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Dear Me
Dear Me
Nov 25, 2024 1:30 AM

Author:Peter Ustinov

Dear Me

Sir Peter Ustinov's beautifully crafted autobiography is told with exquisite wit and insight. From his birth in April 1921, it spans his extraordinary career as actor, playwright, film star and director, confirming his early belief that he is 'irrevocably betrothed to laughter'. Ustinov's renowned gift for mimicry is exploited to the full in Dear Me. Eccentric relatives, school masters, sergeant majors and manic Hollywood moguls are all brought unforgettably to life.

Reviews

One for Carry On naysayers as well as the fans, this anniversary insight into a very British world is filled with waspish bon mots, extensive interviews and lots of amusing detail. A comprehensive and warm biography of the key players, as well as the films themselves.

—— Empire

Richard Webber's book is a chronological trawl through the Carry On series covering everything from early successes like Carry On Sergeant, to classics like Carry On up the Khyber ... our most enduring films have been about getting nookie at all costs and the consolations of the biscuit tin. The French got Truffaut, we got Bisto. Bring it on

—— Sunday Times

enjoyable

—— Sunday Telegraph

In this sympathetic, well-researched history, Richard Webber retrieves some of the more lubricious lines lost to the British Board of Censors ... the Carry Ons have become a part of British film history, like Hitchcock and Hammer horror. As vulgar as flock wallpaper, as cheap as fish and chips, they hold a special place in the hearts of young and old alike

—— Telegraph

fascinating

—— GT (Gay Times)

Webber understands the Carry On phenomenon entirely: how it's all about the oddness, the dowdiness, the sheer physical uncomfortableness of the British - and their frank terror of sex, best coped with by laughing at it.

—— Sunday Times

A trip down what's to many of us a happily familiar lane

—— Sunday Telegraph

Sean Wilentz makes us think about Bob Dylan's half-century of work in new ways. Combining a scholar's depth with a sense of mischief appropriate to the subject, Wilentz hears new associations in famous songs and sends us back to listen to Dylan's less familiar music with fresh insights. By focusing on the parts of Dylan's canon that most move him, Wilentz getsstraight to the heart of the matter. If you thought there was nothing new to say about Bob Dylan's impact on America, this book will make you think twice

—— Bill Flanagan, Editorial Director: MTV Networks

Sean Wilentz's beautiful book sets a new standard for the cultural history of popular music in America

—— Leon Wieseltier

Unlike so many Dylan-writer-wannabes and phony 'encyclopedia' compilers, Sean Wilentz makes me feel he was in the room when he chronicles events that I participated in. Finally a breath of fresh words founded in hardcore, intelligent research

—— Al Kooper, musician, record producer and Bob Dylan collaborator

Writing about Bob Dylan's music, and fitting it into the great crazy quilt of American culture, Sean Wilentz sews a whole new critical fabric, part history, part close analysis, and all heart. What he writes, as well as anyone ever has, helps us enlarge Dylan's music by reckoning its roots, its influences, its allusive spiritual contours

—— Jay Cocks, screenwriter for THE AGE OF INNOCENCE and THE GANGS OF NEW YORK

It throws up a wealth of unexpected connections.

—— Ian Thomson , Spectator, Christmas round up

Did you know Bob Dylan loves Eileen Aroon? One of the many facts in Bob Dylan in America.

—— Patrick McCabe , Irish Times, Christmas round up

The result is a broad and brilliantly illuminating appreciation of Dylan as both performer and songwriter up to the present day

—— Belfast News Letter

So charming and so acute that one cannot help forgiving him

—— Daily Express

You need to read this - period

—— Fact
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