'A wonderfully warm debut novel told with humour, charm and compassion ... I loved it, as will anyone who enjoys reading a good story, delightfully told.'
'A truly lovely and well told story.'
'An absolute delight. Without doubt, the most wonderful book you'll read this year.'
'A warm-hearted debut novel guaranteed to please.'
'A delightfully fresh and original novel with an unexpected sinister streak.'
'This warm first novel set in working-class Soho in the Fifties explores an adult world through a child's eyes ... The author spent her childhood in Soho which perhaps explains the convincing period detail.'
Anshaw's understated, casual tone is made delightful with small details.Vivid images hit home with finishing flourishes . . . Carry The One is an engaging narrative, eloquently told
—— FTCarol Anshaw is one of those authors who should be a household name . . . [a] fine, eloquent novel
—— USA TodaySuperb . . . [Anshaw] has a knack for capturing a personality in a single phrase
—— Financial TimesMoving and engaging . . . Anshaw has written not only a funny, smart and closely observed story, but also one that explores the way tragedy can follow hard on celebration, binding people together even more lastingly than passion.
—— Sylvia Brownrigg , The New York Times Book ReviewWords used to praise Anshaw's earlier novels - witty, warm, intimate, poignant - apply equally well to her most compelling book yet, a wholly seductive tale of siblings, addiction, conviction, and genius . . . Masterful in her authenticity, quicksilver dialogue, wise humour, and receptivity to mystery, Anshaw has created a deft and transfixing novel of fallibility and quiet glory
—— BooklistA brilliant feat of storytelling . . . one of the most intensely vibrant novels I've ever read
—— Boston GlobeFunny, touching, knowing . . . a quiet, lovely, genuine accomplishment
—— Publishers WeeklySplendid . . . sits somewhere between a Jonathan Franzen novel and a collection of haiku
—— Entertainment WeeklyAnshaw is that rare, brilliant, witty writer whose prose is rich and buttery, and whose plotting is as well-conceived and seamlessly executed as that of the most intricate thriller
—— Chicago TribuneIf you love Jonathan Franzen, you'll love this compelling book
—— Entertainment WeeklyGraceful and compassionate . . . Writing with rueful wit and a subtle understanding of the currents and passions that rule us, Anshaw demonstrates that struggling to do one's best, whatever the circumstances, makes for a life of consequence
—— PeopleA fine novel . . . stunning . . . wise
—— TLSAnshaw submerges the reader in gorgeous detail
—— IndependentCarol Anshaw's writing is cool and funny, outraged and sympathetic by turns. The book is full of sharp observations and memorable phrases
—— Literary ReviewBeautiful prose
—— Independent on SundayA series of beautifully detailed snapshots . . . an arresting examination of three intersecting lives, forcefully told
—— Telegraph