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Facing Unpleasant Facts
Facing Unpleasant Facts
Oct 28, 2024 5:25 PM

Author:George Orwell

Facing Unpleasant Facts

Volume 11 of The Complete Works of George Orwell

These years saw the publication of The Road to Wigan Pier, Homage to Catalonia, and Coming Up for Air. The most important document that has come to light regarding Orwell's Spanish experiences is the deposition charging him and Eileen with espionage and high treason, a charge unknown to them. This is fully analysed and can now be read in the context of the disputes that then divided the Left, well illustrated by the letters and documents printed here, notably his bitter response to Authors Take Sides on the Spanish War. The correspondence includes that with Yvonne Davet, who undertook the translation of Orwell's books into French; George Kopp, Orwell's commandent in Spain; and a number of Eileen's letters; Orwell's 'Diary of Events Leading Up to the War' (2 July - 1 September 1939); his Domestic Diary (9 August 1938 - 29 April 1940), which records in detail his attempts at running a smallholding; his extracts from Daily Worker and News Chronicle reports on the Spanish Civil War; and his Marrakech Notebook with illustrations are reproduced. Many letters not previously published are included, and there is a large number of reviews. This volume also includes a sequence of letters that throws a completely new light on Orwell's personal relationships.

Reviews

A masterful historical narrative...Remini's impeccable scholarship and lively pen produce what undoubtedly will become the standard account

—— Publisher's Weekly

The Battle of New Orleans is one of the most significant turning points in American history and Robert Remini brings it all back to life in this first-rate, definitive book. Highly recommended!

—— Stephen E. Ambrose

A gem of a book, perfectly formed and beautifully written

—— David Herbert Donald, author of Lincoln

Clever, laconic and racy. A judicious mix between individual stories and the 'bigger picture' . . . engages the mind and emotions

—— Telegraph

A procession of fascinating details . . . he narrates with brio . . . conveys the texture of the times . . . write[s] with clarity and sympathy

—— Spectator

Paxman is particularly good . . . in showing how much a modern perspective distorts our understanding . . . summarises well how class barriers were shattered . . . refreshingly combative in arguing that the war was not futile

—— Prospect

Mixing pragmatism with sardonic observation . . . one is left with a better understanding of how the Great Britain that began the war became more like ordinary Britain, shorn of global power and prestige, by its end

—— Sunday Times

Compelling . . . a moving, incisive and wide-ranging study of why a generation felt going to war was not only unavoidable but necessary

—— Daily Mail

As Bostridge shows in this beautifully written and detailed book, 1914 was a 'fateful year', England was truly never the same again

—— Independent, Book of the Week

Vivid, finely drawn

—— Mail on Sunday

As mesmerising as a great historical novel

—— BBC History Magazine

Authoritative, wide-ranging and thoroughly readable.

—— Adrian Weale , Literary Review

The Good War…can feel one step away from the action but is no less compelling or valuable. His is a chronology of a war of our time; it holds one’s attention and he has done his research.

—— Lyse Doucet , New Statesman

This year saw one of the most audacious biographies I can remember reading: Ruth Scurr's John Aubrey: My Own Life... What we are presented with is a wonderful artificial composite: a fascinating patchwork made up of extracts from Aubrey's notebooks, journals and letters, chronologically rearranged with consummate editorial and novelistic artfulness by Scurr. The result is haunting, memorable and, in the field of non-fiction, unprecedented.

—— William Boyd , TLS, Books of the Year

Scurr wrote the biography Aubrey didn't write - Aubrey's own - in a biographical form that is unique, new and gripping

—— AS Byatt , TLS, Books of the Year

For me, the academic historian, Scurr’s experimental “act of scholarly imagination” has already modified significantly my own historical understanding

—— Lisa Jardine , Financial Times

The marriage of [Aubrey’s] words and Scurr’s is so smoothly achieved that I have no idea where one leaves off and the other intervenes

—— Allan Massie , Scotsman

Scurr’s imaginative feat of retrieval has produced a perfect book for dipping into when you want a taste of what it was like to be alive in the 17th century

—— John Carey , Sunday Times

It is a testament to [Scurr’s] skill that you quickly stop thinking about technique and instead slip happily into the company of the character she has created. The wealth of research and the seams between imagination and reality disappear from view. This is truly selfless biography

—— Daisy Hay, 5 stars , Daily Telegraph

A game-changer in the world of biography

—— Mary Beard , Guardian

A delightful read about the ebb and flow of thoughts in one extraordinary man’s mind

—— Claire Harman , Evening Standard

Drawing on [Aubrey’s] manuscripts and letters, [Ruth Scurr] has fashioned, as chronologically as possible, an autobiography in the form of the diary that Aubrey never wrote. It fits him perfectly… Ms Scurr has done him proud

—— The Economist

Aubrey was a delightful, self-deprecating man ... A conventional biography of Aubrey could easily have become a portrait of the time through which he had lived, allowing the man himself to be overshadowed ... Instead, Ruth Scurr has invented the diary Aubrey might have written, incorporating his own chaotic, sometimes scrappy literary remains to form a continuous narrative. ... lucky him to have been accorded a biography as whimsical as his own self

—— Clive Aslet , Country Life

Scurr’s book illuminates and poignantly captures the voice of a man more often a “ghostly record keeper” in his own writing

—— Carl Wilkinson , Financial Times

John Aubrey brilliantly reconfigures the art of biography

—— David Abulafia , Times Higher Education

Bold and imaginative recreation of the diary of the 17th-century antiquary. It shows how close a scrupulous and unselfregarding biographer can come to the savour of a life

—— Graham Robb , Spectator

A genuinely remarkable work of biographical innovation.

—— Stuart Kelly , TLS, Books of the Year

I’d like to reread Ruth Scurr’s John Aubrey every Christmas for at least the next five years: I love being between its humane pages, which celebrate both scholarly companionship and deep feeling for the past

—— Alexandra Harris , Guardian

Ruth Scurr’s innovative take on biography has an immediacy that brings the 17th century alive

—— Penelope Lively , Guardian

Anyone who has not read Ruth Scurr’s John Aubrey can have a splendid time reading it this summer. Scurr has invented an autobiography the great biographer never wrote, using his notes, letters, observations – and the result is gripping

—— AS Byatt , Guardian

A triumph, capturing the landscape and the history of the time, and Aubrey’s cadence.

—— Daily Telegraph

A brilliantly readable portrait in diary form. Idiosyncratic, playful and intensely curious, it is the life story Aubrey himself might have written.

—— Jane Shilling , Daily Mail

Scurr knows her subject inside out.

—— Simon Shaw , Mail on Sunday

The diligent Scurr has evidence to support everything… Learning about him is to learn more about his world than his modest personality, but Scurr helps us feel his pain at the iconoclasm and destruction wrought by the Puritans without resorting to overwrought language.

—— Nicholas Lezard , Guardian

Acclaimed and ingeniously conceived semi-fictionalised autobiography… Scurr’s greatest achievement is to bring both Aubrey and his world alive in detail that feels simultaneously otherworldly and a mirror of our own age… It’s hard to think of a biographical work in recent years that has been so bold and so wholly successful.

—— Alexander Larman , Observer
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