Ricochets the reader around the globe, providing a visceral sense of the power and pace of the whirlwind that in the wake the Great War birthed the world as we know it. The result is a kaleidoscopic portrait, brilliantly curated and elegantly executed, of a world on the cusp of modernity

A remarkable book… An amazingly audacious and completely innovative way of writing history … immediate and gripping

An ambitious, original, seductive and important work

Brings this extraordinary time to life with great vividness by evoking key moments from the daily lives of a dazzling variety of people

Emmerson skilfully tells the story of this lingering end to the Great War and Europe’s subsequent and dramatic transformation

Emmerson… vividly bring[s] out…the sheer unpredictability of events, the role of personality and pure chance…that lay behind the tidier narrative which…we label ‘history’

In its intimate details and its grand overviews, Crucible is a compelling patchwork depiction of an era

The fragmented form of Crucible matches its content… Though never formless, Emmerson’s book dramatises that variegated chaos, dodging to and fro across the globe and veering between tragedy and farce, high politics and low culture

Writing in the present tense, the author hops and skips around the capitals of Europe…giving us short, erudite and often colourful snatches of the lives of a series of individuals which when taken together describe the crucible in which the world is changed

Crucible… somehow metastasises into one’s consciousness… The reader is…thrown raw, wet entrails and left to divine them. It’s unsettling, entertaining, aggravating and intriguing

A rattlingly good yarn . . . Matthews has the uncanny ability to transport the reader back in time to the Soviet Union of 1961 . . . a debut novel which deserves a wide readership.

A thoroughly dark and disturbing thriller.

Atmospheric . . . his evocation of the landscape and times is sharp, and the insights into the horrors of the Communist past chastening . . . a powerful and gripping piece of writing.

Based on real events . . . this story is set in a secret Soviet city in 1961. Featuring murder and betrayals, and a flawed but principled KGB man as its hero, it unfolds in the aftermath of Stalinism, amid the scars left by the purges, denunciations and Great Patriotic War. The author, a former Moscow correspondent, knows his terrain inside out.

Gripping and authentic.

'[Matthews] impressive first novel . . . the murder investigation is clever, the science neatly explained . . . and the descriptions . . . are revealing.

Matthews is an excellent storyteller . . . Black Sun is the kind of thriller you want to savour as you turn the pages, suspenseful and thought provoking.

[Frederick Forsyth's] endorsement of fellow journalist Matthews’ totally immersive debut for its “fearsome authenticity” raises the reader’s expectations, and Matthews delivers. To call the novel chilling is an understatement . . . Forsyth claims his wife told him to quit writing because he was too old to travel to dangerous places. Fortunately, there are brilliant new, informed tellers of tales following in his wake.

An impressive debut and it’s not a stretch to say that Matthews’ whole life led him to this book . . . [he] knows the landscape and the people, and his recreation of Cold War-era Russia and the inner workings of Soviet government and society are so good they seem effortless . . . deeply researched and filled with small details and brief scenes that give the setting a cold, clear life . . . the characters are also sharply drawn. A thriller like this lives or dies by its protagonist and Vasin is a breath of fresh air.

A page-turning police procedural . . . . Far beyond a murder mystery, the novel is a textured examination of truth, assumption, and deception. Rich street scenes and dialogue embed in the reader’s mind undercurrents of the paranoia of living in a totalitarian state where neighbour betrays neighbour, colleague denounces colleague, and police gather information to manipulate underlings and bury the secrets of political leaders.

Matthews is especially adept at limning the bureaucratic infighting and political double-dealing that permeate Soviet society . . . the depiction of the forces and behaviours animating Soviet life are compelling . . . well-constructed characters, and the persistence of history is a powerful tidal presence . . . this thriller provides many pleasures.

Magical . . . don’t miss it.

A terrific thriller, knowledgeably written, intricately plotted and the more chilling for being based on a true story.

I was riveted by Lara Prescott’s new novel. I barely stirred from my chair for two days. How does one even begin to talk about this book? It’s all here—the KGB versus the CIA, the sexual office politics of Mad Men, a horrifying new look at the gulag, the tragic love affair between Boris Pasternak and his mistress, a brilliantly-drawn portrait of a time when a single book had the power to change history. I predict that The Secrets We Kept will be one of the most important books of the year.

Lara Prescott’s The Secrets We Kept is trenchant, timely, and compulsively readable. The book thrillingly recalls the period detail of Mad Men, the complex characters of Patricia Highsmith, and the satisfying plots of John le Carre, but ultimately it’s Prescott’s distinctive voice and vision that feel most stirring and relevant. This is a first-rate novel, and it signals the arrival of a major new writer.

The whirl of trench coats and cocktails and midnight meetings on park benches has the heady whiff of classic old-fashioned spy storytelling, brilliantly filtered through Prescott’s thoroughly modern lens.

Sweeping between Russia and Washington, this captivating novel is so assured it’s hard to believe it’s a debut. And it is very easy to see why there’s such a huge buzz about it.

Wholly original and brilliantly realised, The Secrets We Kept hymns the subversive power of great prose whilst ratcheting up the tension with masterly technique.

This is a fascinating story... What is entirely Prescott's own is the story of Irina, and her fellow, more experience, spy Sally Forrester. Sally is a particularly affecting character, and, since this is a book about spies, there is the usual complement of lies and double crossings. Woven into the narrative intrigue are a number of touching love stories, including one which allows Prescott to explore how the McCarthyite "Red Scare" found echoes in a widespread paranoia about gays and lesbians in the US government.

A fascinating fictionalisation.

In this stylish and confident debut novel, we delve into the story behind the story, which is just as enthralling.

It draws the reader into the emotional lives of the characters and their ever-changing roles and personas.

All the pre-publication hype is fully justifiedas American author Prescott’s debut novel turns out to be a truly wonderful blend of historical romance, spy thriller and insights into the myriad aspects of love in troubled times… Loved it.

It transported me back in time and kept me utterly gripped from beginning to end.

An astonishingly accomplished debut: original, fiercely intelligent, pointedly witty, utterly thrilling and gripping. I don’t think it’s an exaggeration to say that this is an epic novel worthy of its topic – Dr. Zhivago and the CIA plot to publish the supposed subversive work in the USSR. The Secrets We Kept is an engrossing drama that works on so many levels. Part thriller, part love story, this reimagining of historical events is very convincing, fact and fictional creativity coalesce perfectly. The result is a beguiling read; the tragedy and iniquity of the story will drain you, but there are moments of joy and triumph too… Block out a couple of days and treat yourself to a wonderful read.

No mere spy thriller, it is, as the typists say of Dr Zhivago, both “a war story and a love story... but it was the love story we remembered most".

What a book!... riveting…This unusual story is both beautifully written and deeply compelling in equal measure…I was utterly swept away by Prescott’s vivid style of writing together with her cast of strong and wonderfully convincing characters. It is rich in historical detail and covers (for me) a fascinating period in history with astonishing lucidity. This really isn’t quite the run-of-the-mill, fast-paced, heart-in-the-mouth thriller I had expected; instead it is SO much more! It is thrilling, and it is pacy, yet it is also deeply emotional and full of zest.

The Secrets We Kept is a brilliantly told story, about a piece of relatively unknown history. It is tense, enthralling and has brilliant female characters. You’ll not be able to put it down and you will think about the characters long after you finish the book. This is one of my books of the year, for sure!

If you’ve read Doctor Zhivago, you’ll get a kick out of this.

Intriguing debut novel

The plot is complicated and the narrative even more so, owing to Prescott’s decision to use multiple first-person narrators in addition to the gossipy first-person-plural voice of the C.I.A.’s pool of female typists (which, incidentally, is highly effective). And Prescott pulls all this off… Prescott’s portrait of Sally Forrester, in particular, and Sally’s love for her colleague, Irina, is emotionally sincere and Prescott acutely captures the isolation inherent in Sally’s professional, social and sexual identity.

Engaging …This is a highly readable novel about the power of literature … The pen really is mightier than the sword

Lara Prescott has managed to summon a vanished world where novels mattered and women didn’t.

Lara Prescott's dazzling debut novel is a sweeping page turner, and now a global literary sensation.

Lara Prescott's absorbing take on the Cold War spy thriller ... doesn't disappoint … Sweeping and ambitious ... It is a tautly written masterclass in blending fiction and fact.

An entertaining read