Author:Irène Némirovsky,Sandra Smith,Patrick Marnham
From the author of the bestselling Suite Française.
Translated by Sandra Smith, with an introduction by Patrick Marnham.
In 1929, 26-year-old Irène Némirovsky shot to fame in France with the publication of her second novel David Golder. At the time, only the most prescient would have predicted the events that led to her extraordinary final novel Suite Française and her death at Auschwitz. Yet the clues are there in this astonishingly mature story of an elderly Jewish businessman who has sold his soul.
Golder is a superb creation. Born into poverty on the Black Sea, he has clawed his way to fabulous wealth by speculating on gold and oil. When the novel opens, he is at work in his magnificent Parisian apartment while his wife and beloved daughter, Joyce`, spend his money at their villa in Biarritz. But Golder's security is fragile. For years he has defended his business interests from cut-throat competitors. Now his health is beginning to show the strain. As his body betrays him, so too do his wife and child, leaving him to decide which to pursue: revenge or altruism?
Available for the first time since 1930, David Golder is a page-turningly chilling and brilliant portrait of the frenzied capitalism of the 1920s and a universal parable about the mirage of wealth.
Her deceptively simply and understated style is best suited to shorter fiction: her touch is light, but with an underlying darkness that bears witness to exile, marginality and existential frustration
—— Aamer Hussein , IndependentThis is a writer of rare power, make no mistake
—— Evening StandardA sordid tragedy that makes us for the thousandth time question the worth of human existence. The impression remains with the reader that it is the work of a woman who has the strength of one of the masters like Balzac or Dostoyevsky
—— New York Times, 1930A powerful description of a man's relentless decline
—— Ian Critchley , Sunday TimesStriking first work, sensitively translated by Sandra Smith
—— Sunday TelegraphA novel that resonates across the pages with the narrative mastery of the griot's voice
—— Wole SoyinkaA hauntingly beautiful elegy for those who killed and died in the service of a history that was not their own. Like Ha Jin's magisterial War Trash, Burma Boy wields the two greatest weapons in the novelist's arsenal - imagination and empathy - to shattering effect
—— James Schamus, producer Brokeback Mountain and The Ice StormOriginal ...often very funny. A magical book
—— Kevin MacDonald, Director: The Last King of ScotlandA riveting read, convincingly imagined and cinematically told. Bandele is a gifted storyteller
—— Linton Kwesi JohnsonA truly fantastic book. A caesarean cut through terrifying and hilarious history
—— Sven LindqvistIt is quite outstanding, full of beauty, pain and truth... We are lucky to have this book
—— Anne Chisholm , Sunday TelegraphThe facts surrounding the discovery of this book are as remarkable as its contents are magnificent... A triumph of indomitability and a masterwork of literary accomplishment
—— Sunday TimesDeftly translated by Sandra Smith, this is possibly the most devastating indictment of French manners and morals since Madame Bovary, as hypnotic as Proust at the biscuit tin, as gruelling as Genet on the prowl. Irène Nemirovsky is, on this evidence, a novelist of the very first order, perceptive to a fault and sly in her emotional restraint
—— Evening StandardAn heroic attempt to write a novel about a nightmare in which the author is entirely embedded
—— Anita Brookner , SpectatorRead this haunting novel, then read [Nemirovsky’s] letters in this edition to feel the full force of the work
—— Fiona Wilson , The TimesWhile marked by poppy wearing and memorial ceremonies, the First World War is also sustained through family history, handed down from one generation to the next. No book better articulates the impact of this narrative than Stephen Faulks’ Birdsong.
—— Lucy Middleton , Reader's DigestA truly amazing read
—— Gail Teasdale , 24housingI’d never read such descriptive literature, and couldn’t sleep at night for thinking about what I’d just read. His [Faulks] portrayal of terror on the battlefield is so powerful
—— Anna Redman , Good HousekeepingMy all-time favourite book
—— Kate Garraway , Good Housekeeping