Author:Sandor Marai
The Sunday Times Top Ten Bestseller, available as a Penguin Essential for the first time.
'Wonderful. Immensely moving' Daily Telegraph
As darkness settles on a forgotten castle at the foot of the Carpathian mountains, two men sit down to a final meal together. They have not seen one another in forty-one years. At their last meeting, in the company of a beautiful woman, an unspoken act of betrayal left all three lives shattered - and each of them alone. Tonight, as wine stirs the blood, it is time to talk of old passions and that last, fateful meeting.
'Extraordinary. Elegiac, sombre, musical and gripping. An immensely wise book' Observer
'A masterpiece. Works beautifully as a novel of suspense ... whose denouement is as exciting as a detective tale. It is a thrill to read something so startlingly original' Evening Standard
'Utterly compelling. An extraordinary and beautiful novel' Scotsman
'One of those novels which stays in the memory long after it has been put down. A masterpiece' Sunday Telegraph
Magnificent. A spellbinding [story] driven by intense passion
—— The TimesBeautifully realised. Passionate and compelling. Magical
—— John Banville, Irish TimesA lost masterpiece - a brilliant elegy on friendship, one of the most ambitious in literature
—— ObserverNumber Four is a hero for this generation
—— Michael BayA franchise set to eclipse Harry Potter and moody vampires
—— Big IssueAbsolutely brilliant - funny, dark and terribly upsetting, and the voice is incredibly loud and true...a pure marvel
—— Jenny ColganAstoundingly good. An important, touching, powerful and occasionally funny read
—— Adam HillsNina Is Not OK is an entertaining, thought-provoking read...dark, honest, confessional story...shocking, rude and dark ...while being ultimately incredibly moving and hopeful. Nina Is Not OK will have you chuckling, gasping and welling up as you follow Nina's road to recovery and finding out what she needs to do to live the life she wants.
Unexpectedly moving, emotional and funny
—— Richard E Grant , (on Shappi Khorsandi)I finished Nina Is Not Ok in one sitting. Funny, sharp, and heartbreakingly honest, this is Rachel's Holiday for young adults
—— Louise O’Neillmoving, funny and shocking all at once, an almost perfect description of the empty highs and crashing lows of addiction
—— The TelegraphShappi Khorsandi’s debut novel, Nina is Not OK, is a moreish read...Shappi’s writing is raw and connective...
—— Gemma Cairney, THE POOLCompelling debut novel. Nina is ... a vibrant and lovable character. Relentless in her actions, her inner monologues are full of warmth and w uses her comedy skills to great effect in her debut.
—— Irish TimesA brilliant debut
—— Dawn O'Portera powerful book and a cautionary tale... it's also a touching celebration of human determination in the overcoming of adversity.
—— Press AssociationDarkly funny debut
—— Radio TimesFunny and warm, heartbreaking too. Impressive debut!
—— Claire Allanemotional, raw, deeply moving and…funny too
—— The Scotsman...a really rather good YA crossover ... while Khorsandi's novel tackles some pretty big subjects, it does so while making you laugh out loud
—— MetroI really couldn’t put this book down. It’s not just for young people but if you have a teenage daughter, please make her read it.
—— The SunI am loving Shappi Khorsandi's Nina is Not OK, she is making me care about 'Nina' so much that I get anxious on her behalf
—— Jenny EclairOswald manages to make full formed, cool but passionate poems from the micro-moments that the rest of us either ignore or don’t know what to do with – the reflections of a cloud in a puddle, for example. With work free-formed, seductive and strange, Oswald is a terrific poet.
—— Kathleen Jamie , New StatesmanOswald…is a marvellous poet whose work I treasure.
—— Charlotte Higgins , GuardianThis is an often violent, frequently hilarious and always engaging novel that will keep you on the edge of your seat. The text is rich with literary echoes, but Pollock’s deadpan style and imaginative daring are entirely his own.
—— Simon Shaw , Mail on SundayDark, violent and very, very funny, The Heavenly Table is part Western, part crime novel about flawed characters looking for a little bit of happiness as they hurtle into a frightening and uncertain future. It’s a brilliant mix of Elmore Leonard and James Lee Burke – and there is no higher praise.
—— SunThe Association of Small Bombs deftly shifts the reader’s sympathy back and forth between the two men who pull off a relatively insignificant small blast, and the people, sometimes dislikeable, who suffer the consequences. But the moral power of his novel comes from his determination to take individual losses – and choices – seriously, rather than assigning a scale whereby the degree of tragedy is calibrated by high or low body-counts
—— Nilanjana Roy , Financial TimesKaran Mahajan is a writer with great command and acute and original insights. He offers what few can: a stereoscopic view of reality in dark, contemporary times
—— Rachel KushnerThe Association of Small Bombs is...packed with small wonders of beauty and heartbreak that are impossible to resist
—— Dinaw MengestuThe winner of the Man Booker Prize for The Finkler Question pulls off a neat trick in this almost perversely serious comic novel, creating a parallel world to Shakespeare's Venice in the wealthy, cultured Golden Triangle of Cheshire, and peopling it with parallel-ish characters...The author shows full power and ingenuity putting Strulovitch and Shylock in the same place and time.
—— Paul Levy , The SpectatorExplores the meaning of Shakespeare's play, uses its enduring relevance to examine the contemporary world and challenges us to interrogate our prejudices...Energetic, authentic and biting.
—— IndependentThat Shylock should thus materialise for a present-day Jewish protagonist, and become...a confidant, an exemplar...an advisor is a brilliant conceit...a powerful reimagining and reinvention.
—— Adam Lively , The Sunday TimesAlive with humanity and fierce debate, the book offers a nice twist on that notorious pound of flesh.
—— Hephzibah Anderson , Mail on SundayFunny and dark by turns… A gripping tale of love, plastic surgery and that notorious pound of flesh… This warm, witty and brilliantly written book provides a challenging feast for the imagination.
—— Rebecca Wallersteiner , The LadyA master of serious-minded comedy, Jacobson is one of the greats of his generation.
—— Culture WhisperBrilliantly witty inventive.
—— Kate Saunders , SagaA crackling dialectic on fatherhood, faith and what it means to be merciful… The echoes of Shakespeare’s story in Strulovitch’s are obvious…But the quips and the characters are pure Jacobson… It’s a treat.
—— Emma Hughes , The TabletHilarious reimagining of Shakespeare’s The Merchant of Venice.
—— EsquireOffering witty twists to a play long experienced by many as a racial tragedy.
—— Tova Reich , Washington PostAffectionate retelling… At the heart of the novel is the profound question of whether obligation…should be tempered by mercy.
—— Giulia Miller , Jewish QuarterlyEven those familiar with that book will be surprised by the twists now composed by Jacobson, whose most idle words have purpose, as well as point… Clever mockery and racial self-depreciation give the novel its provocative brilliance… Jacobson pours the quality of mercy through a large strainer, but Shylock’s fortitude and unswerving tribal fidelity are offered as a kind of redemption, a way, if you like, of forgiving Shakespeare. And of sending you back to him, not only just to check
—— Mary leland , Irish ExaminerAs characteristically ingenious, witty and dark as his musings on what it means to be Jewish.
—— Simon Shaw , Mail on SundayIt hooks you into a great debate.
—— William Leith , Evening StandardI don’t think any other author writes as well about the experience of Jewishness and he manages to be serious but with that laconic humour.
—— Tony Robinson , Radio Times Christmas Gift GuideAn intelligent, funny and enjoyable novel.
—— Brad Davies , i, Book of the YearFor my favourite novel I’m choosing Shylock is my Name… It’s a dark, witty, provocative re-imagine of Shakespeare…seriously brilliant on many levels.
—— Bel Mooney , Daily Mail, Book of the Year